众文网1.求英语论文,是关于文学的
"A Dream of Red Mansions" Du Hougan 2005-2-27 字数：1516 Author: Heart of the Ark Source: unknown entry: Anonymous date: 2005-2-27 Volume: 1516 Throughout human history of the evolution of intelligence Love, can be roughly divided into emotional history of prehistoric, ancient and modern history of emotional feelings history of three stages. If the literary history of human emotion is a reflection of the history of reproduction, "A Dream of Red Mansions," a book of the times in a position to more clearly. Like an arch bridge, just across her feelings in ancient history and the end of the beginning of modern history on emotion. In view of this, "A Dream of Red Mansions," a book of our time and the distance is more clear-cut. The classical works show a comprehensive picture so vivid in the past to preserve the impact of the times, so that we can from grade to the ancient and modern people in the area of great emotion and subtle similarities and differences. We Beixijiaojia to see that the history of human emotion and history as a rational move forward in the evolution, despite the evolution of the track is so heavy and slow, step by step, fought, including the cost of blood and life, Zhuanyan Jian burn, Ben things. Modern people still feel strongly from the destroyed in the Li Yumei, and we have to admit that such feelings of sympathy mixed with water Mochizuki Chiang Kai-shek, the Pioneer Press Baccalaureates told the alienation and divide. More than half of this era when men would choose Spouse Choosing Xue Baochai, as the madness Qingchi Yihong son, the loss of his illustrious door first, he more than half of women in the eyes of it is worthless. Modern tears certainly less and less, less than in the past at least one of the Yellow River water. This means that emotions do not know the barren drought or mental well-being of pleasure. People become emotionally intelligent volatile and more ignorance cunning. They are often insincerely, emotional and rational from the inconsistent state of mind is not ideal but obey the call of ideals. They have Qiqingliuyu, but often runs counter to sentiment. If the classical era of personal feelings of love from family and social tragedy, several non-adjustable, but is, after all, in a forward. Works within its power to complete the mission entrusted to the times, for the emotional history of classical zoned under a colorful close. 未完待续。
2.英文写的有关文学或者教育的毕业论文
文学课期末论文：撒旦的个性分析 Analyses of the Character Satan in The Mysterious Stranger In The Mysterious Stranger, Satan claimed himself an angel. But the misfortunes that haunted the village thereafter aroused suspect on him—is he simply an angle named Satan or the devil that no mortal mouth could have dare to spell his name? Angels in bible are messengers from god and they sometimes appear as warriors or guardians. But the angel named Satan in The Mysterious Stranger doesn't seem to carry any of these missions. Satan the Rebel As an angel, Satan is, ironically, the anti-god and anti-Christian power in the short story. He never mentioned in the story that he was sent by god. On the contrary, he is behaving according to his own interest. The finger-size men and women made by Satan in Chapter 2 reminded the readers the splendid bible story of God creating the world and human. But Satan, the creator of the crowd of little human, killed them without mercy when they locked themselves in quarrels and fighting and finally annoyed him. The bloody scene sent chill to the three little witnesses as well as the readers—Is human race also the result of god's impulse? Are we doomed to be smashed into dirt when the Creator grew tired of us? Satan here is not others but an ironic image of the