众文网1.介绍古典音乐的英语文章
Classical music is a broad term that usually refers to mainstream music produced in, or rooted in the traditions of Western liturgical and secular music, encompassing a broad period from roughly the 9th century to present times.[1] The central norms of this tradition became codified between 1550 and 1900, which is known as the common practice period.
European music is largely distinguished from many other non-European and popular musical forms by its system of staff notation, in use since about the 16th century.[2] Western staff notation is used by composers to prescribe to the performer the pitch, speed, meter, individual rhythms and exact execution of a piece of music. This leaves less room for practices, such as improvisation and ad libitum ornamentation, that are frequently heard in non-European art music (compare Indian classical music and Japanese traditional music) and popular music.[3][4][5]
The public taste for and appreciation of formal music of this type waned in the late 1900s in the United States and United Kingdom in particular.[6] Certainly this period has seen classical music falling well behind the immense commercial success of popular music, in the opinion of some[who?], although the number of CDs sold is not indicative of the popularity of classical music.[7]
The term "classical music" did not appear until the early 19th century, in an attempt to "canonize" the period from Johann Sebastian Bach to Beethoven as a golden age.[8] The earliest reference to "classical music" recorded by the Oxford English Dictionary is from about 1836.[9][10] Many writers feel that "classical" is an inappropriate term for mainstream and avant-garde music written since the latter part of the 19th century; hence the common usage of scare quotes.[11]
2.关于音乐的英语文章
这是转的：关于古典音乐介绍的英文文章
Classical music is a broad term that usually refers to mainstream music produced in, or rooted in the traditions of Western liturgical and secular music, encompassing a broad period from roughly the 9th century to present times.[1] The central norms of this tradition became codified between 1550 and 1900, which is known as the common practice period.
European music is largely distinguished from many other non-European and popular musical forms by its system of staff notation, in use since about the 16th century.[2] Western staff notation is used by composers to prescribe to the performer the pitch, speed, meter, individual rhythms and exact execution of a piece of music. This leaves less room for practices, such as improvisation and ad libitum ornamentation, that are frequently heard in non-European art music (compare Indian classical music and Japanese traditional music) and popular music.[3][4][5]
The public taste for and appreciation of formal music of this type waned in the late 1900s in the United States and United Kingdom in particular.[6] Certainly this period has seen classical music falling well behind the immense commercial success of popular music, in the opinion of some[who?], although the number of CDs sold is not indicative of the popularity of classical music.[7]
The term "classical music" did not appear until the early 19th century, in an attempt to "canonize" the period from Johann Sebastian Bach to Beethoven as a golden age.[8] The earliest reference to "classical music" recorded by the Oxford English Dictionary is from about 1836.[9][10] Many writers feel that "classical" is an inappropriate term for mainstream and avant-garde music written since the latter part of the 19th century; hence the common usage of scare quotes.[11]
3.关于音乐的影响和作用的英语作文
Music could be created in any place when you have inspiration. At most times, we enjoy music like symphonic music. Even pop music, there is needn't to understand what are they wanting to tell us. We just need to hear it carefully. Therefore, music shouldn't have national boundaries.
According to my personal experience, music has a more positive effect on our life. When we are in a blue mood, we could listen to some foreigner song. Such as, My Love, the Funeral of Hearts and Close to the flame etc. The music is that we needn't to realize what are they singing. When you listen to their rhythm and style, you will feel your heart be touched and shake in a blue mood. Then, you will be enlightened and acquire power.
On the other hand, different music could promote society develop. As everyone knows, KFC and Mcdonald's are popular in China, as well as, there is nothing in the world can delight me so much as having a hamburger in these store. There are three major reasons and other details. The foremost reason first one is convenience. Second is save time. The third is delicious. However, the detail is also essential for the fast-food store. Music is one of them. The music rhythm is factor that if they play a smooth music, the customer will find the taste of food better. If the store plays a rapid pace of music, people will eat their food more speedily when the store is rush time. That will provide more desk and table for client to available.
Music has more effect and application of us around that I was not mentioned. In a word, music helps country and people more good than harm.
