众文网1.英美文学中的某一个人物分析英语论文
我帮你换了一篇可以吗？"苔丝"人物分析.这篇着重分析人物.原来的是"飘".主要是从对人物的喜好来说.我想这篇可能比教好.不喜欢你再给我发信.Analysis of Major Characters Tess Durbeyfield Intelligent, strikingly attractive, and distinguished by her deep moral sensitivity and passionate intensity, Tess is indisputably the central character of the novel that bears her name. But she is also more than a distinctive individual: Hardy makes her into somewhat of a mythic heroine. Her name, formally Theresa, recalls St. Teresa of Avila, another martyr whose vision of a higher reality cost her her life. Other characters often refer to Tess in mythical terms, as when Angel calls her a “Daughter of Nature” in Chapter XVIII, or refers to her by the Greek mythological names “Artemis” and “Demeter” in Chapter XX. The narrator himself sometimes describes Tess as more than an individual woman, but as something closer to a mythical incarnation of womanhood. In Chapter XIV, he says that her eyes are “neither black nor blue nor grey nor violet; rather all these shades together,” like “an almost standard woman.” Tess's story may thus be a “standard” story, representing a deeper and larger experience than that of a single individual.In part, Tess represents the changing role of the agricultural workers in England in the late nineteenth century. Possessing an education that her unschooled parents lack, since she has passed the Sixth Standard of the National Schools, Tess does not quite fit into the folk culture of her predecessors, but financial constraints keep her from rising to a higher station in life. She belongs in that higher world, however, as we discover on the first page of the novel with the news that the Durbeyfields are the surviving members of the noble and ancient family of the d'Urbervilles. There is aristocracy in Tess's blood, visible in her graceful beauty—yet she is forced to work as a farmhand and milkmaid. When she tries to express her joy by singing lower-class folk ballads at the beginning of the third part of the novel, they do not satisfy her—she seems not quite comfortable with those popular songs. But, on the other hand, her diction, while more polished than her mother's, is not quite up to the level of Alec's or Angel's. She is in between, both socially and culturally. Thus, Tess is a symbol of unclear and unstable notions of class in nineteenth-century Britain, where old family lines retained their earlier glamour, but where cold economic realities made sheer wealth more important than inner nobility.Beyond her social symbolism, Tess represents fallen humanity in a religious sense, as the frequent biblical allusions in the novel remind us. Just as Tess's clan was once glorious and powerful but is now sadly diminished, so too did the early glory of the first humans, Adam and Eve, fade with their expulsion from Eden, making humans sad shadows of what they once were. Tess thus represents what is known in Christian theology as original sin, the degraded state in which all humans live, even when—like Tess herself after killing Prince or succumbing to Alec—they are not wholly or directly responsible for the sins for which they are punished. This torment represents the most universal side of Tess: she is the myth of the human who suffers for crimes that are not her own and lives a life more degraded than she deserves.Alec d'Urberville An insouciant twenty-four-year-old man, heir to a fortune, and bearer of a name that his father purchased, Alec is the nemesis and downfall of Tess's life. His first name, Alexander, suggests the conqueror—as in Alexander the Great—who seizes what he wants regardless of moral propriety. Yet he is more slippery than a grand conqueror. His full last name, Stoke-d'Urberville, symbolizes the split character of his family, whose origins are simpler than their pretensions to grandeur. After all, Stokes is a blunt and inelegant name. Indeed, the divided and duplicitous character of Alec is evident to the very end of the novel, when he quickly abandons his newfound Christian faith upon remeeting Tess. It is hard to believe Alec holds his religion, or anything else, sincerely. His supposed conversion may only be a new role he is playing.This duplicity of character is so intense in Alec, and its consequences for Tess so severe, that he becomes diabolical. The first part of his surname conjures associations with fiery energies, as in the stoking of a furnace or the flames of hell. His devilish associations are evident when he wields a pitchfork while addressing Tess early in the novel, and when he seduces her as the serpent in Genesis seduced 。
