众文网1.求一篇写理智与情感的英语论文
The Life and Sensibility of Jane Austen Jane Austen has often been considered a woman who led a narrow, inhibited life and who rarely traveled. These assertions are far from the truth. Jane Austen traveled more than most women of her time and was quite involved in the lives of her brothers, so much that it often interfered with her writing. Like most writers, Jane drew on her experiences and her dreams for the future and incorporated them into her writing. Her characters reflect the people around her; the main characters reflect parts of herself. In Sense and Sensibility, Pride and Prejudice, and Mansfield Park, Elinor Dashwood, Elizabeth Bennet, and Fanny Price all reflect aspects of Jane Austen and dreams she had that were never fulfilled. Sense and Sensibility's Elinor Dashwood mirrors Jane Austen's strait-laced sense of propriety and her concern and care about family members. Jane was "practical and sensible, and she did what she thought best" (Tomalin 186). For example, after her father died, Jane managed to gather herself together and send her father's pocket compass and pair of scissors to her brother Frank as a memento of their father. Elinor in Sense and Sensibility is the sister who holds down the family and discusses the practicality of situations. She too distributes cherished mementos of her father when he dies. Elinor is the sister who is concerned with the welfare of her relations and takes it upon herself to look after their well-being. Feeling afflicted when her sister Marianne is hurt by Willoughby, she tries her best to comfort her sister, resolve the situation, and find out the facts of what happened. Jane can also be considered the backbone of her family. After she dies, the family is not as close as they were during her lifetime. Jane became very close with two of her nieces, Fanny Austen and Anna Austen. She counseled them on men and marriage when they reached the age of choosing a suitor. She often helped with delivering her sister-in-law's babies. During her thirties, she lived with her brother Frank for several weeks. She cooked the meals for his family and cared for his children while his wife was confined to her bed. After several weeks of such a life, she felt she needed a break and solitude, but she continued to help her brother and his family until her services were no longer needed. Like the character she creates in Elinor, she sticks by her family and helps them when they need her. Marianne