4.浅谈音乐文化的论文
中国是世界上的文明古国之一。中国音乐的可靠历史已经有八千年左右，这是根基今年的考古发现做出的结论。
1986年到1987年间，在河南省舞阳县贾湖的墓葬中，出土了十多支极其古老的骨笛。经过中国科学院股脊椎动物与古人类研究所专家的坚定，证明这些远古的乐器是先民用鹤类动物的尺骨制成的。又根据碳同位素14C测定和数论校正，说明古笛存在的年代距今已经有7920年了（误差正负150年）。因此，说中国音乐已经有八千年的历史，是建立在科学考察的可靠依据之上的。
这些骨笛大多具有七个音孔，制作非常精致而且规范，其中有一支古笛可以吹出河北民歌《小白菜》的旋律。这说明我们的先民，早在八千年前就已经具有较完整的音节概念了。
八千年前正是中国社会进入新石器时代的早期，舞阳县地处黄河流域，这些骨笛以无可辩驳的事实说明：中华民族是世界上具有悠久历史的民族，黄河流域是孕育中华文明的摇篮。
九十年代起，音乐工业发展迅速，逐渐成为大众文化。香港是亚洲华语歌曲的创作中心，富特色的流行歌曲亦盛播於亚洲各地。由此可见，香港於亚洲乐坛的地位是不容置疑的。此外，香港的歌曲多元化，从民歌、摇滚、清新小品，到近期大热的R&B和Rap，都有其独得之处。但是否从起步至今，香港的流行音乐都具教化作用？
八十年代末，九十年代初的流行音乐多是民歌为主。民歌的曲调清新，歌词取材广阔，具生活化。每首作品的创新度高，作曲人不模仿、不抄袭，填词人敢於作品中直抒胸抑，对社会的一番感受。歌词的咀嚼味道不俗，内容健康，字行间可见文学气息，即使是「口语化」的歌词，亦有艺术的理由。
另一方面，演唱者懂得运用适当的声调与感情，去表现每首歌曲的味道，富教化意味的歌词便能更深入民心。「民歌时期」的流行音乐是以创作性为主。创作人均以创新、教育性和美学三个准则来创作音乐。故此即使有好作品，也未必「叫座」，因为他们并不是以卖座率作标准，为迎合大众而扭曲艺术，唱片公司亦未必大力作宣传。
随著社会变迁，流行音乐的性质亦有所不同。九十年代起，香港社会愈来愈商业化，流行音乐也受其影响而脱变。对於唱片公司而言，卖座率比起创新、教育性和美学更为重要。为了迎合大众的喜好，曲风开始走向情歌路线。无论是摇滚、R&B还是Rap，都离不开一个「情」字。从暗恋、单恋、相恋到失恋，均被唱片公司视为一个好题材。歌曲旋律和歌词都被格式化，只要是容易朗朗上口的便是大热作品。歌曲旋律没有个人风格，歌词内容煽情且乏味可言。
例如，Twins的《饮歌》的主题是失恋。可失恋与「我们是耶和华最宠爱的儿女」有何直接关系？乍听之下，还以为是一首圣诗！难道情情爱爱之事是香港人最需要学习的？难道只为销量，作品的优劣就可被忽视？此外，许多唱片公司力捧缺乏唱功的流行歌手，只要样子甜美、俊朗，唱片销量有一定保证，能否唱出歌中味道也不再重要。这样下去，流行音乐恐怕只能沦为商业下的牺牲品。
流行音乐活泼、生动、富时代感，最能代表社会的动向。但如果艺术缺乏了精神，无论包装如何精美，都会是那麽苍白。一首好作品，是能感动、能沟通、能交流，而非随波逐流，人云亦云。幸而今天，香港乐坛还是有希望的。如林一峰、AT 17、The Pancakes、人山人海这些以清新小品为主的创作歌手和组合，可谓是一股清流，减低了香港流行音乐里的商业味道。
5.介绍中国音乐的英语作文
Chinese Music dates back to the dawn of Chinese civilization with documents and artifacts providing evidence of a well-developed musical culture as early as the Zhou Dynasty (1122 BC – 256 BC). Today, the music continues a rich traditional heritage in one aspect, while emerging into a more contemporary form at the same time.According to Mencius, a powerful ruler once asked him whether it was moral if he preferred popular music to the classics. The answer was that it only mattered that the ruler love his subjects. The Imperial Music Bureau, first established in the Qin Dynasty (221–07 BC), was greatly expanded under the Emperor Han Wu Di (140–87 BC) and charged with supervising court music and military music and determining what folk music would be officially recognized. In subsequent dynasties, the development of Chinese music was strongly influenced by foreign music, especially Central Asia.The oldest known written music is Youlan or the Solitary Orchid, attributed to Confucius (see guqin article for a sample of tablature). The first major well-documented flowering of Chinese music was for the qin during the Tang Dynasty, though the qin is known to have been played since before the Han Dynasty.In ancient China the position of musicians was much lower than that of painters, though music was seen as central to the harmony and longevity of the state. Almost every emperor took folk songs seriously, sending officers to collect songs to inspect the popular will. One of the Confucianist Classics, Shi Jing (The Classic of Poetry), contained many folk songs dating from 800 BC to about 400 BC.The first European to reach China with a musical instrument was Jesuit priest Matteo Ricci who presented a Harpsichord to the Lee imperial court in 1601, and trained four eunuchs to play it.Dragon Dance The famous dragon dance with music is also a remembered tradition. It is seen on Chinese New Year across the world by millions. It is not known when the tradition started, but it is believed to be thousands of years ago, as entertainment of former emperors, royals and nobles.Traditional music in China is played on solo instruments or in small ensembles of plucked and bowed stringed instruments, flutes, and various cymbals, gongs, and drums. The scale is pentatonic. Bamboo pipes and qin are among the oldest known musical instruments from China; instruments are traditionally divided into categories based on their material of composition: animal skins, gourd, bamboo, wood, silk, earth/clay, metal and stone. Chinese orchestras traditionally consist of bowed strings, woodwinds, plucked strings and percussion.资料还有很多，这里就不一一复制了，可以去wikipedia的英文版用music of china搜一下。