2.英语论文《飘》中Scarlett的人物性格分析
里面的人物性格特征很明显 像思嘉 在那个年代她作为一个女性能为自己的土地争取到最大的利益 我很佩服她 瑞德的个性是个不适合在那个年代的 不过他可以为了自己的女儿和那些表面上虚伪的人称兄道弟 斯佳丽除了有智慧外还有责任心 负担着四五口人 她本质上是个小女孩即使在战后历经磨难瑞特把注意力转移到邦尼身上 她后来对钱十分渴求 心理学上称为追求安全感 战争之苦让她没有安全感 所以她总会做身处迷雾的梦 而最后她才发现瑞特是她梦中的谜底 失去了才懂得珍惜，我很可怜这个女人，却不能对他的一些做法苟同.在那个时代，他能够坚强的活下来 确实不易，然而爱情决不是一个人可以任意挥霍的资本！ 当爱情就在你身边的时候，记得要认清 要珍惜 要呵护！ 最后的结局让我很失望也感到失落，当失去的时候才知道谁才是自已真正爱的人，真爱往往就在身边，却失之交臂 in her eyes,nothing is more important than him .She could run through the war, but she hasn't grown up by this.she didn't know what she want,and always run after the thing she couldn't get,and was never satisfied with her condition. the result is terrible ,she lost what she had ! after all tomorrow is another day ！ 中文名：飘 英语名：Gone with the wind 法语名：Autant en emporte le vent 导演：Victor Fleming 原著：《飘》（玛格丽特·米切尔著） 出品：米高梅公司 主演：Vivien Leigh, Clark Gable, Leslie Howard, Olivia de Havilland, Hattie McDaniel等 1936年，美国女作家玛格丽特·米切尔的畅销小说《飘》问世了。
好莱坞制片人大卫·O·谢尔兹尼克出五万美元买下了拍摄权，并先后动用十八位编剧将这部三卷集的小说改写成电影剧本。 《乱世佳人》（GONE WITH THE WIND）是好莱坞影史上最值得骄傲的一部旷世巨片，影片放映时间长达4小时，观者如潮。
其魅力贯穿整个20世纪，因此有好莱坞“第一巨片”之称。影片当年耗资400多万美元，历时三年半完成，其间数换导演，银幕上出现了60多位主要演员和9000多名配角演员。
在1939年的第12届奥斯卡奖中一举夺得八项金像奖，轰动美国影坛。这部耗资巨大，场景豪华，战争场面宏大逼真的历史巨片，以它令人称道的艺术成就成为美国电影史上一部经典作品，令人百看不厌。
1861年南北战争爆发的前夕，塔拉庄园的千金小姐郝思嘉爱上了另一庄园主的儿子艾希利，但艾希利却选择了表妹——温柔善良的韩媚兰为终身伴侣。郝思嘉出于妒恨，抢先嫁给了韩媚 兰的弟弟查尔斯。
不久，美国南北战争爆发了。艾希利和查尔斯作 为征兵上了前线。
查尔斯很快就在战争中死去了。郝思嘉成了寡妇， 但她内心却一直热恋着艾希利。
一天，在一次举行义卖的舞会上，郝思嘉和风度翩翩的商人白瑞德相识。白瑞德开始追求郝思嘉，但遭到她的拒绝。
郝思嘉一心只想着去追求艾希利，结果也遭到拒绝。 在战争中，美国南方军遭到失败，亚特兰大城里挤满了伤兵。
郝思嘉和表妹韩媚兰自愿加入护士行列照顾伤兵。目睹战乱带来的惨状，任性的郝思嘉成熟了不少。
这时，从前线传来消息，北方军快打过来了，不少人家惊惶地开始逃离家园。不巧韩媚兰要生孩子了，郝思嘉只好留下来照顾她。
在北方军大军压境之日，郝思嘉哀求白瑞德帮忙护送她和刚生 下孩子的韩媚兰回塔拉庄园。白瑞德告诉郝思嘉他不能目睹南方军 溃败而不去助一臂之力，他要参加南方军作战，他留下一把手枪并 和郝思嘉拥吻告别。
郝思嘉只好独自勇敢地驾驶马车回到塔拉庄园， 这时家里已被北方军士兵抢先洗动一空，母亲在惊吓中死去。 不久，战争结束了。
生活依然困苦。北方来的统治者要庄园主 缴纳重税，郝思嘉在绝望中去亚特兰大城找白瑞德借钱，但得知他 已被关进监狱。
归来的途中，郝思嘉遇上了本来要迎娶她妹妹的暴 发户弗兰克，为了要重振破产的家业，她骗取弗兰克和自己结了婚。 郝思嘉在弗兰克经营的木材厂非法雇用囚犯，并和北方来的商人大做生意。
此时，白瑞德因用钱贿赂而恢复了自由。两人偶然碰面，再次展开爱恨交织的关系。
弗兰克和艾希利因加入了反政府的秘密组织，在一次集会时遭 北方军包围，弗兰克中弹死亡，艾希利负伤逃亡，在白瑞德帮助下 回到韩媚兰身边。郝思嘉再次成为寡妇。
此时，白瑞德前来向她求 婚，她终于与一直爱她的搞私运军火和粮食致富的白瑞德结了婚。 婚后，夫妻二人住在亚特兰大的豪华大宅。
一年后，女儿邦妮出生， 白瑞德把全部感情投注到邦妮身上。郝思嘉偶然翻阅艾希利的照片 被白瑞德发现，终于导致了二人感情的破裂。
其后，在艾希利的生日会前夕，郝思嘉与艾希利相见时热情的拥抱引起旁人非议，但韩媚兰不相信他们之间有暧昧关系。白瑞德可不这样想。
当郝思嘉告诉白瑞德她已经再次怀孕时，白瑞德怀疑地问那是谁的孩子？郝思嘉在羞怒之下欲打白瑞德，却不慎滚下楼梯引起流产。白瑞德感到内疚，决心同郝思嘉言归于好，不料就在他俩谈话时，小女儿邦妮意外坠马摔死了。
与此同时不幸的事也在另一个家庭里发生，韩媚兰终因操劳过度卧病不起。临终前，她把自已的丈夫艾希利和儿子托付给。
3.英美文学中的某一个人物分析英语论文
我帮你换了一篇可以吗？"苔丝"人物分析.这篇着重分析人物.原来的是"飘".主要是从对人物的喜好来说.我想这篇可能比教好.不喜欢你再给我发信.Analysis of Major CharactersTess , strikingly attractive, and distinguished by her deep moral sensitivity and passionate intensity, Tess is indisputably the central character of the novel that bears her name. But she is also more than a distinctive individual: Hardy makes her into somewhat of a mythic heroine. Her name, formally Theresa, recalls St. Teresa of Avila, another martyr whose vision of a higher reality cost her her life. Other characters often refer to Tess in mythical terms, as when Angel calls her a “Daughter of Nature” in Chapter XVIII, or refers to her by the Greek mythological names “Artemis” and “Demeter” in Chapter XX. The narrator himself sometimes describes Tess as more than an individual woman, but as something closer to a mythical incarnation of womanhood. In Chapter XIV, he says that her eyes are “neither black nor blue nor grey nor violet; rather all these shades together,” like “an almost standard woman.” Tess's story may thus be a “standard” story, representing a deeper and larger experience than that of a single individual.In part, Tess represents the changing role of the agricultural workers in England in the late nineteenth century. Possessing an education that her unschooled parents lack, since she has passed the Sixth Standard of the National Schools, Tess does not quite fit into the folk culture of her predecessors, but financial constraints keep her from rising to a higher station in life. She belongs in that higher world, however, as we discover on the first