Dashwood, Elinor's younger sister, represents the type of girl Jane wanted to be. Marianne is light and airy with a flighty personality. Her emotions dictate her actions. Jane's nieces remember her as being "youthful, playful, and inventive" (Nokes 368) before she prematurely turned into middle-age. Only once in her life did Jane behave similarly to Marianne, and it was an evening she relived until her death. When she was twenty, Jane attended a ball given by the Lefroys at Manydown House. There she met Tom Lefroy, a handsome young Irishman who had come to stay with his aunt and uncle (Tomalin 113). Jane danced and flirted with him the entire evening - more than was proper for a young lady. In writing to her sister the night after the ball, Jane writes unabashedly for her sister to imagine "everything most profligate and shocking in the way of dancing and sitting down together" (Tomalin 114). Throughout her years of spinsterhood she looked back on the evening when she acted like Marianne, controlled solely by her emotions. She did not let the dictates of society control her that evening. Austen's life closely parallels that of Elizabeth Bennet in Pride and Prejudice. Austen begins the novel with the line, "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife" (3). This statement reflects the opinion of the time that a woman had to be married or else she had no social standing. Just as Elizabeth and her sisters feel immense pressure to get married and procure a good match, so too did Jane. Until she was twenty-five she still retained a small spark of hope that she would one day marry and have children. Jane Austen created Elizabeth as one girl among five. While Lizzy, as she was affectionately called, was surrounded by girls, Jane was surrounded with boys. She had five brothers, and her parents ran a school for boys in their house as part of their rectory. "Growing up in a school meant that Jane knew exactly what to expect of boys, and was always at ease with them; boys were her natural environment, and boys' jokes and boys' interests were the first she learnt about" (Tomalin 30). One 。
2.求一篇写理智与情感的英语论文