6.西方音乐的英语作文
History [edit] Before 1800 The first studies of Western musical history date back to the middle of the 18th century. G.B. Martini published a three volume history titled Storia della musica (History of Music) between 1757 and 1781. Martin Gerbert published a two volume history of sacred music titled De cantu de musica sacra in 1774. Gerbert followed this work with a three volume work Scriptores ecclesiastici de musica sacra containing significant writings on sacred music from the third century AD onwards in 1784.[edit] 1800-1950 In the twentieth century, the work of Johannes Wolf and others developed studies in Medieval music and early Renaissance music. Wolf's writings on the history of musical notation are considered to be particularly notable by musicologists. Historical musicology has played a critical role in renewed interest in Baroque music as well as medieval and Renaissance music. In particular, the authentic performance movement owes much to historical musicological scholarship. Towards the middle of the twentieth century, musicology (and its largest subfield of historical musicology) expanded significantly as a field of study. Concurrently the number of musicological and music journals increased to create further outlets for the publication of research. The domination of German language scholarship ebbed as significant journals sprang up throughout the West, especially America.According to Richard Middleton, the strongest criticism of (historical) musicology has been that it by and large ignores popular music. Though musicological study of popular music has vastly increased in quantity recently, Middleton's assertion in 1990-- that most major "works of musicology, theoretical or historical, act as though popular music did not exist" -- holds true.Academic and conservatory training typically only peripherally addresses this broad spectrum of musics, and many (historical) musicologists who are "both contemptuous and condescending are looking for types of production, musical form, and listening which they associate with a different kind of music。
'classical music'。and they generally find popular music lacking"He cites three main aspects of this problem (p.104-6). The terminology of historical musicology is "slanted by the needs and history of a particular music ('classical music')." He acknowledges that "there is a rich vocabulary for certain areas [harmony, tonality, certain part-writing and forms], important in musicology's typical corpus";。
7.关于音乐的英语话题作文
Music in my life Music is an important part in my life,I even can't live without music. Acturally,I like many kinds of music,I'd like to talk about my favorite music here.Well,I like Irish folk music best,New age is Irish style,and it's mixes some morden melody,it sounds very nice and pure,can bring you into the never land and dream land,just relax,and forget all the problems.I like Enya,she is a very famous New age singer,her song just like the voice of heaven,her song is as nice and beautiful as herself! I'm not keen on American pop songs,they are terrible for me!The melody is not soft and nice at all!So fast and strong beat,too exciting,and can't hear them clearly.I can't stand the strong beat,that nearly make me fainted! In a word,music has an very important place in my life.As for the importance of music to my life,I think you can guess,it just like meals and sleeping,I can't live without it.Does anyone want to take it away from me,I'm gonna fight him and never give up!
