众文网1.任何一篇英美短篇小说的英语论文
《呼啸山庄》人物关系结构 Title:Catherine's dilemma between love and marriage in Wuthering Heights——The Psychoanalysis of love triangle relationship with Freud's theory of personalityAbstract:Wuthering Heights tells a story of superhuman love and revenge enacted on the English moors. In this thesis, an attempt is made to analyze the love triangle relationship which leads to Catherine's dilemma between love and marriage in Wuthering Heights by virtue of Freud's theory of personality.Key words:Wuthering Heights Freud's theory of personality love triangle relationshipIn Catherine's heart she knows what is right, but chooses what is wrong. It is her wrong decision that pushes her into the inextricable [LunWenJia.Com]dilemma between her love and marriage; it is her wrong choice that plunges the two families into chaos. In the mind, she is truly out of her way.According to Sigmund Freud(1856—1939), the structure of the mind or personality consists three portions: the id, the ego, and the superego.“The id, which is the reservoir of biological impulses, constitutes the entire personality of the infant at birth. Its principle of operation, to guard the person from painful tension, is termed the pleasure principle. Inevitable frustrations of the id, together with what the child learns from his encounters with external reality, generate the ego, which is essentially a mechanism to minimize frustrations of the biological drives in the long run. It operates according to the reality principle … [LunWenNet.Com]The superego comprises the conscience, a partly conscious system of introjected moral inhibitions, and the ego-ideal, the source of the individual's standards for his own behavior. Like external reality, from which it derives, the superego often presents obstacles to the satisfaction of biological drives.”“In the mentally healthy person, these three systems form a unified and harmonious organization. Conversely, when the three systems of personality are at odds with one another the person is said to be maladjusted.” Here Catherine's tragic psychological process may be well illustrated by Freudian psychoanalysis.“I cannot express it; but surely you and everybody have a notion that there is, or should be, an existence of yours beyond you. What were the use of my creation, if I were entirely contained here?” Catherine's strange words reflect that the intelligent Emily Bronte had been earlier pondering over a same question in her work. What on earth is“the existence of Catherine's beyond Catherine”?Here we may believe that Heathcliff stands for Catherine's instinctual nature and the strongest desire—her “id” in the depths of her soul; Edgar, her ideal “superego”, represents another part of her personality: the well-bred gracefulness and the superiority of a wealthy family; and she, herself is the “ego” tortured by the friction between the two in the disharmonious situation.In the light of Freud's theory of personality, “the superego is the representation in the personality of the traditional values and ideals of society as they are handed down from parents to children.” Catherine's choice of Edgar as her husband is to satisfy her ideal “superego” to get wealth and high social position, which are the symbol of her class, on the basis of the education by her family and reality from her early childhood. She is a Miss of a noble family with a long history of about three hundred years. Only the marriage well-matched in social and economic status could be a satisfaction for all: her family, the society and even her practical self. “It would degrade me to many Heathcliff now 。
if Heathcliff and I married, we should be beggars?” This is her actual worry for her future. Catherine yields to the pressure from her brother, and alike, in truth, she is yielding to the moral rules of society, without the approval and identification of which, she could not live a better life or even exist in it at all.However, Catherine underestimates what her other more intrinsic self would have effect on her. The most remarkable claim by Catherine herself may be the best convincing evidence to distinguish the different roles of Heathcliff and Edgar—her “id” and her “superego”:“My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else perished, and he was annihilated, the universe would turn to a mighty stranger: I should not seem a part of it. My love for Linton is like foliage in the woods: time will change it. I'm well aware, as winter changes the trees. My love for Heath。
