众文网1.全英语论文3000字
Published in 1847, WUTHERING HEIGHTS was not well received by the reading public, many of whom condemned it as sordid, vulgar, and unnatural--and author Emily Bronte went to her grave in 1848 believing that her only novel was a failure. It was not until 1850, when WUTHERING HEIGHTS received a second printing with an introduction by Emily's sister Charlotte, that it attracted a wide readership. And from that point the reputation of the book has never looked back. Today it is widely recognized as one of the great novels of English literature. Even so, WUTHERING HEIGHTS continues to divide readers. It is not a pretty love story; rather, it is swirling tale of largely unlikeable people caught up in obsessive love that turns to dark madness. It is cruel, violent, dark and brooding, and many people find it extremely unpleasant. And yet--it possesses a grandeur of language and design, a sense of tremendous pity and great loss that sets it apart from virtually every other novel written. The novel is told in the form of an extended flashback. After a visit to his strange landlord, a newcomer to the area desires to know the history of the family--which he receives from Nelly Deans, a servant who introduces us to the Earnshaw family who once resided in the house known as Wuthering Heights. It was once a cheerful place, but Old Earnshaw adopted a "Gipsy" child who he named Heathcliff. And Catherine, daughter of the house, found in him the perfect companion: wild, rude, and as proud and cruel as she. But although Catherine loves him, even recognizes him as her soulmate, she cannot lower herself to marry so far below her social station. She instead marries another, and in so doing sets in motion an obsession that will destroy them all. WUTHERING HEIGHTS is a bit difficult to "get into;" the opening chapters are so dark in their portrait of the end result of this obsessive love that they are somewhat off-putting. But they feed into the flow of the work in a remarkable way, setting the stage for one of the most remarkable structures in all of literature, a story that circles upon itself in a series of repetitions as it plays out across two generations. Catherine and Heathcliff are equally remarkable, both vicious and cruel, and yet never able to shed their impossible love no matter how brutally one may wound the other. As the novel coils further into alcoholism, seduction, and one of the most elaborately imagined plans of revenge it gathers into a ghostly tone: Heathcliff, driven to madness by a woman who is not there but who seems reflected in every part of his world--dragging her corpse from the grave, hearing her calling to him from the moors, escalating his brutality not for the sake of brutality but so that her memory will never fade, so that she may never leave his mind until death itself. Yes, this is madness, insanity, and there is no peace this side of the grave or even beyond. Many people in the world are trying to find a perfect companion.Some of these may marry and not know what their new husband or wife is like.This kind of situation often leads to separation or hostility. Other situations may develop between two friends that stem from jealousy, desire for revenge, uncaring parents, etc. Emily Brontë's Wuthering Heights displays several characteristics of destructive relationships. Three of these are uncaring parents, marriage without knowing the person, and jealousy. Uncaring or unsympathizing parents are