Creator, creating fears in the readers and arousing suspect of God's existence. With the presence of Satan, comes the misfortune for the villagers. And the villains are those who have been closest to god—Father Adolf and the astrologer. Father Adolf the god's server, who claims to have met Satan the devil more than once, spends most of his time find fault in father peter instead of serving the villagers. Another priest, Father Peter, though being respected by the villagers and helped by Satan, ran into ill-fortunes and was finally insane, which Satan said to be the best career for him. Satan's existence here displays the underlying questioning to the Christian church. Throughout the story, however, Satan himself is the mysterious power that controls the lives of the human race. He told Theodor Fischer that human life is a chain in which a tiny move will wholly changed one's life and that “a man will never drop a link in his chain” (Mark Twain, The Mysterious Stranger, Ch7) and that it wasn't God that order human's career. But at the same time, he himself changed people's life chains. He said that Nicholas will die in 12days of intending to save a drowning girl, and the boy died exactly the time he told Theodor Fischer. And he changed the career of a number of the villager to be better, he claims. But to a human, the better life in Satan's words is only shorter life span and sudden deaths.。
3.想写一篇关于文学的英文毕业论文,求题目和提纲,急
论文名称： 简.奥斯丁《傲慢与偏见》与《爱玛》中的婚姻与女性挣扎论文名称： Marriage and Female Struggle in Jane Austen's Pride and Prejudice and Emma关键词：简.奥斯丁 Jane Austen 傲慢与偏见 Pride and Prejudice 埃玛 Emma 浪漫时期 Romantic period 婚姻 marriage [摘要] 奥斯汀的《傲慢与偏见》与《爱玛》中婚姻为其中心议题。
小说情节与人物行为萦绕在此主题上。就书中的人物而言，婚姻并非意味着男女间无法控制的热情而是双方与社会间的契约产物。
小说人物全然融入其社会现实，依循社会规则，谱出故事情节。由于明白婚姻关系可提供阶级提升与经济改善的机会，财力与社会地位为决定结婚对象的相关条件。
本文以社会女性主义观点切入，检视奥斯汀的社会背景，探索社会环境如何影响女性在面临婚姻时，内心的焦虑与挣扎。就社会女性主义者而言，物质环境为塑造女性婚姻意识的决定因素。
对于当时男性阶级与女性地位的探索，将可助于理清为何婚姻为奥斯汀小说议题的原因。事实上，婚姻，就小说人物而言，为一个阶级交换与经济交流的市场。
为了达成结婚的目的，女性人物擅于把自己转化成商品，展示其外貌与才艺，吸引男性目光。此一时期女性受到社会价值的鼓励，利用其女性特质来赢得婚姻伴侣。
然而，奥斯汀的女性人物在面临婚姻伴侣的抉择时往往呈现对婚姻无意识的不安。本文根据奥斯汀当时的英国社会环境，揭露《傲慢与偏见》与《爱玛》中女性婚姻观点，其内在的焦虑与挣扎。
[摘要] Marriage is the central topic in Austen's Pride and Prejudice and Emma: the plots of the novels and the actions of the characters revolve around marriage. For Austen's characters, marriage does not mean the act of ungoverned passion but a complex engagement between the marrying couple and society. Austen's characters are completely integrated into society and play out the stories within the social rules. They realize that marriage can provide opportunities of class mobility and financial support; money and class are thus closely connected in their decision of marital partners. Based on Socialist-feminism, this thesis examines social background in Austen's time and explores how social conditions influence females' psychological struggle and anxiety toward marriage. For Socialist-feminists, material factors shape women's marital consciousness in determinate ways. The discussions of male class and female status in the end of the eighteenth century are helpful for understanding why marriage is the central topic in Austen's novels. In a sense, marriage is regarded as a market place to exchange upward class mobility and financial support for Austen's characters. In order to achieve the goal of marriage, females are good at transforming themselves into commodities by displaying their appearances and accomplishments to appeal to male gazers. Women at the time were encouraged by the social value of performing manners of femininity to win husbands. However, when Austen's female characters face mate selections, an unconscious apprehension toward marriage can be observed. From the social consideration of Austen's time, this thesis will reveal female marital perspectives, anxieties, and inner struggle in Pride and Prejudice and Emma.。