page of the novel with the news that the Durbeyfields are the surviving members of the noble and ancient family of the d'Urbervilles. There is aristocracy in Tess's blood, visible in her graceful beauty—yet she is forced to work as a farmhand and milkmaid. When she tries to express her joy by singing lower-class folk ballads at the beginning of the third part of the novel, they do not satisfy her—she seems not quite comfortable with those popular songs. But, on the other hand, her diction, while more polished than her mother's, is not quite up to the level of Alec's or Angel's. She is in between, both socially and culturally. Thus, Tess is a symbol of unclear and unstable notions of class in nineteenth-century Britain, where old family lines retained their earlier glamour, but where cold economic realities made sheer wealth more important than inner nobility.Beyond her social symbolism, Tess represents fallen humanity in a religious sense, as the frequent biblical allusions in the novel remind us. Just as Tess's clan was once glorious and powerful but is now sadly diminished, so too did the early glory of the first humans, Adam and Eve, fade with their expulsion from Eden, making humans sad shadows of what they once were. Tess thus represents what is known in Christian theology as original sin, the degraded state in which all humans live, even when—like Tess herself after killing Prince or succumbing to Alec—they are not wholly or directly responsible for the sins for which they are punished. This torment represents the most universal side of Tess: she is the myth of the human who suffers for crimes that are not her own and lives a life more degraded than she deserves.Alec d'Urberville An insouciant twenty-four-year-old man, heir to a fortune, and bearer of a name that his father purchased, Alec is the nemesis and downfall of Tess's life. His first name, Alexander, suggests the conqueror—as in Alexander the Great—who seizes what he wants regardless of moral propriety. Yet he is more slippery than a grand conqueror. His full last name, Stoke-d'Urberville, symbolizes the split character of his family, whose origins are simpler than their pretensions to grandeur. After all, Stokes is a blunt and inelegant name. Indeed, the divided and duplicitous character of Alec is evident to the very end of the novel, when he quickly abandons his newfound Christian faith upon remeeting Tess. It is hard to believe Alec holds his religion, or anything else, sincerely. His supposed conversion may only be a new role he is playing.This duplicity of character is so intense in Alec, and its consequences for Tess so severe, that he becomes diabolical. The first part of his surname conjures associations with fiery energies, as in the stoking of a furnace or the flames of hell. His devilish associations are evident when he wields a pitchfork while addressing Tess early in the novel, and when he seduces her as the serpent in Genesis seduced Ev。
4.英语作文 人物性格的分析怎么写
Different people have different characters. If we want to get along well with others, we had better learn their characters, so that we won't step on landmines. For example, when we meet a person who is patient, we can show our opinions slowly. But when we meet a hot temper person, we had better express our opinions as soon as possible and get away from him when he loses his temper. If we meet a person who is more bark than bite, we take the measure of sticking. In a word, different people will accept different ways fo。
5.求个英语论文的题目（论文是关于简爱人物性格的）
Jane EyreThe development of Jane Eyre's character is central to the novel. From the beginning, Jane possesses a sense of her self-worth and dignity, a commitment to justice and principle, a trust in God, and a passionate disposition. Her integrity is continually tested over the course of the novel, and Jane must learn to balance the frequently conflicting aspects of herself so as to find contentment.Click here to find out more!An orphan since early childhood, Jane feels exiled and ostracized at the beginning of the novel, and the cruel treatment she receives from her Aunt Reed and her cousins only exacerbates her feeling of alienation. Afraid that she will never find a true sense of home or community, Jane feels the need to belong