Jane Austen has often been considered a woman who led a narrow, inhibited life and who rarely traveled. These assertions are far from the truth. Jane Austen traveled more than most women of her time and was quite involved in the lives of her brothers, so much that it often interfered with her writing. Like most writers, Jane drew on her experiences and her dreams for the future and incorporated them into her writing. Her characters reflect the people around her; the main characters reflect parts of herself. In Sense and Sensibility, Pride and Prejudice, and Mansfield Park, Elinor Dashwood, Elizabeth Bennet, and Fanny Price all reflect aspects of Jane Austen and dreams she had that were never fulfilled. Sense and Sensibility's Elinor Dashwood mirrors Jane Austen's strait-laced sense of propriety and her concern and care about family members. Jane was "practical and sensible, and she did what she thought best" (Tomalin 186). For example, after her father died, Jane managed to gather herself together and send her father's pocket compass and pair of scissors to her brother Frank as a memento of their father. Elinor in Sense and Sensibility is the sister who holds down the family and discusses the practicality of situations. She too distributes cherished mementos of her father when he dies. Elinor is the sister who is concerned with the welfare of her relations and takes it upon herself to look after their well-being. Feeling afflicted when her sister Marianne is hurt by Willoughby, she tries her best to comfort her sister, resolve the situation, and find out the facts of what happened. Jane can also be considered the backbone of her family. After she dies, the family is not as close as they were during her lifetime. Jane became very close with two of her nieces, Fanny Austen and Anna Austen. She counseled them on men and marriage when they reached the age of choosing a suitor. She often helped with delivering her sister-in-law's babies. During her thirties, she lived with her brother Frank for several weeks. She cooked the meals for his family and cared for his children while his wife was confined to her bed. After several weeks of such a life, she felt she needed a break and solitude, but she continued to help her brother and his family until her services were no longer needed. Like the character she creates in Elinor, she sticks by her family and helps them when they need her. Marianne Dashwood, Elinor's younger sister, represents the type of girl Jane wanted to be. Marianne is light and airy with a flighty personality. Her emotions dictate her actions. Jane's nieces remember her as being "youthful, playful, and inventive" (Nokes 368) before she prematurely turned into middle-age. Only once in her life did Jane behave similarly to Marianne, and it was an evening she relived until her death. When she was