2.任何一篇英美短篇小说的英语论文
《呼啸山庄》人物关系结构 Title:Catherine's dilemma between love and marriage in Wuthering Heights——The Psychoanalysis of love triangle relationship with Freud's theory of personalityAbstract:Wuthering Heights tells a story of superhuman love and revenge enacted on the English moors. In this thesis, an attempt is made to analyze the love triangle relationship which leads to Catherine's dilemma between love and marriage in Wuthering Heights by virtue of Freud's theory of personality.Key words:Wuthering Heights Freud's theory of personality love triangle relationshipIn Catherine's heart she knows what is right, but chooses what is wrong. It is her wrong decision that pushes her into the inextricable [LunWenJia.Com]dilemma between her love and marriage; it is her wrong choice that plunges the two families into chaos. In the mind, she is truly out of her way.According to Sigmund Freud(1856—1939), the structure of the mind or personality consists three portions: the id, the ego, and the superego.“The id, which is the reservoir of biological impulses, constitutes the entire personality of the infant at birth. Its principle of operation, to guard the person from painful tension, is termed the pleasure principle. Inevitable frustrations of the id, together with what the child learns from his encounters with external reality, generate the ego, which is essentially a mechanism to minimize frustrations of the biological drives in the long run. It operates according to the reality principle … [LunWenNet.Com]The superego comprises the conscience, a partly conscious system of introjected moral inhibitions, and the ego-ideal, the source of the individual's standards for his own behavior. Like external reality, from which it derives, the superego often presents obstacles to the satisfaction of biological drives.”“In the mentally healthy person, these three systems form a unified and harmonious organization. Conversely, when the three systems of personality are at odds with one another the person is said to be maladjusted.” Here Catherine's tragic psychological process may be well illustrated by Freudian psychoanalysis.“I cannot express it; but surely you and everybody have a notion that there is, or should be, an existence of yours beyond you. What were the use of my creation, if I were entirely contained here?” Catherine's strange words reflect that the intelligent Emily Bronte had been earlier pondering over a same question in her work. What on earth is“the existence of Catherine's beyond Catherine”?Here we may believe that Heathcliff stands for Catherine's instinctual nature and the strongest desire—her “id” in the depths of her soul; Edgar, her ideal “superego”, represents another part of her personality: the well-bred gracefulness and the superiority of a wealthy family; and she, herself is the “ego” tortured by the friction between the two in the disharmonious situation.In the light of Freud's theory of personality, “the superego is the representation in the personality of the traditional values and ideals of society as they are handed down from parents to children.” Catherine's choice of Edgar as her husband is to satisfy her ideal “superego” to get wealth and high social position, which are the symbol of her class, on the basis of the education by her family and reality from her early childhood. She is a Miss of a noble family with a long history of about three hundred years. Only the marriage well-matched in social and economic status could be a satisfaction for all: her family, the society and even her practical self. “It would degrade me to many Heathcliff now 。
if Heathcliff and I married, we should be beggars?” This is her actual worry for her future. Catherine yields to the pressure from her brother, and alike, in truth, she is yielding to the moral rules of society, without the approval and identification of which, she could not live a better life or even exist in it at all.However, Catherine underestimates what her other more intrinsic self would have effect on her. The most remarkable claim by Catherine herself may be the best convincing evidence to distinguish the different roles of Heathcliff and Edgar—her “id” and her “superego”:“My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else perished, and he was annihilated, the universe would turn to a mighty stranger: I should not seem a part of it. My love for Linton is like foliage in the woods: time will change it. I'm well aware, as winter changes the trees. My love for 。