记得采纳啊
8.中西方音乐文化差异,写论文用
2011年中西方音乐文化差异，写论文用！
音乐，从广义上来说，我觉得应该是文化的外延，是文化孕育出来的精华的一种结晶形式。从这种意义说，中国传统音乐是在中华民族悠久的历史活动中积累的丰富的审美经验，由于滋生土壤（错综复杂的文化）的差异，它显然有别于西方古典音乐（主要是交响乐）。关于这点我们可以从下面的例子中得到验证：
一曲《高山流水》旋律古朴、典雅、优美、深沉；节奏平稳、舒展；音调缠绵、柔婉秀娟；体现出阴柔美。
一曲《命运交响乐》节奏明快、急促、音域宽广，曲调明朗、刚健、情绪激昂、气魄宏大；体现出阳刚美。
因此推广到中国传统音乐与西方古典音乐，你会发现以上不只是两首乐曲风格的差异，更是东西方文化背景差异在音乐审美观点和艺术表现形式上的体现。
说到中国传统音乐与西方古典音乐的差异，我们可以从以下两个方面来看：
技术层面上西方古典音乐有理论，有规范，有大量的文字和音响文献，易于流传；而中国传统音乐，没有一套完备的作曲理论与法则，较易失传。中国传统音乐以线条为主，而西方古典音乐更讲究和声。中国传统音乐注重气息，而西方古典音乐更讲究节奏。两者技术方面的最大不同在于音色与演奏方法。
艺术层面上中国传统音乐主要表达儒家、道家、佛家的思想，并且讲求悟性慧根，因此比较主观。
西方古典音乐着重美学及功能性，故此比较客观。中国传统音乐境界的表现特点与西方古典音乐不同，西方古典音乐以深刻严肃见长，突出主客对立，大都带有正剧或悲剧色彩，体现出来的是一种艺术精神的“壮美”；而中国传统音乐以旷达悠深见长，突出“情”和“景”的交融，主客统一，体现出来的是一种“和合”精神的“幽美”。
归根究底，艺术方面上的最大不同在于审美取向和价值观。
因而，也就不奇怪——西方人爱玩交响乐，台上的乐手和乐器越多越显得气派；中国人不这样也能取得同样的艺术效果，一把琵琶就能弹出悲壮的垓下之围，一架古筝就能奏出连海之春江潮水，一只古埙就能吹出千古兴衰之幽思。
总之，由于社会文化背景的不同，带来音乐创作手法及审美观的差异：在保持原有风格的基础上相互借鉴、相互促进将是二者今后发展繁荣的必经之路！
9.我想写一篇关于摇滚乐对青年人的影响的论文 英文的8000字 谁知道哪
从摇滚乐的社会责任感到精神诉求 内容提要 随着国门的打开从国外流入的一种音乐形式，它随着中国社会转型的发展而发展，并逐渐成为中国社会文化的一部分。
摇滚乐因其自身的特点，成为最具批判性格的音乐形式，中国的摇滚音乐人把摇滚音乐当作反映和批判社会现实的工具，也把它当作倾诉心灵的对象，是摇滚音乐具有了丰富的精神诉求。本文试图说明摇滚乐同古典音乐和流行音乐相比所具有的社会批判性；阐述摇滚乐在社会转型大背景下的产生，并从两首具体的歌来看摇滚乐所独具的精神诉求。
关键词 、转型期、文化、精神诉求 正文 一、摇滚乐的社会功能 黑格尔在《美学》一书专论音乐的一章的结尾中写道：“（面对音乐），听者立刻产生填充这种看来毫无意义的音乐的运动的愿望，想找出理解乐曲进一步发展的精神支点，找出更为清晰的印象和他所熟悉的内容，以便在心中产生共鸣。这样音乐对他来说便成为一种象征，因为，在力求捕捉他的思想时，他面临的是许多飞驰而过并充满难解之迷的问题，这些问题他往往不能立刻找到答案，而且它们往往能用许多种方法来解决。”
配以文字的歌却能应此需要，使之简化成一种方法、一个答案；令人遗憾的无限变为有限，却同时收获到音乐的指向明确和易于接受，使文字更富于情感色彩，更能打动听众。而现代流行音乐，尤以打动听众为第一要义，再经大众传媒广泛传播，使个人和某一接受群体发生“共鸣”从而成功地在社会面前展示了自我：情感、意愿、文化观念、甚至政见。
听歌有时就是寻找社会代言人。诚如摇滚先驱鲍勃迪伦所说：他应该是一股与社会相关并能够参与社会变革的力量。
在世界范围，援非联唱《WE ARE THE WORLD》为反对南非种族隔离而举行的声援曼德拉演唱会、人的权利世界大巡演、柏林《墙》世界演唱会；在中国，“世界和平年”首届百名歌星演唱会、“奥运——中国之梦”大型摇滚音乐会，八十年代以来这一系列音乐大事表明，音乐正在有意识地充任一种强大的社会文化力量，试图改变我们这个世界。 二、摇滚乐是最有社会责任感的音乐形式 把音乐当成一种社会文化力量是因为音乐人意识到了自己的社会责任，并把这种责任、感变成自觉的行动，使音乐具有社会批判性格。
