1.求英语本科毕业论文,题目是《飘》,各种论文,影评,期刊都行,急
《 Float 》 , is my favorite book.Like the beauty of si brave strong, like the rui especially of tactful is resolute, like the outside of the meilanrui soft inside just. For the beauty of si this person thing, my felling is self-contradict, is to dislike the but again and have to respect and admire her.She is a person for having the character very much, loving two men in her whole life, but she didn't an is an understanding of.If she understands the rare gift of a, that she will not love him;If she understands the rui especially, that she will not lose him.She always is to be ungrateful to the rui especially of, she is just not to stop the rare gift of prince- a who make track for oneself's in a dream.She is just to think the characteristics that loves by herself that the rare gift of a have, she just does a gorgeous clothes, letting rare gift of a put on, being in love with him and then.But fact is, she love just that clothes. For her, I am to have to admire of, admire her strong, admire her to the persist of land, admire her ability under the education that that in environment under let go of before be subjected to the farmland stem live, admiring the speech that she can neglect the society but founding own business.Her life contain a few souls, an is her mother.His mother is a madam with expensive very able and gentle and soft typical model, is the person who she respect and admire most .But, mother typhoid for saving the person but ising infect, die.Another, is her more than ten in the last years favourite of person- a rare gift.Her ability stands up in the adverse circumstances, have very greatly a part of reason is a rare gift of a .She the rare to a gift persists unusually.Still have a, is the meilanli .More than ten years that struggle together in, the meilanli has already become her life in the indispensability of a part. I feel that the beauty of si is like a child, persisting to the thing that oneself want unusually, but to the thing that oneself own but disdain to on attend to.An at try very hard to make the oneself happy, a push the happiness to leave constantly again, push the lover toward abyss. The beauty of si is loving is a rare gift of a , but,a rare gift but don't want her.Be like the rui to especially say of, the rare gift of a is a gentleman, just wasing born in an and he inharmonious ages.He still uses the rules of the game of the old world life, will bump only rejection.The beauty of si doeses not understand the a to hope the gift, so she loves him, think that exhausted whole wayses get him, but when she recognize pure he, she did not love him any further. The beauty of si is a contradictory body, can have again who not is a contradictory body?She is in the life of road up all the way walk, be when she face the difficulty, she chooses the accolade, be when she face the responsibility, she chooses to carry, can be she face loving choice is, at first, he choose to hoodwink the oneself, being her to recognize finally pure, to face, but is already the hour already late.But she, at incapable is a dint, will tell the oneself, tomorrow is new day, everythings will like tomorrow, the Tomorrow is another day.She is all an in the whole story full of fire, be filled with the person of the will to fight.I enjoy most of, would be her this" Tomorrow is another day.".Was filled with the hope forever, be filled with the will to fight, can never give up, can never despair.This spirit, the most worthy of I study.So, whenever I meet the difficulty, mood not good, I will tell the oneself then:" Tomorrow is another day.".The another in book make the female that me admire very, would be the meilanli .She is an outside soft inside just of female, she almost owned the whole virtue that female can own.Positive if the rui especially says of, she is a that a handful of expensive madam that he saw win.She is strong, she is patriotic, she uses her heart love nearby all people.When her husband fight, she silent in the rear guard the hon, do the business of her what lies in one's power, be the north guy to beat in the city and she again soon about to deliver child, she still the town settle, being the next stem of the her body infirmity and nobodies to live soon didn't When the rice eat, she similar to beauty of si , let go of past education for be subjected to and sense of superiorities, trail weak of body next stem live, be she see the beauty of si kill a north guy, she did not be rattled, but help to bury the corpse, searching the money, wiping the blood stain, being the war finally end, north guy soldier whom she hate bitterly before arriving at her door request to look after and themselves also have no excessive food, she still fulfil her ability the ground helped them, because she hopes to also have the north guy woman of a good heart afar to her 。