3.求一篇关于英国文学的英语论文谢谢了,大神帮忙啊
"A Dream of Red Mansions" Du Hougan 2005-2-27 字数：1516 Author: Heart of the Ark Source: unknown entry: Anonymous date: 2005-2-27 Volume: 1516 Throughout human history of the evolution of intelligence Love, can be roughly divided into emotional history of prehistoric, ancient and modern history of emotional feelings history of three stages. If the literary history of human emotion is a reflection of the history of reproduction, "A Dream of Red Mansions," a book of the times in a position to more clearly. Like an arch bridge, just across her feelings in ancient history and the end of the beginning of modern history on emotion. In view of this, "A Dream of Red Mansions," a book of our time and the distance is more clear-cut. The classical works show a comprehensive picture so vivid in the past to preserve the impact of the times, so that we can from grade to the ancient and modern people in the area of great emotion and subtle similarities and differences. We Beixijiaojia to see that the history of human emotion and history as a rational move forward in the evolution, despite the evolution of the track is so heavy and slow, step by step, fought, including the cost of blood and life, Zhuanyan Jian burn, Ben things. Modern people still feel strongly from the destroyed in the Li Yumei, and we have to admit that such feelings of sympathy mixed with water Mochizuki Chiang Kai-shek, the Pioneer Press Baccalaureates told the alienation and divide. More than half of this era when men would choose Spouse Choosing Xue Baochai, as the madness Qingchi Yihong son, the loss of his illustrious door first, he more than half of women in the eyes of it is worthless. Modern tears certainly less and less, less than in the past at least one of the Yellow River water. This means that emotions do not know the barren drought or mental well-being of pleasure. People become emotionally intelligent volatile and more ignorance cunning. They are often insincerely, emotional and rational from the inconsistent state of mind is not ideal but obey the call of ideals. They have Qiqingliuyu, but often runs counter to sentiment. If the classical era of personal feelings of love from family and social tragedy, several non-adjustable, but is, after all, in a forward. Works within its power to complete the mission entrusted to the times, for the emotional history of classical zoned under a colorful close.。
4.以英美文学作品为材料写英语毕业论文,有哪些著名国外文学作品可供
scartet letter ,
moby dick,
the thorn bird,
wuthering hight,
the great gatsby,
great expectations,
vanity fair,
lord of the flies,
paradise lost,
tom jones,
pride and prejudice,
sons and lovers,
david copperfield,
robinson crusoe,
pygmalion,
the merchant of venice
还有很多的哦
5.急求英美文学中论文选题
An Analysis of English Humor from the Perspective of Pragmatics 从语用学的角度分析英语幽默 Dark and Melancholy in The Scarlet Letter—The Interation Between Nathaniel Hawthorne and The Scartlet Letter沉郁的《红字》——论纳塞尼尔？霍桑和《红字》之间的相互影响 Symbolism Enbodied in the Heroes of Lord of the Flies 人物象征在《蝇王》中的体现 On the Comparison of the Marriage Between the Tujia and Englang 小议土家族与英格兰婚俗之差异 On the Means of Second Language Acquisition浅谈第二语言习得的方法 On the Emotional Variation of the Ghost in the Phantom of the Opera《歌剧魅影》中鬼魅的情感变化 Problems Existing in Bilingual Education in University双语教学在大学教育中存在的问题 On the Character of Blifil in The History of Tom Jones, a Founding 浅析《汤姆？琼斯》中布力菲尔的人物性格 On the Differences in Educational Reform Between China and America浅析中美教育改革的差异 On Translation of English Prepositions试译介词的翻译 The Study of Culture on Dining-table in English- A Comparative Study of Body Language in English-speaking Countries and China 中国与英语国家的肢体语言的对比研究 On the Ideals of Modern Women from the Scarlet Letter 从《红字》中看现代女性意识 On Strategies of English Vocabulary Learning for College Students 浅谈大学生英语词汇的学习策略 The Study of the Realistic Significance of Robinson Crusoe《鲁滨逊漂流记》的现实意义研究 021021016 杜 娟 Translation of Culture and Facsimile of Culture文化翻译与文化“传真” The Revelation of Second Language Learning Theory to Foreign Language Teaching 二语学得理论对外语教学的启示 The Change of Sino-American Relations after September 11th 9.11 之后中美关系的变化 Culture Difference in Pragmatics从语用看中西语言文化差异 Analysis on Football and the Competitive Spirits Embodied in the Games 解析足球及比赛中体现的竞技精神 On the Influence of Language Situation on English Teaching试论语言环境对英语教学中的影响 The Translation of Automobile Trademarks and Advertising Slogans汽车商标及其广告主题句的翻译 On the Characteristics of English Animal Idioms浅谈英语动物习语的特征 The Building of Poe's Horror爱.