shown throughout this story to be an element of destructive relationships. Because Heathcliff gained all the attention from Mr. Earnshaw, Hindley became disassociated from his father. This separation continued until after Mr. Earnshaw had died.Another example is between Hindley and Hareton. Hindley became such a drunk and a gambler that he could not properly care for young Hareton. This led to a separation between Hareton and his father as well. One primary example of an uncaring parent is shown between Heathcliff and his son Linton.Heathcliff did not even want his son for anything except enacting a part of his revenge. This is shown by Linton's fear of Heathcliff and Heathcliff's enmity toward his son. Linton even says "。
my father threatened me, and I dread him - I dread him!"(244) to express his feeling about Heathcliff.The hostility and separation between father and son in this book shows that uncaring parents can cause serious damage in relationships with their children. This element of destructive behavior may stem from an unhappy marriage in which the husbands or wives don't know each other. This had happened between Isabella and Heathcliff. Isabella did not really 。
2.外语系的毕业论文往哪个方向写会好写一点
主要看你是什么专业，毕业论文一般都是自己根据专业方向进行选题的。像你们外语类的论文一般就是文化、语言等相关课题的研究。
一般来说，现在文学方向比较容易，也容易入手；语言学比较生涩，而且到后期答辩的时候过程比较辛苦；翻译的话，主要需要熟悉大量的语词和内容，同时也需要较高的文学素养；因此建议选择文学。
至于文学，你可以试着读原著和其他文献，关键是需要写出新意，最好能有一个独特的立论；你可以试试看找一个特别一点的视角，用某派理论解读一部作品，或者对一个作者的两部作品亦或中西的两个作家做比较，实际上这点与中文的比较学相近了。
3.英文论文的详细格式
英文论文的详细格式：一、标题 一篇较长的英语论文（如英语毕业论文）一般都需要标题页，其书写格式如下：第一行标题与打印纸顶端的距离约为打印纸全长的三分之一，与下行（通常为by，居中）的距离则为5cm，第三、第四行分别为作者姓名及日期（均居中）。
如果该篇英语论文是学生针对某门课程而写，则在作者姓名与日期之间还需分别打上教师学衔及其姓名（如：Dr./Prof.C.Prager）及本门课程的编号或名称（如：English 734或British Novel）。打印时，如无特殊要求，每一行均需double space，即隔行打印，行距约为0.6cm（论文其他部分行距同此）。
二、提纲 英语论文提纲页包括论题句及提纲本身，其规范格式如下：先在第一行（与打印纸顶端的距离仍为2.5cm左右）的始端打上 Thesis 一词及冒号，空一格后再打论题句，回行时左边须与论题句的第一个字母上下对齐。主要纲目以大写罗马数字标出，次要纲目则依次用大写英文字母、阿拉伯数字和小写英文字母标出。
各数字或字母后均为一句点，空出一格后再打该项内容的第一个字母；处于同一等级的纲目，其上下行左边必须对齐。需要注意的是，同等重要的纲目必须是两个以上，即：有Ⅰ应有Ⅱ，有A应有B，以此类推。
如果英文论文提纲较长，需两页纸，则第二页须在右上角用小写罗马数字标出页码，即ii（第一页无需标页码）。三、摘要1、英文摘要是应用符合英文语法的文字语言，提供论文内容梗概为目的的短文。
（内容基本与中文摘要相同，但不用完全逐句对应）。2、英文题目、摘要、关键词自成一页（1页即可），放在中文摘要页之后。
3、英文字体与行间距： 统一使用“西文字体”中的“Times New Roman”,1.5倍行间距。4、英文题目： 使用三号字加粗。
5、英文摘要： “Absract”顶格，使用四号字，并加粗。英文摘要具体内容使用四号字。
6、英文关键词： “Key Words”顶格，使用四号字并加粗。四、正文 有标题页和提纲页的英语论文，其正文第一页的规范格式为：论文标题居中，其位置距打印纸顶端约5cm，距正文第一行约1.5cm。
段首字母须缩进五格，即从第六格打起。正文第一页不必标页码（但应计算其页数），自第二页起，必须在每页的右上角（即空出第一行，在其后部）打上论文作者的姓，空一格后再用阿拉伯数字标出页码；阿拉伯数字（或其最后一位）应为该行的最后一个空格。
在打印正文时尚需注意标点符号的打印格式，即：句末号（句号、问号及感叹号）后应空两格，其他标点符号后则空一格。五、文中引述 正确引用作品原文或专家、学者的论述是写好英语论文的重要环节；既要注意引述与论文的有机统一，即其逻辑性，又要注意引述格式 （即英语论文参考文献）的规范性。
引述别人的观点，可以直接引用，也可以间接引用。无论采用何种方式，论文作者必须注明所引文字的作者和出处。
美国学术界通行的做法是在引文后以圆括弧形式注明引文作者及出处。六、文献目录 论文作者在正文之后必须提供论文中全部引文的详细出版情况，即文献目录页。
美国高校一般称此页为 Works Cited， 其格式须注意下列几点：目录页应与正文分开，另页打印，置于正文之后。目录页应视为英语论文的一页，按论文页码的顺序在其右上角标明论文作者的姓和页码；如果条目较多，不止一页，则第一页不必标出作者姓和页码（但必须计算页数），其余各页仍按顺序标明作者姓和页码。
标题Works Cited与打印纸顶端的距离约为2.5cm，与第一条目中第一行的距离仍为0.6cm；各条目之间及各行之间的距离亦为0.6cm，不必留出更多空白。各条目内容顺序分别为作者姓、名、作品名、出版社名称、出版地、出版年份及起止页码等；各条目应严格按各作者姓的首字母顺序排列，但不要给各条目编码，也不必将书条与杂志、期刊等条目分列。
各条目第一行需顶格打印，回行时均需缩进五格，以将该条目与其他条目区分开来。英语论文摘要又称文摘，是论文的重要组成部分，它是以提供文献内容梗概为目的，不加评论和补充解释，简明、确切地记述文献重要内容的短文。
摘要应具有独立性和自明性，并拥有与文献同等量的主要信息，即不需阅读全文，就可获得重要的信息。摘要通常置于文题之后，文章之首。
在论文发表后，论文摘要常被文献检索系统所收集。英语论文摘要一般为200-300单词，并有与英文摘要表达观点一致的中文摘要与之对应。
扩展资料：发表论文作用：论文是指进行各个学术领域的研究和描述学术研究成果的文章。它既是探讨问题进行学术研究的一种手段，又是描述学术研究成果进行学术交流的一种工具。
