1.论文摘要翻译
Abstract
"Little Prince" is a literature work which has a special status in the European literary palace in 20th century.It expressed the writer's rational thinking about the reality and human's inner world by telling a wise and humanity fairy tale.The rich warmth and innocent writting style deeply infuented generations.It is not an ordinary fairy tale, but rather a philosophical fairy tale which contains the author's thinking of love,responsibility and life.It has deep philosophical meaning and aesthetic significance. Based on the author's analysis of the historical background, I will explore to depth in aspriations and interpretations for love which the auther tried to express,analyze the persuing spirit for innocent humanity represented with "love" in "Little Prince".
Key words:Little Prince,love,responsibility,innocence
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手工的,希望你满意
2.关于《小王子》的英文论文 在线等
呵呵,你看看合适不合适The Little Prince – A biased reviewThe little prince by Antoine De Saint Exupery is perhaps the most loved and most widely read book after the Bible. The story of a boy in love with a rose, the novelette is much more than just a story, and the author of the article tries to explain why. "Once upon a time there lived a prince in a planet far, far away" This is how the novelette "The Little Prince" did not start. True, there is a little prince in the book, and he does live on a planet far, far away. But this is a story for the grown ups, and grown ups need to be explained about the realities of Boa Constrictors and Elephants inside Boa Constrictors, and therefore, the story goes thus: "Once when I was six years old I saw a beautiful picture in a book about the primeval forest called "true stories". It showed a boa constrictor swallowing an animal." "The Little Prince" (Le Petit Prince for the puritans) is the story of a child whose innocence carries the wisdom of a million miles and a million years. It is the story of a boy who sets out on an unknown adventure in search of, of all things, a sheep. Yes, a sheep, so that it could eat away little baobabs before they grew too big. A little complicated, is it? But of course, you are only a grown up after all. Our author is a grown up, too. But somewhere, deep inside, he retains that shrunk down, child-like heart, and therefore the questions of the little prince only amaze but never confound him. Our author goes by the name of Antoine de Saint Exupery, the aviator. He has done big things as all grown ups do – flew planes, rescued doomed pilots in the desert, pioneered the mail route from France to South America – the things that bring money, fame and prestige. He has also done the little things that all little ones do – sketched pictures, understood the simple things like love and sorrow, scribbled crazy words on crazier sheets of paper – and he did all that when he was a grown up. Somewhere down the line he also scribbled down "Le Petit Prince". The story of the little prince first occurred to Saint Exupery when he was downed in an air crash over the Sahara desert – for years later he doodled pictures of a blond child with tussled hair, his comforter flowing in the breeze of some distant planet. And in 1943, the Prince emerged in our planet archives, as a little more than a book, and a little less than the Holy Bible. It is more than a book, inasmuch as it does not take recourse to high-flown verses and yet has a story to tell, a tale to weave that can perhaps move the coldest heart. It is also less than the bible, inasmuch as it does not speak of ritualistic spiritualism; it dwells instead on the strength of hope that lingers within the mortal spirit. So when the prince says, "Water may also be good for the heart…" we know that he speaks of a heart that is independent of cholesterol and fatty acids. And when he utters "The men where you live grow five thousand roses in the same garden…and they do not find what they are looking for.." one begins to understand the sorrow that each one of us feels but cannot comprehend. The novelette barely stretches to a hundred pages, but what a fantastic hundred pages they are. As one flips through the words, watching the prince ridicule the foundations of the modern era namely power, wealth, fame and despair through his innocence, one begins to realize the hopelessness of hope itself, for our hopes are pinned on those very foundations which, unfortunately, hold little meaning to a naïve, vain rose who lies in wait somewhere for her hero to return home. Andthat is when one begins to respect responsibilities; not the crudely defined responsibilities towards oneself, but the selfless responsibility towards those that one has "tamed". As the prince did: "I'm beginning to understand', said the little prince. 