伦坡的恐怖营造手法 Radical Henry in The Picture of Dorain Gray《道林？格雷的肖像画》中极端的亨利 Exploration of the Theme in Sons and Lovers《儿子与情人》的主题探讨 The Translation of Expressions with Chinese Characteristics 有中国特色词汇的英译 On the Theme of King Lear论《李尔王》的主题思想 On the Changes of Marner's Characters论织工马南的性格变化 The Comparison of Several Negative Forms in English 英语中若干否定形式的比较 Culture Difference and Dfferent Business Etiquette between China and Western Countries中西方文化差异及商务礼仪的不同 On the Characteristic of American Legal Culture论美国法律文化的特点 Isolationism Tradition in American Diplomatic History美国外交史上的孤立主义传统 The Study of Culture of Flowers in Western Countries 浅谈西方国家花的文化 On the Language Characteristics of UCP500浅议《UCP500》的语言特点 Differences of American Dream in Benjamin Franklin's Autobiography and in Reality 论”美国梦”在本杰明.富兰克林《自传》中和现实中的差异性 On Feminists in Uncle Tom's Cabin《汤姆叔叔的小屋》中女性人物研究 On Women Characters in Sons and Lovers 论《儿子与情人》中的女性形象 On Language Features and Translation of Bussiness Contract 论商务合同的语言特点和翻译 The Arts of Body Languege in Intercultural Communication跨文化交际中身势语的艺术 The English Classroom Interaction Under the New Curreculum新课标背景下的英语课堂互动 On the Writing and Translation of Foreign Trade Contracts论涉外经济合同写作与翻译 On Eternal Life of Helen Burns in Jane Eyre论《简？爱》中海伦？彭斯生命的永恒性 The Effect of Chinese Action Film to the Film Indurstry of Hollywood 中国动作片对好莱坞电影业的影响 On the Comparison of Classroom Question Raising of Chinese and American Teachers中美教师课堂提问方法比较 The Connection Between Rock Music and American Culture摇滚乐与美国文化的联系 On the Application of Quality Education in English Teaching浅谈素质教育在英语教学中的运用 On the Application of Multimedia in English Teaching浅谈多媒体及其在英语教学中的运用 On the Symbolic and Realistic Significance of Le Petit Prince 浅析《小王子》中的象征意义与现实意义 On the Translation of Comparative Sentence Patterns浅谈比较句式翻译中的几个问题 On the Culture Differences from the 。
6.英国文学论文
The term English literature refers to literature written in the English language, including literature composed in English by writers not necessarily from England; Joseph Conrad was Polish, Robert Burns was Scottish, James Joyce was Irish, Dylan Thomas was Welsh, Edgar Allan Poe was American, Salman Rushdie is Indian, V.S. Naipaul was born in Trinidad, Vladimir Nabokov was Russian. In other words, English literature is as diverse as the varieties and dialects of English spoken around the world. In academia, the term often labels departments and programmes practising English studies in secondary and tertiary educational systems. Despite the variety of authors of English literature, the works of William Shakespeare remain paramount throughout the English-speaking world.This article primarily deals with literature from Britain written in English. For literature from specific English-speaking regions, consult the see also section at the bottom of the page.Contents [hide]1 Old English2 Renaissance literature3 Early Modern period3.1 Elizabethan Era3.2 Jacobean literature3.3 Caroline and Cromwellian literature3.4 Restoration literature3.5 Augustan literature4 18th century5 Romanticism6 Victorian literature7 Modernism8 Post-modern literature9 Views of English literature10 See also11 External linksOld EnglishMain article: Anglo-Saxon literatureThe first works in English, written in Old English, appeared in the early Middle Ages (the oldest surviving text is Cædmon's Hymn). The oral tradition was very strong in early British culture and most literary works were written to be performed. Epic poems were thus very popular and many, including Beowulf, have survived to the present day in the rich corpus of Anglo-Saxon literature that closely resemble today's Norwegian or, better yet, Icelandic. Much Anglo-Saxon verse in the extant manuscripts is probably a "milder" adaptation of the earlier Viking and German war poems from the continent. When such poetry was brought to England