音乐发挥其社会批判功能，在当代社会往往是利用了摇滚乐这一形式，因为摇滚乐同古典音乐和流行音乐相比是最有社会批判功能的音乐。 摇滚乐从思想内容、艺术趣味到表演技巧，都很难与古典音乐相比。
它们不是同一层次上的艺术。但是，摇滚乐在许多听众那里很有市场。
从它兴起到现在已有五十年的历史了（世界范围来说），它不仅影响的范围越来越广、听众越来越多，而且它的风格不断变化派生出许多分支、新的乐队层出不穷。它是一种大众文化，深入到千家万户和各种公共场合。
无论是谁，你可以不喜欢它，但不能无视它的存在和影响。 历来的音乐就有两种：一种比较雅，是专业音乐家的作品；一种比较俗，在过去主要是民间音乐。
但是两者也并非行同水火。民间音乐对专业音乐创作有着巨大而深刻的影响。
大作曲家的作品虽然更精美、更高雅、更有艺术性，但不能没有民间音乐作为自己创作的养料和素材。而专业音乐对民间音乐的影响也是显而易见的。
进入二十一世纪俗文化中的流行音乐异军突起，它的地盘在扩大，民间音乐的底盘在缩小。加上民间音乐本来受地域的限制，所以，在当代流行音乐就成了俗文化的主要代表。
就象过去的作曲家常常把民间音乐当作自己创作的素材一样，现在也有一些作曲家采用摇滚乐等流行音乐进行创作。拉威尔当年对爵士乐就有很高的评价。
他认为：“局势月是对当代艺术音乐最重要的贡献，这一点就象西班牙舞曲、匈牙利狂想曲或俄罗斯民歌一样明显。”何况，摇滚乐还是现代生活方式的一部分，西方不少作曲家在自己的作品中结合摇滚成分，表现现代生活。
这也是使自己的创作趋向通俗化，便于群众接受的方法之一。越来越多的音乐家们在他们的历史著述和评论中，表现了对摇滚乐的重视。
摇滚乐以及由此产生的各种社会现象，心理现象成为许多社会学家和文化研究者的课题。 有些研究者把摇滚乐仅仅当作是流行音乐来加以研究，显然是不合适的。
摇滚乐虽然也是俗文化的一种，但同流行音乐相比还是具有自己显著的特点和个性的。 一般来说，流行音乐免不掉媚俗的品格，它要投大众所好，大众才能让他流行。
所以它就必须迁就大众的思想惰性和什么习惯，在保证被大众广泛接受的前提下，不断地小打小闹，花样翻新。它几乎从来不提出重大的历史、现实和个人的问题，即使有时会有这样的问题，也回用一种格式化的东西把它们化解掉，使问题变成一种毫无意义、不必要的体温。
从某种意义上说，流行音乐只是当代社会所需要的一种精美的包装而已，要结实生命与社会的真实面目，揭示隐而不显的时代精神，就必须透过层层包装。如果流行音乐试图还原和结实真实，那它就具有了反对它自身的性质 。
正像任何一种领域和过程都回出现叛逆者一样，流行音乐的叛逆。
10.如何写好一篇关于文化与音乐的毕业论文
1、论文题目：要求准确、简练、醒目、新颖。
2、目录：目录是论文中主要段落的简表。（短篇论文不必列目录）
3、提要：是文章主要内容的摘录，要求短、精、完整。字数少可几十字，多不超过三百字为宜。
4、关键词或主题词：关键词是从论文的题名、提要和正文中选取出来的，是对表述论文的中心内容有实质意义的词汇。关键词是用作机系统标引论文内容特征的词语，便于信息系统汇集，以供读者检索。 每篇论文一般选取3-8个词汇作为关键词，另起一行，排在“提要”的左下方。
主题词是经过规范化的词，在确定主题词时，要对论文进行主题，依照标引和组配规则转换成主题词表中的规范词语。
5、论文正文：
(1)引言：引言又称前言、序言和导言，用在论文的开头。 引言一般要概括地写出作者意图，说明选题的目的和意义， 并指出论文写作的范围。引言要短小精悍、紧扣主题。
〈2）论文正文：正文是论文的主体，正文应包括论点、论据、论证过程和结论。主体部分包括以下内容：
a.提出-论点；
b.分析问题-论据和论证；
c.解决问题-论证与步骤；
d.结论。
6、一篇论文的参考文献是将论文在和写作中可参考或引证的主要文献资料，列于论文的末尾。参考文献应另起一页，标注方式按《GB7714-87文后参考文献著录规则》进行。
中文：标题--作者--出版物信息（版地、版者、版期）：作者--标题--出版物信息所列参考文献的要求是：
(1)所列参考文献应是正式出版物，以便读者考证。
(2)所列举的参考文献要标明序号、著作或文章的标题、作者、出版物信息。
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