2.《飘》的英语论文
你好Last week, the American Film Institute released its list of the 100 best American films of all time. Not surprisingly, Gone with the Wind placed in the Top 10 (#4, in fact). However, although this epic romantic melodrama is undoubtedly one of the most popular and beloved motion pictures ever to grace the silver screen, it is also arguably the most overrated. Gone with the Wind is a very good movie, perhaps bordering on being great, but its subject matter and running time (which is easily 60 minutes too long) argue against its status as a masterpiece. As for its high placing on the AFI's list。
it isn't the only travesty on that roster, but it is one of the most obvious. Gone with the Wind is, simply put, a tale of two halves. The movie is divided by an intermission into a pair of roughly-equal segments. The first, which is brilliant and consistently captivating, covers the time period of the Civil War, beginning shortly after the election of Abraham Lincoln, and ending during Sherman's march through Atlanta. The post-intermission half, which dishes out the suds, picks up at the end of the Civil War and concludes about eight years later. This portion of Gone with the Wind, while still retaining a degree of appeal and narrative interest, spins its wheels frequently. Nevertheless, viewing Gone with the Wind on television pales in comparison to seeing it projected on a motion picture screen. New Line Cinema has chosen to re-release the film (which is now in its sixth major revival) for its 59th anniversary. (Why not wait a year for the 60th?) Anyone who loves movies but has only seen this one on TV or video is heartily encouraged to visit the nearest participating venue. Theatrically, Gone with the Wind is an entirely different experience from its small-screen counterpart; some of the second-half narrative tedium is effaced by the glorious visuals. With a restored three-strip Technicolor print that preserves all of the original's deep, vibrant colors and digitally-enhanced sound, this picture has never looked or sounded better.。
3.《飘》英文版论文
Last week, the American Film Institute released its list of the 100 best American films of all time. Not surprisingly, Gone with the Wind placed in the Top 10 (#4, in fact). However, although this epic romantic melodrama is undoubtedly one of the most popular and beloved motion pictures ever to grace the silver screen, it is also arguably the most overrated. Gone with the Wind is a very good movie, perhaps bordering on being great, but its subject matter and running time (which is easily 60 minutes too long) argue against its status as a masterpiece. As for its high placing on the AFI's list。
it isn't the only travesty on that roster, but it is one of the most obvious. Gone with the Wind is, simply put, a tale of two halves. The movie is divided by an intermission into a pair of roughly-equal segments. The first, which is brilliant and consistently captivating, covers the time period of the Civil War, beginning shortly after the election of Abraham Lincoln, and ending during Sherman's march through Atlanta. The post-intermission half, which dishes out the suds, picks up at the end of the Civil War and concludes about eight years later. This portion of Gone with the Wind, while still retaining a degree of appeal and narrative interest, spins its wheels frequently. Nevertheless, viewing Gone with the Wind on television pales in comparison to seeing it projected on a motion picture screen. New Line Cinema has chosen to re-release the film (which is now in its sixth major revival) for its 59th anniversary. (Why not wait a year for the 60th?) Anyone who loves movies but has only seen this one on TV or video is heartily encouraged to visit the nearest participating venue. Theatrically, Gone with the Wind is an entirely different experience from its small-screen counterpart; some of the second-half narrative tedium is effaced by the glorious visuals. With a restored three-strip Technicolor print that preserves all of the original's deep, vibrant colors and digitally-enhanced sound, this picture has never looked or sounded better. Gone with the Wind has one of the best-known storylines of any film, due in large part to the popularity of the source material, Margaret Mitchell's best-selling 1936 book. It's essentially a sumptuous soap opera set around Civil War times in the deep South. The main character is Scarlett O'Hara (Vivien Leigh), the spoiled, manipulative daughter of an Irish immigrant plantation owner (Thomas Mitchell, who would later play Uncle Billy in Frank Capra's It's a Wonderful Life). Scarlett has two sisters, but she is by far the most spirited of the three O'Hara girls, and her father, seeing her as his successor, teaches her lessons about the importance of the land. "It's the only thing that lasts。 