twenty, Jane attended a ball given by the Lefroys at Manydown House. There she met Tom Lefroy, a handsome young Irishman who had come to stay with his aunt and uncle (Tomalin 113). Jane danced and flirted with him the entire evening - more than was proper for a young lady. In writing to her sister the night after the ball, Jane writes unabashedly for her sister to imagine "everything most profligate and shocking in the way of dancing and sitting down together" (Tomalin 114). Throughout her years of spinsterhood she looked back on the evening when she acted like Marianne, controlled solely by her emotions. She did not let the dictates of society control her that evening. Austen's life closely parallels that of Elizabeth Bennet in Pride and Prejudice. Austen begins the novel with the line, "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife" (3). This statement reflects the opinion of the time that a woman had to be married or else she had no social standing. Just as Elizabeth and her sisters feel immense pressure to get married and procure a good match, so too did Jane. Until she was twenty-five she still retained a small spark of hope that she would one day marry and have children. Jane Austen created Elizabeth as one girl among five. While Lizzy, as she was affectionately called, was surrounded by girls, Jane was surrounded with boys. She had five brothers, and her parents ran a school for boys in their house as part of their rectory. "Growing up in a school meant that Jane knew exactly what to expect of boys, and was always at ease with them; boys were her natural environment, and boys' jokes and boys' interests were the first she learnt about" (Tomalin 30). One can imagine that growing up amidst so 。
3.关于情感与理智的高中议论文,范文
感情与理智
常言道：情之所倾，心之所向。感情和亲疏与人们对事物的认知之间有着很大的牵连。
一、王朝转兴衰
自第一个封建王朝建立起来之后，封建王朝便在华夏大地上历代繁衍，代代相传，有暴君侯臣，亦有明君净臣。残暴昏庸的商纣王宠幸申公豹，事事听他的谏言，然而申公豹只贪图荣华富贵，只知阿谀逢迎讨帝王欢心，身为国家佐相而生活奢侈挥霍。一味沉浸于歌舞升平的环境中，文恬武嬉，朝政败落，宫廷一片奢糜，纣王身边并非没有忠臣，比干可谓是一个忠心耿耿的臣子了。一心为国，不计较其他奸臣对其排挤，一心想着国家社棱，为百姓鞠躬尽瘁，可这一切又有什么用，纣王根本就听不进他的诤言，只因其不能投君之好，不能得到君主亲近。
二、作品的成败
但凡作家，只要是在文坛略有名望的，都有几部成名作品流通于社会人群中，作为读者最初也许真是在赏读作品，可是当我们在心中无意识之间竖立起崇拜偶像之后，我们便会对其作品有一种由衷的厚爱，然而此时，我们欣赏的往往已不再是其作品本身，只是我们对作者产生的一种膜拜，任何作家的作品都不可能完全是名作，其中势必会参差不齐，而当我们被那些作者无意中征服了之后，便会无意识的笼统地接受他们的一切作品，而对其他新的真正优秀的作品充耳不闻，视而不见，无疑这会造成许多无法估量的损失。
三、民族的存亡
对于自己民族不可释怀的感情，这可以理解，然而假如因为这样而一味因循守旧、墨守成规，盲目封闭，消极排外，则会引发不可预知的严重后果。南非一味守旧，与外界隔绝，使原本就不丰富的文化更加闭塞，注定了要衰落，中华民族挣脱旧我，开拓创新，改革开放，对外互市，与诸多国家建立了友好关系，大胆引进国外先进技术，大量吸收国外投资发展中国企业，如今一个盛世中国己赫然屹立在了新世纪前沿。