4.急~求一篇关于文学或艺术或跨文化交际的英语论文
Exploring Between-world Situations in Amy Tan's The Joy Luck Club and The Bonesetter's Daughter 探讨谭恩美的《喜福会》和《接骨师的女儿》中双重文化的处境 Amy Tan has been viewed as one of the most important contemporary female writers in Asian American literature. Her first and foremost novel The Joy Luck Club (1989) has been favorably accepted by the mass market and the academic institution. Tan's latest work The Bonesetter's Daughter (2001) continues to draw a large readership. This novel, like The Joy Luck Club, bridges two different contexts: between mother and daughter, China and America, past and present. Both novels are characterized by her familiar technique of employing different narrative perspectives to tell stories and reveal secrets. Unlike The Joy Luck Club with the octet of characters, including four mother-daughter pairs, The Bonesetter's Daughter aims at a matrilineage of three heroines. This thesis aims to analyze the intricate relationships between mothers and daughters in Tan's two novels and the constantly evolving course, i.e., from resistance to reconciliation, in which the daughter heroines struggle for self-assertion through the maternal heritage in between-world situations. This thesis is divided into three chapters. The notion of double-voiced discourse is used to discuss the heroines' voice and silence in chapter one, arguing that both voice and silence are ways of expression. Chapter two explores the dichotomy between the daughters' Americanness and their mothers' Chineseness and analyzes how the daughters orientalize their mothers in order to define their distinctiveness. The final chapter illustrates how the daughters express their ambivalent feelings toward their mothers in their contrasting demands for individuation and connection with them and how the maternal heritage provides some positive support for the daughters to solve their problems. Toward the end of the two novels, the unbreakable bond between mothers and daughters supersedes the generation and cultural gap.。
5.推荐关于文学的英文论文题目
我也是英语专业（翻译方向），我有十多篇好的英语毕业论文，有中西文化差异的，广告翻译的 ，化妆品翻译的形美.教学的方面，跨文化交际的。
..都是写的比较好的论文，我现在在读硕士，可以交流哈，我的QQ582111675.还给你些题目做参考.选自己擅长的：1.《红字》中海丝特 • 白兰不理智的一面（The Irrational Side of Hester Prynne of The Scarlet Letter）2. 《董贝父子》中的矛盾冲突（The Conflict in Donbey and Son）3. 论文化不同对联想意义及翻译的影响（On Influence of Cultural Differences on Associative Meanings and Translation）4. 美国教育的衰弱（The Drop of American Education）5. 19世纪欧洲移民对美国工业化的积极影响（The Positive Impacts of European Immigration on American Industrialization in the 19th Century）6. 朱丽叶之人物分析（Character Studies in Juliet）7. 主述理论在文学中的运用（The Application of the Thematic Theory in Literature）8. 语用学中的会话含义理论（Conversational Implicature Theory in Pragmatics）9. 英语语音简析及对提高初学者口语的指导（A Brief Analysis of English Phonetics as well as a Guide to Improve Learners' Oral English）10. 比较两种对于哈姆雷特复仇的评论（Comparison on Two Kinds of Comments on Hamlet's Revenge）11. 英语语言中的性别歧视 （Sexism in English Language）12. 英语的学与教 （English Learning and Teaching）13. 由美国2004年总统选举所想到的 （More than 2004 Presidential Election）14. 论腐朽世界中的纯洁品质——关于《雾都孤儿》的赏析 （The Purity in a Corrupt World—An Analysis of Oliver Twister）15. 论理智与情感之关系——对《理智与情感》的人物分析 16. 入世对中国银行业的挑战 （Challenges on Chinese Banking Sector after Entering the WTO）17. 西进运动对美国的影响 （The Influences of Westward Movement on America）18. 史蒂芬•克拉申的听读假设和二语习得 （Stephen Krashen's Input Hypothesis and Second Language Acquisition）19. 艾•巴•辛格——犹太文化的守护者 （L. B. Singer—the Patron of Jewish Civilization）20. 二十世纪60年代美国妇女运动的派别 （The Politics of American Women's Movement in the 1960's） 21. 论《红字》的模糊性 （Ambiguity in The Scarlet Letter）22.