the only thing worth fighting for," he comments in the face of war. Scarlett is secretly in love with Ashley Wilkes (Leslie Howard), who is about to marry the gentle, demure Melanie Hamilton (Olivia De Havilland). When Scarlett confesses her love to Ashley, he admits his feelings for her, but notes that Melanie will make a much better wife. Immediately after this meeting, Scarlett has her first encounter with the irrepressible Rhett Butler (Clark Gable), the cynical, smart hero who eventually falls in love with her. They are two headstrong likes who simultaneously repel and attract one another. When Scarlett remarks, "You, Sir, are no gentleman," Rhett's smiling, easy response is, "And you're no lady." The bulk of the film follows a romantic quadrangle as it unfolds against the backdrop of war and reconstruction in and around Atlanta and the O'Hara plantation, Tara. Scarlett is in love with Ashley, or thinks she is, but he won't leave his wife. Melanie loves both her husband and Scarlett, who improbably becomes her best friend. Rhett is smitten with Scarlett, and she is clearly interested in him, but the real question is how long it will take for her to recognize the depth of her feelings. Ultimately, when Rhett has finally had enough, he walks out of her life after answering "Frankly, my dear, I don't give a damn" to her plaintive query about what she's supposed to do without him. The pre-intermission portion of Gone with the Wind, which runs about 115 minutes, is glorious from both a visual and an emotional standpoint. It's a grand tale of love and loss in the midst of this country's most bitter war. Most importantly, it shows Scarlett's development from a vain, spoiled brat into a hardened, determined young woman. Her relationship with Rhett is there, but kept carefully in the background. There is sadness, humor, and a number of breathtaking shots of Scarlett silhouetted against a reddish sunset or the backdrop of Atlanta in flames. The film's 。
4.《飘》的英语论文
你好Last week, the American Film Institute released its list of the 100 best American films of all time. Not surprisingly, Gone with the Wind placed in the Top 10 (#4, in fact). However, although this epic romantic melodrama is undoubtedly one of the most popular and beloved motion pictures ever to grace the silver screen, it is also arguably the most overrated. Gone with the Wind is a very good movie, perhaps bordering on being great, but its subject matter and running time (which is easily 60 minutes too long) argue against its status as a masterpiece. As for its high placing on the AFI's list。
it isn't the only travesty on that roster, but it is one of the most obvious. Gone with the Wind is, simply put, a tale of two halves. The movie is divided by an intermission into a pair of roughly-equal segments. The first, which is brilliant and consistently captivating, covers the time period of the Civil War, beginning shortly after the election of Abraham Lincoln, and ending during Sherman's march through Atlanta. The post-intermission half, which dishes out the suds, picks up at the end of the Civil War and concludes about eight years later. This portion of Gone with the Wind, while still retaining a degree of appeal and narrative interest, spins its wheels frequently. Nevertheless, viewing Gone with the Wind on television pales in comparison to seeing it projected on a motion picture screen. New Line Cinema has chosen to re-release the film (which is now in its sixth major revival) for its 59th anniversary. (Why not wait a year for the 60th?) Anyone who loves movies but has only seen this one on TV or video is heartily encouraged to visit the nearest participating venue. Theatrically, Gone with the Wind is an entirely different experience from its small-screen counterpart; some of the second-half narrative tedium is effaced by the glorious visuals. With a restored three-strip Technicolor print that preserves all of the original's deep, vibrant colors and digitally-enhanced sound, this picture has never looked or sounded better.。
5.求飘的历史背景英语论文,尽快,谢谢【悬赏50,如满意追加50】
Abstract : The civil war and the Reconst ruction era are the social background of Gone with the Wind.