理智不受感情左右，才会对事物有透彻的认知。
4.【高中议论文范文：《理智与情感》的内涵作文】
摘要：直到学会忙忙碌碌地生活，没有一种东西比读过的旧书更能调剂枯燥了，于是，我重新翻开《理智于情感》，看理性的埃莉诺如何以一颗包容笃定的心去抚平所有的苦难，而感性的玛丽安又是如何学会理智，学会成长。
行文，是总结倾泻于笔尖的记忆。 因而我们所读到的好书多半是润藉了的思绪，平静了的情感。
并在这个潜移默化的过程中，渐渐平息自我，进入一种行云流水般的自然状态。 记不起是什么时候开始读的《理智与情感》，也许它一直安静地躺在我的枕边，从中文到英文，从文书到电影，日日年年醉，一岁一心情。
小时候的《理智与情感》是枯燥的，两个女孩，不同的性格，不同的际遇，相同的幸福结局。世界上的幸福总是相似的，我从她们身上找到了辛德瑞拉的影子，只是这次的王子不再英俊。
于是，一幅英国十八实际的画卷，成了我童话时代的晚霞，那时候，我仍然相信每个故事都真实可信，每种幸福都理所当然。 直到学会忙忙碌碌地生活，没有一种东西比读过的旧书更能调剂枯燥了，于是，我重新翻开《理智于情感》，看理性的埃莉诺如何以一颗包容笃定的心去抚平所有的苦难，而感性的玛丽安又是如何学会理智，学会成长。
玛丽安曾认为人的一生只能有一次爱情，于是她拒绝了布兰登上校，那个和她一样知道很多悲伤的曲子的人，也正是她美丽的钢琴声打动了上校。然而，人的一生终究有很多次选择，一次落水并不能阻止我们再次乘船，因为每一艘新到的船都可能载着我们的幸福靠岸。
相比玛丽安，姐姐埃莉诺更为理智，她可以与吝啬刻薄的一目兄弟谈论生意上的事，也可以在自己痛彻心扉的时候给予妹妹最真挚的安慰，她甚至能够祝福爱人的一去不返。最喜欢看埃莉诺平淡温和的笑容，仿佛能够消退所有的事与愿违。
当最后腼腆爱德华回到她的身边对她说：“我今天来这里并不抱任何期望，我只是想告诉你，我的心将永远属于你……”最感人的告白从最不浪漫的人物口中说出，一向理智的埃莉诺终于忍不住放声大哭。而我，也终于明白， 并不是所有的幸福都顺理成章，幸福，需要长久的等待，更需要始终如一的赤子之心 。
一个人幸福与否，只要看她在一天平息后，能不能感受到宁静，能不能有一种充实和饱和填满心灵。如果是，时常感伤的人也是幸福的。
当玛丽安弹起那首《不要再哭泣，悲伤的泉》，不止是布兰登上校，书外的我也沉浸在一个失去父亲的女孩细水流长的忧伤中，平静中的忧伤，又何尝不是一种幸福呢？。
5.要一篇关于理智与亲情的议论文
呼唤理智
对于一个富有感情的人，与毫无知觉的机器相比来说，判断是非为感情所遮障，是不可避免也无可厚非的。但为了追求一种思想的成熟，我们需要理智。
眼前迷雾索绕，烟雾氖氧，有时还出现怡人的景观，感情告诉你，前方一定是一片美景，而理智却告诉你那可能是万丈深渊。很清楚地选择，却常有人落入深渊，一边下落，一边呼喊着理智的名字；选择了感情，往往让人后悔，选择了理智，即使有莫大的艰难，事后也会无怨无悔。
正因为感情呈现在人们眼前的，是美轮美奂的画面，是悦耳动听的音乐，是亲密无间的家人，是面如西施的恋人，是形影不离的友人，是关云长的诚信，是项羽的大气，是宝璧之间的默契……这才会造就无数大大小小的悲剧。
我们常说让理智战胜情感，这是何等的艰难。包拯面对将他抚养长大，如亲娘的嫂娘，任凭她苦苦哀求依然铁面无私，挥手压铡。但是，谁又不怀疑他内心的矛盾和痛苦。然作为朝廷命官，是容不得意气用事的。还有孔明挥泪斩马谡，这些都是何等哀伤之事啊。
尽管感情给我们的是何等美妙的感受，而理智带给我们的仍是无尽的痛苦。但我们仍旧需要理智，守候理智。因为无数伟业都是在理智中产生的。爱因斯坦在理智中研究宇宙，牛顿在理智中研究天体，霍金也在理智中继承前人的事业。可以说人类研究出的任何对自己有用的事物时，头脑都处于理智中，而不理智，仅凭自己的感情，异想天开的人终不会有所成就，那个狂妄的亚里士多德就是个例证。
我们允许人们在感情冲动时暂时的恍憾、停顿。因为任何人都会被感情误导。但如果这种状态持续较长时间的话，那便会以丧失理智为代价。
我相信，人是富有感情的，同时也是富有理智的。只不过，在有的情况下感情占了上风，人们是有能力使自己处在理智的指导下对是非曲折进行分辨的。理智并不是天边难以遇知的云彩，只要用心呼唤，它一定会伴随人的旅途。
6.求一篇《理智与情感》的2500到3000字的读后感
《理智与情感》塑造了一系列的人物形象，各有各独特的个性，然而就读者接触最多和作者想要着重表现的，那就要数达什伍德家的两姐妹了。
埃丽诺，达什伍德家的大女儿，一个感情丰富而又富于理智的姑娘。从故事一开始就显示出了她比她的母亲和妹妹更加有头脑与理智。
埃丽诺办事缜密，考虑周全，谈吐智慧。不论是对他所爱慕的爱德华还是厌恶的露西，在众人面前，她都能以礼相待。
而且，不论是埃丽诺好奇，喜爱或是厌恶的话题，大家共同讨论时，她总能保持一定的冷静与思考的头脑，既不显示出异常的过分的关注，也不让大家感到自己是个扫兴的角色。任何事，埃丽诺总是拿捏得那么有分寸，那么合适。
此外，埃丽诺还是个善良的姑娘，善于从他人身上发现优点，善于替他人着想。对于詹宁斯太太，虽然她的行为充分说明了她缺乏大脑，但埃丽诺却总在自己的朋友与妹妹面前谈起她的热心，慷慨与正义。
并且为了詹宁斯太太在伦敦自己家中的时光能舒适的度过，而不受玛丽安的嘲讽与冷漠，也为了玛丽安不做出过火的事儿而使自身受到伤害，即使自己并不心甘情愿，还是同意接受邀请，陪妹妹一道前往。以上的一切都显示了埃丽诺理智的头脑，但并非说明她是一个缺乏感性的人。
相反，埃丽诺同她妹妹一样，拥有一颗富于情感的心，只不过她更善于控制这种情感。她对爱德华的倾心，无论在他身上发生了什么情况都从未改变过。
她没有因爱德华的不善言谈，行为呆板忧郁以及众人对他的指责而遗弃他，她看中他的正直，诚实，稳重，宽容的人品，为他在家中所受到的不公平待遇而表示不平，为他不幸的第一次订婚表示同情。并且无时无刻不在为爱德华着想，为能使他的境况有所好转而努力。