'There is a flower… I think she has tamed me…' ………….The fox became silent and gazed for a long time at the little prince. 'I beg of you…tame me!' he said. 'Willingly,' the little prince replied, 'but I haven't got much time. I have friends to discover and a lot of things to understand.' 'One can only understand the things one tames,' said the fox, 'Men have no more time to understand anything. They buy ready-made things in the shops. But since there are no shops where you can but friends, men no longer have any friends. If you want a friend, tame me!'" And that is how it goes. Little nuggets of wisdom delivered in an offhanded fashion, told through the words of a child, for it is a child who understands and values the absolute truth, the truth that goes beyond boundaries and beyond 。
3.《小王子》英文版原文,用论文参考文献的形式怎么写
毕业论文参考文献规范格式 一、参考文献的类型 参考文献(即引文出处)的类型以单字母方式标识,具体如下: M——专著 C——论文集 N——报纸文章 J——期刊文章 D——学位论文 R——报告 对于不属于上述的文献类型,采用字母“Z”标识。
对于英文参考文献,还应注意以下两点: ①作者姓名采用“姓在前名在后”原则,具体格式是: 姓,名字的首字母. 如: Malcolm Richard Cowley 应为:Cowley, M.R.,如果有两位作者,第一位作者方式不变,&之后第二位作者名字的首字母放在前面,姓放在后面,如:Frank Norris 与Irving Gordon应为:Norris, F. & I.Gordon.; ②书名、报刊名使用斜体字,如:Mastering English Literature,English Weekly。 二、参考文献的格式及举例 1.期刊类 【格式】[序号]作者.篇名[J].刊名,出版年份,卷号(期号):起止页码. 【举例】 [1] 王海粟.浅议会计信息披露模式[J].财政研究,2004,21(1):56-58. [2] 夏鲁惠.高等学校毕业论文教学情况调研报告[J].高等理科教育,2004(1):46-52. [3] Heider, E.R.& D.C.Oliver. The structure of color space in naming and memory of two languages [J]. Foreign Language Teaching and Research, 1999, (3): 62 – 67. 2.专著类 【格式】[序号]作者.书名[M].出版地:出版社,出版年份:起止页码. 【举例】[4] 葛家澍,林志军.现代西方财务会计理论[M].厦门:厦门大学出版社,2001:42. [5] Gill, R. Mastering English Literature [M]. London: Macmillan, 1985: 42-45. 3.报纸类 【格式】[序号]作者.篇名[N].报纸名,出版日期(版次). 【举例】 [6] 李大伦.经济全球化的重要性[N]. 光明日报,1998-12-27(3). [7] French, W. Between Silences: A Voice from China[N]. Atlantic Weekly, 1987-8-15(33). 4.论文集 【格式】[序号]作者.篇名[C].出版地:出版者,出版年份:起始页码. 【举例】 [8] 伍蠡甫.西方文论选[C]. 上海:上海译文出版社,1979:12-17. [9] Spivak,G. “Can the Subaltern Speak?”[A]. In C.Nelson & L. Grossberg(eds.). Victory in Limbo: Imigism [C]. Urbana: University of Illinois Press, 1988, pp.271-313. [10] Almarza, G.G. Student foreign language teacher's knowledge growth [A]. In D.Freeman and J.C.Richards (eds.). Teacher Learning in Language Teaching [C]. New York: Cambridge University Press. 1996. pp.50-78. 5.学位论文 【格式】[序号]作者.篇名[D].出版地:保存者,出版年份:起始页码. 【举例】 [11] 张筑生.微分半动力系统的不变集[D].北京:北京大学数学系数学研究所, 1983:1-7. 6.研究报告 【格式】[序号]作者.篇名[R].出版地:出版者,出版年份:起始页码. 【举例】 [12] 冯西桥.核反应堆压力管道与压力容器的LBB分析[R].北京:清华大学核能技术设计研究院, 1997:9-10. 7.条例 【格式】[序号]颁布单位.条例名称.发布日期 【举例】[15] 中华人民共和国科学技术委员会.科学技术期刊管理办法[Z].1991—06—05 8.译著 【格式】[序号]原著作者. 书名[M].译者,译.出版地:出版社,出版年份:起止页码. 三、注释 注释是对论文正文中某一特定内容的进一步解释或补充说明。
注释前面用圈码①、②、③等标识。 四、参考文献 参考文献与文中注(王小龙,2005)对应。
标号在标点符号内。多个都需要标注出来,而不是1-6等等 ,并列写出来。
4.关于《小王子》的英文论文 在线等
呵呵,你看看合适不合适 The Little Prince – A biased review The little prince by Antoine De Saint Exupery is perhaps the most loved and most widely read book after the Bible. The story of a boy in love with a rose, the novelette is much more than just a story, and the author of the article tries to explain why. "Once upon a time there lived a prince in a planet far, far away" This is how the novelette "The Little Prince" did not start. True, there is a little prince in the book, and he does live on a planet far, far away. But this is a story for the grown ups, and grown ups need to be explained about the realities of Boa Constrictors and Elephants inside Boa Constrictors, and therefore, the story goes thus: "Once when I was six years old I saw a beautiful picture in a book about the primeval forest called "true stories". It showed a boa constrictor swallowing an animal." "The Little Prince" (Le Petit Prince for the puritans) is the story of a child whose innocence carries the wisdom of a million miles and a million years. It is the story of a boy who sets out on an unknown adventure in search of, of all things, a sheep. Yes, a sheep, so that it could eat away little baobabs before they grew too