不同的人发表论文的作用也不同：1、评职称（晋升职称）：研究生 毕业需要；教师 、医护人员 、科研院所的人员、企业员工 等 晋升高一级的职称时，发表期刊论文是作为一项必须的参考指标。2、申报基金、课题 ：教育、科技、卫生系统 每年申报的国家自然科学基金项目、其它各种基金项目、各种研究课题时，发表论文 是作为 基金或课题 完成的一种研究成果的结论性展示。
3、世界性基础领域的研究，比如在医学、数学、物理、化学、生命科学 等领域开展的。
4.外语专业毕业论文怎么写
英语专业毕业论文应采用英语撰写，一般由以下部分组成，依次为：（1）封面，（2）任务书，（3）开题报告， （4） 英文摘要及关键词（Abstract,Keywords）,(5)目录（Outline）,(6)正文，（7）注释（Notes）,(8)参考文献（Bibliography）, (9) 致谢（Acknowledgement）。
Outline中要有Thesis Statement， 采用四号加粗，目录的各章节应简明扼要，其中每章（Ⅰ.Ⅱ.Ⅲ.）题目采用小三号，每节（A.B.C.）题目采用四号。目录部分采用单倍行距。
5.英语专业毕业论文
On Ambiguity Phenomenon in English Ambiguity is a very common phenomenon existing all the time in language. During the process of learning English, people often encounter the phenomenon of ambiguity, or encounter problems caused by ambiguity. Studying ambiguity and its causes in English can not only help people to avoid ambiguity so that people can have a more profound understanding on the English language itself, but also can make full use of ambiguity for people to service people, create unexpected effects. As a result, graspingthe ambiguity of the English languageand its causes can help people improve their English language abilities and interpersonal skills, at the same time, contribute to the development of linguistic theory. But what is this ambiguity? Ambiguity refers to the phenomenon of languages according to the grammatical rules and following the sentences with the logic of common sense containing two or more interpretations. To understand this definition, let us look at the following examples: Example 1:John drove to the bank. Example 2:They saw her duck. Both of the example 1 and example 2 are sentences with ambiguity. The former is caused byhomonymy phenomenon while the latter is caused by the different understandings in syntactic construction: For example 1, if “duck” was considered as indefinite form without “to” and this definite form is theobject of “her”. As a result, the meaning of the sentence changes into “They saw her move her head down quickly.” For example 2, if duck was considered into the direct object of “saw”, then the word “duck” changes into noun with the meaning of “They saw her duck”. Through the example 1and example 2, we can easily find that even though they are both ambiguous sentences, but the causes of the formation of ambiguity are in different ways. Example 1 is a vocabulary level of ambiguity (Lexical Ambiguities), while Example 2 is a syntactic level of ambiguity (Syntactic Ambiguities), and that the two levels of ambiguity is the main reason forambiguity. Therefore this article makes some in-depth and specific analysis and discussion on the ambiguity phenomenon of English language and its causes from these twolevel ambiguities. 网上找的，不知道能不能帮上你，还有一部分，因为字数太多了，没有显示，给你个网址： /snap.cgi?d=9184660453658755196&w=%D3%A2%D3%EF%C6%E7%D2%E5%CF%D6%CF%F3%C2%DB%CE%C4&u= //show_blog-23964780.htm。
6.英语毕业论文的范文和格式
Generally speaking, a speech may have the following stylistic characteristics: To begin with, it must be very persuasive. Thus the sentence patterns are very well-organized, with repetitions, parallelism and contrasts frequently used. Secondly, it should be emotional so as to be convincing, because the speaker should face the audience directly and his words should not only be orderly and informative but also be expressive and inspiring. Therefore, the stylistic devices such as similes and metaphors are often involved. Finally, in many cases, written-conversational style is usually used with not very formal diction and not very complicated sentence structure. Bibliography: [1]. Martin Luther King, Jr., I Have a Dream, August 28, 1963 [2]. Wang Shouyuan, Essentials of English Stylistics, Shandong University Press, July, 2000 [3]. Pan Shaozhang, English Rhetoric and Writing, Shanghai Transportation University Press, December, 1998 [4]. Widdowson, H. G. Stylistics and the Teaching of Literature, Longman, 1975 [5]. Leech, G. N. “ 'This bread I break' Language and interpretation”. In D.C. Freeman. (ed.). Linguistics and Literature Style. New York:Holt, Rinhart & Winston. Acknowledgements: It was really a laborious task to accomplish a B.A thesis. Many people gave me support and help in the process of writing the paper. I'd like first to give my grate to my dear teacher, vice professor Mr. Liu Fagong, who generously gave me his kindly help and instructions during the whole process of my paper-writing. Then I'd like to give my many thanks to my classmates who helped me a lot with my information collecting and paper-polishing. Most important of all, I want to give my thanks to my mother university and all the teachers in the English College, who educated and cultivated me to be a qualified teacher in the future. A Brief Introduction to the Author: Su Zhanghai, a student in Class One 1988 Grade, majoring in English Education, and a well-to-be teacher in Shandong Agricultural University, who whole-heartedly gives his best wishes to all the teachers in Qufu Normal University.Article resource :。
7.英语专业论文
五、英语文学类毕业论文选题
121. The Independent Spirit of Hester Brynne in The Scarlet Letter
《红字》中海丝特。白兰的独立精神探析
122. On the Meanings of Images in Moby Dic
论《白鲸》中的象征意义
123. Democratic Idea in Leaves of Grass
论《草叶集》中的民主思想
124. The Analysis on different Concept of Value in Sister Carrie
《嘉莉妹妹》中不同价值观的分析
125. Mark Twain's Humor & Satire in Adventures of Huckberry Finn
马克。吐温的幽默与讽刺在《哈克贝利。费恩》中的充分体现
126. 从接受美学看莎士比亚《 第十二夜》中的喜剧元素
Comic Elements in << The Twelfth Night>> from the Perspective of Receptive Aesthetics
127. 《罗密欧与朱丽叶》中的奶妈和《西厢记》中的红娘人物形象比较
The Comparison of Nanny in Romio and Juliet and Hongniang in Romance of the Western Chamber
128. 试论自卑情结对夏绿蒂 勃朗特创作的影响
The Influence of Inferiority Complex on the works of Charlotte Bronte
129. 从依恋理论看《呼啸山庄》主人公希力克列夫悲剧性格的形成
The Forming of Heathcliff”s Tragic Personality in Wuthering Heights from the Perspective of Attachment Theory
130. 灵与肉的对立――从《无名的裘德》中的苏和阿拉贝拉人物分析看哈代的悲观主义
The contrast between the Spirit and the Flesh--- Hardy's Tragic Thought analyzed through Sue and Alabella in Jude the Obscure
131. On the Realistic Style of Chaucer's Canterbury Tales
论乔叟《坎特伯雷故事集》的现实主义风格
132. On Shakespeare's Religious Ideas
论莎士比亚的宗教思想
133. On the Essence and Specialty of Shakespeare's Tragedy
论莎士比亚悲剧的本质与独特性
134. On the Linguistic Features of Burns' Poetr
论彭斯诗歌的语言特色
135. On the Fatalistic Ideas in Hardy's Works
论哈代作品中的宿命论观点
136. Fitzgerald, Spokesman of the “Roaring 20's”----- A Study of His (e.g. The Great Gatsby)
菲茨杰拉德：美国二十世纪二十年代的代言人
------ 再读《了不起的盖茨比》
137. Ernest Hemingway, Spokesman of the “Lost Generation”.
海明威：迷惘的一代的代言人
138. A Further Study of the “Code Hero” in Ernest Hemingway's Works.
再论海明威作品中的“硬汉”形象
139. William Faulkner's Style in (e.g. A Rose for Emily.)
威廉
8.急需英语专业毕业论文
Learn from the Real Hero—— on the Old Man and the Seasix principles of translation compensation and applicationStylistic Value of the Endophora of Third Person Pronoun in English Suspense NovelsHow the Chinese and the Chinese Culture Are Represented in Steinbeck's Works。
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