The shaping of major characters in this novel is closely related with it s time and social background. Therefore ,
the changes of it s background will absolutely bring changes to the lives of the major characters. This paper
mainly focuses on the changes the South has undergone and the impact these changes have on the main characters.
Key words : major characters ; the civil war ; values
6.哪个有不有写《飘》的英语论文啊
Last week, the American Film Institute released its list of the 100 best American films of all time. Not surprisingly, Gone with the Wind placed in the Top 10 (#4, in fact). However, although this epic romantic melodrama is undoubtedly one of the most popular and beloved motion pictures ever to grace the silver screen, it is also arguably the most overrated. Gone with the Wind is a very good movie, perhaps bordering on being great, but its subject matter and running time (which is easily 60 minutes too long) argue against its status as a masterpiece. As for its high placing on the AFI's list。
it isn't the only travesty on that roster, but it is one of the most obvious. Gone with the Wind is, simply put, a tale of two halves. The movie is divided by an intermission into a pair of roughly-equal segments. The first, which is brilliant and consistently captivating, covers the time period of the Civil War, beginning shortly after the election of Abraham Lincoln, and ending during Sherman's march through Atlanta. The post-intermission half, which dishes out the suds, picks up at the end of the Civil War and concludes about eight years later. This portion of Gone with the Wind, while still retaining a degree of appeal and narrative interest, spins its wheels frequently. Nevertheless, viewing Gone with the Wind on television pales in comparison to seeing it projected on a motion picture screen. New Line Cinema has chosen to re-release the film (which is now in its sixth major revival) for its 59th anniversary. (Why not wait a year for the 60th?) Anyone who loves movies but has only seen this one on TV or video is heartily encouraged to visit the nearest participating venue. Theatrically, Gone with the Wind is an entirely different experience from its small-screen counterpart; some of the second-half narrative tedium is effaced by the glorious visuals. With a restored three-strip Technicolor print that preserves all of the original's deep, vibrant colors and digitally-enhanced sound, this picture has never looked or sounded better.。
7.英语专业毕业论文该怎么写
一.关于本专业毕业论文的选题 英语专业本科生毕业论文选题可以在三个大的方向中进行,即英语文学,语言学和翻译学。
各个大方向中又可以选择小的方向,具体解释如下: 1.英语文学:选择英语文学的毕业论文选题可以从三个方向进行:国别文学研究、文学批评理论研究和比较文学研究。 在进行国别文学研究选题时,一般选取英国文学或美国文学中的某一经典作家(如海明威),某一经典作品(如《双城记》),某一写作手法(如象征手法的运用)或某一文学思潮(如浪漫主义运动)作深入研究。
但在选择作家或作品时最好选择在文学史上作为经典的作家或作品。有个别流行作家或作品极富盛名,容易引起学生的兴趣,如《飘》或《荆棘鸟》,学生有强烈愿望选择它们作为研究对象。
在不可避免上述情况时,应该尽可能地挖掘作品内在的深刻含义,不能流于肤浅的分析。 文学批评理论的选题一般不太适合英语专业本科生,因为该理论知识的学习在英语专业研究生阶段,本科生一般不具备文学批评理论的知识结构。
这个方向的选题可以有关某一文学批评理论,一文学批评术语的阐释或某两种或以上的文学批评理论的比较。 比较文学研究就是将两个以上的作家或作品进行比较。
这两个作品或作家可以是同一国别的(如“雪莱与拜伦的诗歌比较”),也可以是不同国别的(如《牡丹亭》与《罗密欧与朱丽叶》) 2.语言学:选择语言学的毕业论文选题可以在两个大的方向进行:普通语言学和应用语言学。 普通语言学的研究就是对于英语语言的任何一个方面的研究,如对一种词性、或一种时态、或拼写、语调等等方面的研究(如“一般现在时及其交际功能”)。
应用语言学包括教学法的研究和其它一些新兴的应用语言学分支的研究。师范专业或本身从事教师职业的学生选择教学法方向的较多。
在这个方向选题,也要避免过大范围的选题,而应对一个具体问题进行研究,最重要的是要结合教学实践或实验。这个方向的好的选题有:“个性与英语教学”,“方言对英语学习的影响”等。
3.翻译学:翻译学的选题一般可以在两个方向上进行:翻译理论以及翻译活动。对翻译理论的研究就是探讨某一种翻译理论等等。
相比之下,对翻译活动的研究更多一些,这些选题可以是对一种语言现象的翻译、或一种修辞格的翻译的研究(如“汉语成语的英译”)。应该注意的是,在对翻译活动作研究时,往往需要某种翻译理论支撑,总结规律,并对这一活动作出评价,要避免仅仅时例子的罗列。
二.英语专业毕业论文格式要求 学位论文包括前置、主体、附录等三个部分。 (一)前置 1.英文封面:由论文英文题目、解释、作者、指导老师姓名和职称、时间组成。
2.目录:由论文的中、英文摘要、篇、章、条、款以及参考书目、附录等序号、题名和页码组成,排在英文封面之后另页。 3.中、英文内容摘要:摘要是论文的内容不加注释和评论的简短陈述,宜以最简洁的语言介绍论文的概要、作者的突出论点、新见解或创造性成果以及实验方法、数据或结论,是一篇完整的短文,可以独立使用,中文摘要一般在200字左右 4关键词:关键词是用以表示全文主题内容信息的单词或术语。
为便于文献检索,学位论文应注明三至五个具有代表意义中、外文“关键词”,这些关键词就是论文的中心词,以显著的字符另起一行,分别排在中、外文摘要的左下方。各关键词之间用“分号”隔开。
外文关键词应与中文关键词相对应。 (二)主体部分 主题部分包括引言(Introduction)、正文(Body)、结论(Conclusion)、参考文献(Bibliography)。
主体部分必须由另页右页开始。 1.引言:主要说明研究工作的目的、涉及范围、相关领域的前人研究成果和知识空白、研究设想、研究方法等方面的概述、理论意义和实用价值等。
2.正文:论文的正文是核心部分,占主要篇幅。一般论文选题需要从几个方面来论述或论证。
要求论据充分,论点明确。行文必须实事求是,客观真切,准确完备,合乎逻辑,层次分明,简练可读。
正文部分要有分级标题,章、条、款、项的序号编码方法,采用阿拉伯数分级系列编号法,论文中的章、条、款、项依次排列,依次从1开始,连续编号,中间用“.”相隔,最末级编号之后不加点。示例: 1. 2.…… 2.1 2.2…… 2.2.1 2.2.2 2.2.3.… 2.2.3.1 3.结论:学位论文的结论是最终的、总体的结论,它是对正文部分的论述的概述,也可以在结论或讨论中提出建议、研究设想、尚待解决的问题等。
4.参考文献:写作学位论文过程中,阅读或运用过某些文献所列出的书目清单,置于正文之后,另页开始。参考文献的著录按原文献语种为原则。
(1)文献目录应另页书写,外文文献排前,中文文献排后。外文文献书名须用斜体。
(2)文献目录一律按作者姓氏汉语拼音或外文字母顺序排列。 (3)每条文献必须顶格写,回行时空两字或五个英语字母。
(4)将各文献的类型代号(即文献英文名的首字母)注明在文献之后: 专著[M] 学位论文[D] 论文集〔C〕 报纸文章〔N〕 期刊文章〔J〕 报告[R] 专利 [P] 专著、论文集的析出文献[A] 其他未说明文件 〔Z〕 电子文献中光盘图书 [M/CD](。