《嘉莉姐妹》中无心的欲望 （The Limitless Desires in Sister Carrie）23. 英语广告语言修辞特点 （Rhetorical Features in Advertising English）24.《儿子与情人》中的恋母情结 （Pau Morel's Oedipus Complex in Sons and Lovers）25. 造成苔丝悲剧命运的原因 （The Reasons for Tess's Tragic Fate）26. 论恐怖主义的根源 （On the Root of Terrorism）27. 2003： 中印关系新纪元 （2003: A New Era of Sino-India Relationship）28. 希兹克利夫的复仇 （The Revenge of Heathcliff）29. 弗洛伊德理论对美国现代文学的影响 （The Influence of Freudian Theory on Modern American Literature）30. 论萨姆一家人之“变形” （The Etamoephosis of the Samsas）31. 亚伯拉罕 • 林肯的民主思想初探 （A Preliminary Research on Abraham Lincoln's Thought of Democracy）32. 评析《傲慢与偏见》的男主人公达西 （Mr. Darcy in Pride and Prejudice）33.《简爱》的圣经情书 （The Relationship Between Jane Eyre and the Bible）34. 库区三角浮出水面——万州、开县、云阳经济宏图 （The Triangle of Reservoir Region Is Surfacing—Wanzhou, Kaixian and Yunyang Open a Great Diagram of Economy）35. 会话中的合作原则和礼貌原则 （Cooperative Principle and Politeness Principle in Conversation）36. 浅析海明威笔下圣地亚哥与其它主人公之异同 （Analysis of the Similarities and Differences Between Santiago and Other Heroes by Hemingway）37. 对嘉尔曼的偏见 （The Prejudice Against Carmen）38. 简爱——关于简爱的性格评论 （Jane Eyre—A Review of Jane Eyre's Character in Jane Eyre）39. 《呼啸山庄》中凯瑟琳和希斯克力夫之间的苦痛恋情 （The Suffering Love Between Catherine and Heathcliff in Wuthering Heights）40. 简评妥协——研究《傲慢与偏见》（A Brief Comment on the Compromise—A Study of Pride and Prejudice）41. 《傲慢与偏见》中的婚姻面面观 （Analysis of the Marriages in Pride and Prejudice）42. 试论简奥斯汀生活对其小说的影响 （On the Impact of Jane Austen's Life on Her Novels）43. “真实的诺言”与传统文化的碰撞——简析“真人秀”的实质和本地化过程 （When True Lies Challenge Tradition—An Analysis of the Reality and Localization of Reality TV）44. 从台湾问题看中美关系 （The Sino-US Relation—The Taiwan Issue）45.《傲慢与偏见》的生命力 （The Great Vitality of Pride and Prejudice）46. 平凡中的不平凡——《傲慢与偏见》（Significance in Commonplace—Pride and Prejudice）47. 萨皮尔沃夫理论 （Sapir-Whorf Hypothesis）4。
6.求一篇8000到10000字左右的英语论文,关于文学题材的就行,要全英
1.苏东坡的文学背景和他的赋 SU TUNG-PO'S LITERARY BACKGROUND AND HIS PROSE-POETRY by Qian Zhongshu (Primarily written as a foreword to “Su Tung-Po's Prose-poems” translated into English With Notes and Commentaries by C. D. Le Gros Clark, this is published here by kind permission of Mr. Le Gros Clark. Those who are interested in textual criticism may consult Mr. Wu Shih-ch'ang's review in Chinese which appeared in The Crescent Monthly, Vol. IV, No. 3. –Ed.) Of the Sung dynasty, it may be said, as Hazlitt said of himself, that it is nothing if not critical. The Chinese people dropped something of their usual wise passiveness during the Sung dynasty, and “pondered, searched, probed, vexed, and criticized”. This intellectual activity, however, is not to be compared with that of the Pre-Chin period, the heyday of Chinese philosophy. The men of the Sung dynasty were inquisitive rather than speculative, filled more with a sense of curiosity than with a sense of mystery. Hence, there is no sweep, no daring, no roominess or margin in their intellectualism. A prosaic and stuffy thing theirs is, on the whole. This critical spirit revealed itself in many directions, particularly in the full flourish of literary criticism and the rise of the tao-hsüeh （道学）， that mélange adultere of metaphysics, psychology, ethics and casuistry.Literary criticism in China is an unduly belated art. Apart from a handful of obiter dicta scattered here and there, Liu Hsieh's Literary Mind （刘勰文心雕龙） and Lo Chi's A Prose-poem on Literature （陆机文赋） are the critical writings that count up to the Sung dynasty. There is Chung Yung's Classification of Poets （钟嵘诗品） of course. But Chung Yung is a literary genealogist rather than a critic, and his method of simply dividing poets into sheep and goats and dispensing praise or dispraise where he thought due, is the reverse