it was still being handed down orally from one generation to another, and the constant presence of alliterative verse, or consonant rhyme (today's newspaper headlines and marketing abundantly use this technique such as in Big is Better) helped the Anglo-Saxon peoples remember it. Such rhyme is a feature of Germanic languages and is opposed to vocalic or end-rhyme of Romance languages. But the first written literature dates to the early Christian monasteries founded by St. Augustine of Canterbury and his disciples and it is reasonable to believe that it was somehow adapted to suit to needs of Christian readers. Even without their crudest lines, Viking war poems still smell of blood feuds and their consonant rhymes sound like the smashing of swords under the gloomy northern sky: there is always a sense of imminent danger in the narratives. Sooner or later, all things must come to an end, as Beowulf eventually dies at the hands of the monsters he spends the tale fighting. The feelings of Beowulf that nothing lasts, that youth and joy will turn to death and sorrow entered Christianity and were to dominate the future landscape of English fiction.Renaissance literatureMain article: English RenaissanceFollowing the introduction of a printing press into England by William Caxton in 1476, vernacular literature flourished. The Reformation inspired the production of vernacular liturgy which led to the Book of Common Prayer, a lasting influence on literary English language. The poetry, drama, and prose produced under both Queen Elizabeth I and King James I constitute what is today labelled as Early modern (or Renaissance).Early Modern periodFurther information: Early Modern English and Early Modern BritainElizabethan EraMain article: Elizabethan literatureThe Elizabethan era saw a great flourishing of literature, especially in the field of drama. The Italian Renaissance had rediscovered the ancient Greek and Roman theatre, and this was instrumental in the development of the new drama, which was then beginning to evolve apart from the old mystery and miracle plays of the Middle Ages. The Italians were particularly inspired by Seneca (a major tragic playwright and philosopher, the tutor of Nero) and Plautus (its comic clichés, especially that of the boasting soldier had a powerful influence on the Renaissance and after). However, the Italian tragedies embraced a principle contrary to Seneca's ethics: showing blood and violence on the stage. In Seneca's plays such scenes were only acted by the characters. But the English playwrights were intrigued by Italian model: a conspicuous community of Italia。
7.求一篇英美文学的英文论文 论某个名著的
《德伯家的苔丝》悲剧成因探析
AbstractThomas Hardy was a famous critical realistic writer at the turn of the 19th century in England; Tess of the D'Urbervilles is the most influential one of all his works. This novel describes a tragic life about one beautiful and pure girl after disgrace. The article describes the society environment, then begins to analysis of characters' personality and religion factors open out at that time. Tess's tragic life is caused by that society and it's the result of that time. Except this, it can't be separated from her own weakness in character, because she obviously has the dual nature of the society character---resistance and compromise. As a common person, Tess fought with the society helplessly. In the end, she turned out to be the sacrificial victim of society like all other things which disobey the morality and ethic.Key WordsTess's Tragedy; Social Environment; Family Environment; Moral ethic; Character 摘 要托马斯.哈代是19世纪英国著名的批判现实主义作家，《德伯家的苔丝》是他最为有影响力的一部巨著。该小说主要讲述了一个美丽纯真的少女失身后悲惨的命运。文章通过对小说中社会环境的描写，再从人物性格和当时的宗教原因着手，由此揭露出苔丝悲惨的命运是那个社会所造成的，是一个时代思想，传统，秩序的局限所造成的结果。除此之外，这与她自身性格的弱点也是分不开的，因为她对命运有着反抗的一面也有妥协的一面。所以，作为普通人的苔丝与当时社会的抗争是无助的，最终会像所有一切与道德伦理相悖的事物一样，被沦为社会的牺牲品。 关键词苔丝的悲剧； 社会环境； 家庭环
8.专业英语英美文学的毕业论文什么题目比较好写
A Brief Comment on Shakespeare's' The Merchant of Venice （浅谈莎士比亚的《威尼斯商人》）
Hamlet: His Characters as a Humanist（哈姆雷特人物性格分析）
Parallelism and Contrast of Shakespeare's Dramatic Language（莎士比亚戏剧的排比与对照用语）
The Social Significance of Dickens's Oliver Twist（狄更斯《雾都孤儿》的社会意义）
On the Structure of Dickens's Hard Times（谈狄更斯《艰难时世》的结构）
Jane Austen's Art of Irony and Its Rhetoric Effects（简·奥斯丁的反语及其修辞效果）
Appreciation of Literary Language of Pride and Prejudice（《傲慢与偏见》文学语言欣赏）