big. A little complicated, is it? But of course, you are only a grown up after all. Our author is a grown up, too. But somewhere, deep inside, he retains that shrunk down, child-like heart, and therefore the questions of the little prince only amaze but never confound him. Our author goes by the name of Antoine de Saint Exupery, the aviator. He has done big things as all grown ups do – flew planes, rescued doomed pilots in the desert, pioneered the mail route from France to South America – the things that bring money, fame and prestige. He has also done the little things that all little ones do – sketched pictures, understood the simple things like love and sorrow, scribbled crazy words on crazier sheets of paper – and he did all that when he was a grown up. Somewhere down the line he also scribbled down "Le Petit Prince". The story of the little prince first occurred to Saint Exupery when he was downed in an air crash over the Sahara desert – for years later he doodled pictures of a blond child with tussled hair, his comforter flowing in the breeze of some distant planet. And in 1943, the Prince emerged in our planet archives, as a little more than a book, and a little less than the Holy Bible. It is more than a book, inasmuch as it does not take recourse to high-flown verses and yet has a story to tell, a tale to weave that can perhaps move the coldest heart. It is also less than the bible, inasmuch as it does not speak of ritualistic spiritualism; it dwells instead on the strength of hope that lingers within the mortal spirit. So when the prince says, "Water may also be good for the heart…" we know that he speaks of a heart that is independent of cholesterol and fatty acids. And when he utters "The men where you live grow five thousand roses in the same garden…and they do not find what they are looking for.." one begins to understand the sorrow that each one of us feels but cannot comprehend. The novelette barely stretches to a hundred pages, but what a fantastic hundred pages they are. As one flips through the words, watching the prince ridicule the foundations of the modern era namely power, wealth, fame and despair through his innocence, one begins to realize the hopelessness of hope itself, for our hopes are pinned on those very foundations which, unfortunately, hold little meaning to a naïve, vain rose who lies in wait somewhere for her hero to return home. Andthat is when one begins to respect responsibilities; not the crudely defined responsibilities towards oneself, but the selfless responsibility towards those that one has "tamed". As the prince did: "I'm beginning to understand', said the little prince. 'There is a flower… I think she has tamed me…' ………….The fox became silent and gazed for a long time at the little prince. 'I beg of you…tame me!' he said. 'Willingly,' the little prince replied, 'but I haven't got much time. I have friends to discover and a lot of things to understand.' 'One can only understand the things one tames,' said the fox, 'Men have no more time to understand anything. They buy ready-made things in the shops. But since there are no shops where you can but friends, men no longer have any friends. If you want a friend, tame me!'" And that is how it goes. Little nuggets of wisdom delivered in an offhanded fashion, told through the words of a child, for it is a child who understands and values the absolute truth, the truth that goes beyond boundaries and beyond 。
5.结合小王子谈谈人生的哲学意义论文
狐狸说:“对我来说,你只是一个小男孩,就像其他成千上万个小男孩一样没有什么两样。我不需要你。你也不需要我。对你来说,我也只是一只狐狸,和其他成千上万的狐狸没有什么不同。但是,如果你驯养了我,我们就会彼此需要。对我来说,你就是我的世界里独一无二的了;我对你来说,也是你的世界里的唯一了。”
如果你说你在下午四点来,从三点钟开始,我就开始感觉很快乐,时间越临近,我就越来越感到快乐。
到了四点钟的时候,我就会坐立不安,我发现了幸福的价值,但是如果你随便什么时候来,我就不知道在什么时候准备好迎接你的心情了
“你们很美,但你们是空虚的。”小王子仍然在对她们说,“没有人能为你们去死。当然啰,我的那朵玫瑰花,一个普通的过路人以为她和你们一样。可是,她单独一朵就比你们全体更重要,因为她是我浇灌的。因为她是我放在花罩中的。因为她是我用屏风保护起来的。因为她身上的毛虫(除了留下两三只为了变蝴蝶而外)是我除灭的。因为我倾听过她的怨艾和自诩,甚至有时我聆听着她的沉默。因为她是我的玫瑰。”
如果不去遍历世界,我们就不知道什么是我们精神和情感的寄托,但我们一旦遍历了世界,却发现我们再也无法回到那美好的地方去了。当我们开始寻求,我们就已经失去,而我们不开始寻求,我们根本无法知道自己身边的一切是如此可贵
我始终认为一个人可以很天真简单的活下去,必是身边无数人用更大的代价守护而来的。
6.求文学外文文献:《小王子》为题的外国研究论文
法国著名作家和飞行员安东尼•德•圣埃克苏佩里的《小王子》是一本著名的童话,深受儿童和成人的喜爱。虽说看起来是一部儿童故事,但这部作品是如此的深奥,充满了谜语,哲学思想和象征。
《小王子》这部作品之魅力,就在于其丰富的内涵和广泛的象征意义。对故事中象征意义的充分理解有助于对整部作品的理解。本文从三方面来探究作品中的象征意义:人物的象征意义;动物和植物的象征意义和自然景物的象征意义。基于以上的分析,可以发现象征意象分布在文章的每一个角落,它们在对塑造人物性格,推动情节发展,构建小说主题等方面起到了重要的作用。
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