of critical, let alone his fanciful attempts to trace literary parentages(1). Ssu-Kung Tu's Characterisations of Poetry （司空图诗品） is a different matter(2). Ssu-Kung Tu seeks to convey purely with imagery the impressions registered by a sensitive mind of twenty four different kinds of poetry: “pure, ornate, grotesque,” etc. His is perhaps the earliest piece of “impressionistic” or “creative criticism” ever written if any language, so quietly ecstatic and so autonomous and self-sufficient, as it were, in its being but it fails on that very account to become sober and proper criticism. It is not until the Sung dynasty that criticism begins to be practiced in earnest. Numerous “causeries on poetry” （诗话）are written and principles of literature are canvassed by way of commentaries on individual poets. Henceforth, causeries on poetry become established as the vehicle for Chinese criticism. One must note in passing that there do not appear professional critics with the rise of criticism. In those good old days of China, criticism is always the prerogative of artists themselves. The division of labour between critics and artists in the West is something that the old Chinese literati would scoff at. The criticism of Sung dynasty, like all Chinese criticismsbefore the “New Literature Movement” with the possible exception of Hsieh's Literary Mind, is apt to fasten upon particulars and be given too much to the study of best words in best places. But it is symptomatic of the critical spirit, and there is an end of it.The Chinese common reader often regards the men of the Sung dynasty as prigs. Their high seriousness and intellectual and moral squeamishness are at once irritating and amusing to the ordinary easy-going Chinese temperament. There is something paralyzing and devitalizing in their wire-drawn casuistry which induces hostile critics to attribute the collapse of the Sung dynasty to its philosophers. There is also a disingenuousness in their attempts at what may be called for want of a better name, philosophical masquerade: to dress up Taoism of Buddhism as orthodox Confucianism. One need but look into Sketches in a Villa（阅微草堂笔记）and Causeries on Poetry in a Garden（随园诗话） to see what a good laugh these two coxcombs of letters, Chi Yuen （纪昀） and Yuan Mei （袁枚） have had at the expense of the Sung philosophers and critics respectively. Nevertheless ofe is compelled to admit that the Sung philosophers are unequalled in the study of mental chemistry. Never has human nature been subject to a more rigorous scrutiny before or since in the history of Chinese thought. For what strikes one most in the tao-hsüeh is the emphasis on self-knowledge. This constant preying upon itself of the 。
7.求文学类英语论文摘要翻译
The depths of the cloud water and is most often associated with Lu you deposit term 145, CI is distinctive, beginning and end of sentence to view the node for the wind, rain, flowers, and other side scenery, humanistic scenery natural scenery; to love knot as lovingly "hate" and "sigh", which mainly originated from Lu you serve the country without the door, sees their talents wasted; personnel node in Figure Ci as the protagonist, the write event enrichment, Yu Yin, banquet, immortality, friends, farewell, etc.; to ask node, the main question is sentimental about the current affairs; to time and place, involved more time in the spring evening, place of existing scenic spots, there are inaccessible. He is still using Jiegou allusions and references, etc. various kinds of artistic contrast personification.。
8.急求毕业论文英文摘要翻译（古代文学）