甚至在听说了爱德华早已订婚的消息后，埃丽诺依然钟情于他。得知这消息后即使她极力掩饰，还是不难看出这个消息对她的巨大打击。
可见，她对爱德华的感情是强烈的，忠实的，实际的以及是一成不变的。这证明了埃丽诺不仅理智，同样有颗富于情感的心。
并有一个清晰而理智的头脑来时刻提醒她去制约一些无谓的感情冲动。理智，善良，机智是她特有的魅力。
同理智思维发达的埃丽诺相比，她的妹妹玛丽安则要显得感性许多。拿中国名著《红楼梦》中的两个女主角与之相比，若把埃丽诺比作八面玲珑的薛宝钗，那么玛丽安当之无愧的要数林黛玉型了。
聪明伶俐，却又过于多情善感。看到秋日的落叶与萧瑟，玛丽安会觉得有种悲伤萦绕心头，正如当初葬花的黛玉一般。
玛丽安对待爱情总抱着富有浪漫色彩的幻想，总想嫁个“人品出众，风度迷人”的如意郎君，对待感情总追求来的轰轰烈烈，浪漫传奇。对感情的表露也是十分的直白明显，以致于多次被詹宁斯太太拿来取笑。
与埃莉诺不同，玛丽安在社交上同她的感情观十分相似，对待自己喜欢的人热情十分，关怀备至，对待不喜欢的连最起码的以礼相待也难以做到，总是冷潮加热讽，给予一副冷漠的面孔。这种情感或许是当时那个时代最推崇的情感观，但简借助玛丽安充分说明了这种情感观的不妥。
玛丽安最后被威洛比抛弃，在他们所引以自豪的情感观的支配下限入痛苦的深渊，无法自拔，差一点丢掉性命，也给朋友和家人带来了不可摆脱的痛苦。这就是过于感性的弊端。
但抛开玛丽安“感情有余，理智不足”的缺点，她也是个十分优秀的姑娘。，玛丽安聪明机智，有正义感，对于自私狡诈的势力之徒的攻击，总是立即给与不客气的还击。
她酷爱读书，头脑充实有思想，不同于缺乏常识的平凡之辈。玛丽安十分爱自己的妈妈和姐妹，无论是感性过头的她，还是后来受到教训，最终变得理智的她，都不愿让自己的朋友，尤其是亲人因为她而感到痛苦和不安。
并且，在变得理智后，尽力去弥补自己因过于感性而带来的损伤。像故事里说的“一但玛丽安意识到自己做错了，他会用一切行动来弥补自己的过错。”
他的确是个好姑娘，不是吗？ 说完了故事中的两位女主人公，再来谈一位同样生着俏丽面容，拥有理智头脑的姑娘把，她就是露西.斯蒂尔，詹宁斯太太的亲戚，爱德华的第一个订婚对象。这位小姐既不同于玛丽安，有丰富的情感，也不同于埃莉诺，有理智善良的心。
她在感情上可谓是一贫如洗，“理智”上也只能仅仅被称作富有。她是个冷漠自私的人。
行事上机关算尽，貌似很有理智，很有情感，实际上满脑子歪门邪道，虚情假意。她财产不多，为了生活的富裕，先与爱德华订婚，当爱德华因为她被剥夺了财产继承权之后，又将其抛弃，转而嫁给爱德华的弟弟。
在这同时，还总是对埃丽诺进行恶意中伤，以满足自己的妒忌心理，表面上还装得无比可怜无辜。好在埃丽诺每次都能给予不卑不亢的还击，让露西无法得逞，看时真是大快人心。
露西善于拍马奉承，为此赢得了许多人的欢心，被视为掌上明珠。但要问她究竟喜欢谁，爱慕谁，我想出了金钱也别无他人了。
通过这三个人，想必作者已经把自己的观点表达的很清楚了。人要有丰富的情感，但不能感情用事。
必要的时候应受到理智的制约。简认为谨慎行事和内心冲动应保持平衡。
她对金钱可以买到高雅生活的观点表示尊重，但对简来说更重要的。
7.求一篇理智比情感更重要的文章
【“速配”孤儿：理智比情感更重要】
湖南省洪战辉红心基金会孤儿助养工程工作组一行抵达成都，并带来了一项新的孤儿救助方案。按照他们提供的设计方案，基金会将寻找出一批在地震中失去子女的父母和失去父母的孩子，在条件成熟的时候，组织开展一个联谊会。联谊会上，孩子和自己的“准父母”碰面，现场认亲，在双方同意、征得孤儿亲人同意，并符合相关规定的情况下，以速配的方式，组合成一个新家庭。
不过，四川省民政厅在详细阅读该方案后，却表示：地震孤儿不适合这样高调的配对方式。高调地让孩子去认亲，就等于在他们身上烙下了“孤儿”的标记，造成心理阴影。
确实，虽然收养孤儿首先需要的是爱心，但决定收养却需要在热血沸腾中保持理性。对期望收养灾区孤儿的爱心人士，不妨问问自己：我是否能够给予这个孩子源源不断的爱？一年、两年？十年、二十年？还是一辈子？无论在什么样的情况下，是否都能一如既往地爱着他？当你经济状况变化的时候，当你有了自己孩子的时候，当你觉得收养的孩子性格和你不符的时候，当你家人不喜欢这个孩子的时候……你能否还是一如既往地给他如同亲子般的爱和关心？
收养，不能凭借一时的热血，也不能因为一时怜悯和同情就作出这样一个决定。这是责任，这个责任，对你和家人的一生改变是重大的，必须三思。否则，美丽的初衷就难以给那些已经不幸的孩子带去幸福。
灾难对于地震中产生的孤儿来讲太可怕了。大地的颠覆与断裂、房屋倒塌时漫天呛人的灰尘、耳边绝望的尖叫声、亲人父母身体破碎地惨死在身边、令人窒息的恐惧与撕心裂肺的疼痛……“爸爸，妈妈，你们在哪里……”这些将是灾区孤儿脑海中很难抹去的记忆阴影。正如一位网友所言，这种收养关系一旦确立，需要你付出千百倍的努力，除了保证孩子的衣食住行和受教育权利，另外还要你奉献出常人难以想象的爱，来抚平他们心底深刻的伤痕，来驱赶他们梦境中恐怖恶魔的纠缠，来平息他们眼波中的惊涛骇浪……任重而道远！
2004年，印度洋海啸灾难让受灾各国很多年幼的儿童成了孤儿。世界各国爱心人士希望能收养这些海啸的受害儿童。不过美国国务院随后宣布，美国并不鼓励本国公民仓促领养这些孩子。因为美国担心，匆忙收养孩子，会让这些孩子在刚刚逃过海啸死亡威胁之后，面临收养关系不和谐，再遭精神创伤的威胁。这个决定显示的就是一种理性。
其实，帮助孤儿的方式是多种多样的，收养是一种途径，还有其他的途径，比如说你可以助养，通过有关部门通过一定的方式，每个月或者是每年资助这个孩子一定的钱款，一对一进行资助；还有一种是家庭寄养，不用办理收养手续，把孩子接到家里来，你来抚养他。
总之，社会各界对孤儿的帮助，理智比情感更重要。有意收养震灾孤儿的人们一定要再好好想想，仔细想想，自己是否做好了准备？