众文网1.英国英文毕业论文内容包括哪些结构
1、Title page--标题页
这是一篇英国Dissertation的第一部分，其实标题本身就是能告诉读者你的研究到底是什么的一个最好的说明，读者通过标题知道你研究的主题是什么。
2、Abstract--摘要
在整篇Dissertation中摘要是论文字数最少的一部分了，但是也要认真对待；从根本上来说，摘要是对毕业论文的一个简单的总结，其中包括为什么你要做这个研究，是怎么样做的以及做完这个研究的成果与它可能产生的影响等。
3、Content pages--内容页
在该部分中，一般会说明和介绍本论文的主要结构，在这一部分，留学生会发现Dissertation内容中的不同部分不平衡的现象变得越来越明显，因此要对内容进行检查以及合并。如果太多就分成几个小部分，太少的话就自己进行创作补充，这都是很有必要的。
4、Introduction--前言
这一部分作为毕业论文正文的第一部分，前言一般有两个作用，扩大Abstract中材料的总结和为剩下的Dissertation中的内容提供一个很好地指示标。通常情况下都是最好放在最后完成，否则你会完全不知道你在介绍什么，当然，放在前面还是后面写要因人而异，也可以跟导师商量哦。
5、The literature review, or context of the study---文献回顾，背景研究
文章的主要目的是让你介绍一下你的研究领域的总体背景，从而让读者明白文章的研究主题是适用于该研究领域的。
2.专业英语英美文学的毕业论文什么题目比较好写
A Brief Comment on Shakespeare's' The Merchant of Venice （浅谈莎士比亚的《威尼斯商人》）
Hamlet: His Characters as a Humanist（哈姆雷特人物性格分析）
Parallelism and Contrast of Shakespeare's Dramatic Language（莎士比亚戏剧的排比与对照用语）
The Social Significance of Dickens's Oliver Twist（狄更斯《雾都孤儿》的社会意义）
On the Structure of Dickens's Hard Times（谈狄更斯《艰难时世》的结构）
Jane Austen's Art of Irony and Its Rhetoric Effects（简·奥斯丁的反语及其修辞效果）
Appreciation of Literary Language of Pride and Prejudice（《傲慢与偏见》文学语言欣赏）
3.专业英语英美文学的毕业论文什么题目比较好写
A Brief Comment on Shakespeare's' The Merchant of Venice （浅谈莎士比亚的《威尼斯商人》）Hamlet: His Characters as a Humanist（哈姆雷特人物性格分析）Parallelism and Contrast of Shakespeare's Dramatic Language（莎士比亚戏剧的排比与对照用语）The Social Significance of Dickens's Oliver Twist（狄更斯《雾都孤儿》的社会意义）On the Structure of Dickens's Hard Times（谈狄更斯《艰难时世》的结构）Jane Austen's Art of Irony and Its Rhetoric Effects（简·奥斯丁的反语及其修辞效果）Appreciation of Literary Language of Pride and Prejudice（《傲慢与偏见》文学语言欣赏）。
4.英美文学论文除了小说还可以写什么
同学，你好，文章可以发给你的
一篇论文的参考文献是将论文在研究和写作中可参考或引证的主要文献资料，列于论文的末尾。参考文献应另起一页，标注方式按《GB7714-87文后参考文献著录规则》进行。
中文：标题--作者--出版物信息（版地、版者、版期）
英文：作者--标题--出版物信息
所列参考文献的要求是：
(1)所列参考文献应是正式出版物，以便读者考证。
(2)所列举的参考文献要标明序号、著作或文章的标题、作者、出版物信息。
5.英国文学论文
The term English literature refers to literature written in the English language, including literature composed in English by writers not necessarily from England; Joseph Conrad was Polish, Robert Burns was Scottish, James Joyce was Irish, Dylan Thomas was Welsh, Edgar Allan Poe was American, Salman Rushdie is Indian, V.S. Naipaul was born in Trinidad, Vladimir Nabokov was Russian. In other words, English literature is as diverse as the varieties and dialects of English spoken around the world. In academia, the term often labels departments and programmes practising English studies in secondary and tertiary educational systems. Despite the variety of authors of English literature, the works of William Shakespeare remain paramount throughout the English-speaking world.This article primarily deals with literature from Britain written in English. For literature from specific English-speaking regions, consult the see also section at the bottom of the page.Contents [hide]1 Old English2 Renaissance literature3 Early Modern period3.1 Elizabethan Era3.2 Jacobean literature3.3 Caroline and Cromwellian literature3.4 Restoration literature3.5 Augustan literature4 18th century5 Romanticism6 Victorian literature7 Modernism8 Post-modern literature9 Views of English literature10 See also11 External linksOld EnglishMain article: Anglo-Saxon literatureThe first works in English, written in Old English, appeared in the early Middle Ages (the oldest surviving text is Cædmon's Hymn). The oral tradition was very strong in early British culture and most literary works were written to be performed. Epic poems were thus very popular and many, including Beowulf, have survived to the present day in the rich corpus of Anglo-Saxon literature that closely resemble today's Norwegian or, better yet, Icelandic. Much Anglo-Saxon verse in the extant manuscripts is probably a "milder" adaptation of the earlier Viking and German war poems from the continent. When such poetry was brought to England it was still being handed down orally from one generation to another, and the constant presence of alliterative verse, or consonant rhyme (today's newspaper headlines and marketing abundantly use this technique such as in Big is Better) helped the Anglo-Saxon peoples remember it. Such rhyme is a feature of Germanic languages and is opposed to vocalic or end-rhyme of Romance languages. But the first written literature dates to the early Christian monasteries founded by St. Augustine of Canterbury and his disciples and it is reasonable to believe that it was somehow adapted to suit to needs of Christian readers. Even without their crudest lines, Viking war poems still smell of blood feuds and their consonant rhymes sound like the smashing of swords under the gloomy northern sky: there is always a sense of imminent danger in the narratives. Sooner or later, all things must come to an end, as Beowulf eventually dies at the hands of the monsters he spends the tale fighting. The feelings of Beowulf that nothing lasts, that youth and joy will turn to death and sorrow entered Christianity and were to dominate the future landscape of English fiction.Renaissance literatureMain article: English RenaissanceFollowing the introduction of a printing press into England by William Caxton in 1476, vernacular literature flourished. The Reformation inspired the production of vernacular liturgy which led to the Book of Common Prayer, a lasting influence on literary English language. The poetry, drama, and prose produced under both Queen Elizabeth I and King James I constitute what is today labelled as Early modern (or Renaissance).Early Modern periodFurther information: Early Modern English and Early Modern BritainElizabethan EraMain article: Elizabethan literatureThe Elizabethan era saw a great flourishing of literature, especially in the field of drama. The Italian Renaissance had rediscovered the ancient Greek and Roman theatre, and this was instrumental in the development of the new drama, which was then beginning to evolve apart from the old mystery and miracle plays of the Middle Ages. The Italians were particularly inspired by Seneca (a major tragic playwright and philosopher, the tutor of Nero) and Plautus (its comic clichés, especially that of the boasting soldier had a powerful influence on the Renaissance and after). However, the Italian tragedies embraced a principle contrary to Seneca's ethics: showing blood and violence on the stage. In Seneca's plays such scenes were only acted by the characters. But the English playwrights were intrigued by Italian model: a conspicuous community of Italia。
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