Abstract:Fierce of the female that powder cleans up when original is jealous of Ming Dynasty becoming a common social problem, the male sex man of letters face to face fierce Great Harmony being jealous of kind subject matter realizes in Ming and Qing Dynasty when especially outstanding. Xanthippe in the main body of a book being passed "Strange Tales of a Lonely Studio" and "vinegar bottle gourd " is jealous of woman image analysis , the cause of formation exploration , the value excavating , reach a plural marriage being indeed fierce the origin being jealous of , discomposed psychological deeply worried author lurking Ming and Qing Dynasty man of letters puzzle having reflected to entire tradition order and anxiety, absolute authority of the male sex and feudalism the Confucian School ethics moral concept are overturned。
9.求英语论文题目 是文学方向的 要不太热门的 但是资料也不难找的
本人不才，下面为楼主介绍几部英文原著作为论文题材（7和8本来是法文，但目前英文版本和中文版本相当普遍）：
1.Oliver Twist written by Charles Dickens;
2.David Copperfield written by Charles Dickens;
3.A Tale of Two Cities written by Charles Dickens;
4.Robinson Crusoe written by Daniel Defoe;
5.Emma written by Jane Austen;
6.Pride And Prejudice written by Jane Austen;
7.Around The World In Eighty Days written by Jules Verne;
8.Five Weeks In A Balloon written by Jules Verne;
9.Treasure Island written by Robert Louis Stevenson.
除此之外尚有许多耐人寻味的作品，这里不予一一列出. 还有，莎士比亚的作品更是多达几十部，不过以此作为题材的人恐怕相当多，所以也不曾列出.
10.求一篇关于英国文学的英语论文谢谢了,大神帮忙啊
"A Dream of Red Mansions" Du Hougan 2005-2-27 字数：1516 Author: Heart of the Ark Source: unknown entry: Anonymous date: 2005-2-27 Volume: 1516 Throughout human history of the evolution of intelligence Love, can be roughly divided into emotional history of prehistoric, ancient and modern history of emotional feelings history of three stages. If the literary history of human emotion is a reflection of the history of reproduction, "A Dream of Red Mansions," a book of the times in a position to more clearly. Like an arch bridge, just across her feelings in ancient history and the end of the beginning of modern history on emotion. In view of this, "A Dream of Red Mansions," a book of our time and the distance is more clear-cut. The classical works show a comprehensive picture so vivid in the past to preserve the impact of the times, so that we can from grade to the ancient and modern people in the area of great emotion and subtle similarities and differences. We Beixijiaojia to see that the history of human emotion and history as a rational move forward in the evolution, despite the evolution of the track is so heavy and slow, step by step, fought, including the cost of blood and life, Zhuanyan Jian burn, Ben things. Modern people still feel strongly from the destroyed in the Li Yumei, and we have to admit that such feelings of sympathy mixed with water Mochizuki Chiang Kai-shek, the Pioneer Press Baccalaureates told the alienation and divide. More than half of this era when men would choose Spouse Choosing Xue Baochai, as the madness Qingchi Yihong son, the loss of his illustrious door first, he more than half of women in the eyes of it is worthless. Modern tears certainly less and less, less than in the past at least one of the Yellow River water. This means that emotions do not know the barren drought or mental well-being of pleasure. People become emotionally intelligent volatile and more ignorance cunning. They are often insincerely, emotional and rational from the inconsistent state of mind is not ideal but obey the call of ideals. They have Qiqingliuyu, but often runs counter to sentiment. If the classical era of personal feelings of love from family and social tragedy, several non-adjustable, but is, after all, in a forward. Works within its power to complete the mission entrusted to the times, for the emotional history of classical zoned under a colorful close.。
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