somewhere, to find “kin,” or at least “kindred spirits.” This desire tempers her equally intense need for autonomy and freedom.In her search for freedom, Jane also struggles with the question of what type of freedom she wants. While Rochester initially offers Jane a chance to liberate her passions, Jane comes to realize that such freedom could also mean enslavement—by living as Rochester's mistress, she would be sacrificing her dignity and integrity for the sake of her feelings. St. John Rivers offers Jane another kind of freedom: the freedom to act unreservedly on her principles. He opens to Jane the possibility of exercising her talents fully by working and living with him in India. Jane eventually realizes, though, that this freedom would also constitute a form of imprisonment, because she would be forced to keep her true feelings and her true passions always in check.Charlotte Brontë may have created the character of Jane Eyre as a means of coming to terms with elements of her own life. Much evidence suggests that Brontë， too, struggled to find a balance between love and freedom and to find others who understood her. At many points in the book, Jane voices the author's then-radical opinions on religion, social class, and gender.Edward RochesterDespite his stern manner and not particularly handsome appearance, Edward Rochester wins Jane's heart, because she feels they are kindred spirits, and because he is the first person in the novel to offer Jane lasting love and a real home. Although Rochester is Jane's social and economic superior, and although men were widely considered to be naturally superior to women in the Victorian period, Jane is Rochester's intellectual equal. Moreover, after their marriage is interrupted by the disclosure that Rochester is already married to Bertha Mason, Jane is proven to be Rochester's moral superior.Rochester regrets his former libertinism and lustfulness; nevertheless, he has proven himself to be weaker in many ways than Jane. Jane feels that living with Rochester as his mistress would mean the loss of her dignity. Ultimately, she would become degraded and dependent upon Rochester for love, while unprotected by any true marriage bond. Jane will only enter into marriage with Rochester after she has gained a fortune and a family, and after she has been on the verge of abandoning passion altogether. She waits until she is not unduly influenced by her own poverty, loneliness, psychological vulnerability, or passion. Additionally, because Rochester has been blinded by the fire and has lost his manor house at the end of the novel, he has become weaker while Jane has grown in strength—Jane claims that they are equals, but the marriage dynamic has actually tipped in her favor.St. John RiversClick here to find out more!St. John Rivers is a foil to Edward Rochester. Whereas Rochester is passionate, St. John is austere and ambitious. Jane often describes Rochester's eyes as flashing and flaming, whereas she constantly associates St. John with rock, ice, and snow. Marriage with Rochester represents the abandonment of principle for the consummation of passion, but marriage to St. John would mean sacrificing passion for principle. When he invites her to come to India with him as a missionary, St. John offers Jane the chance to make a more meaningful contribution to society than she would as a housewife. At the same time, life with St. John would mean life without true love, in which Jane's need for spiritual solace would be filled only by retreat into the recesses of her own soul. Independence would be accompanied by loneliness, and joining St. John would require Jane to neglect her own legitimate needs for love and emotional support. Her consideration of St. John's proposal leads Jane to understand that, paradoxically, a large part of one's personal freedom is found in a 。
6.求关於<鲁滨逊漂流记>人物性格分析的英语论文资料,网上不太容易
The British youth lubinxun strand is lousy to like the voyage since the childhood, once leaving the house to South America three times to take a trip everywhere.He keeps in mind to wander about the whole world high far life ambition on first, taking leave the family, crossing Atlantic Ocean and Pacific Oceans, experiencing numerous insurance feeling in soul-stirring voyage, afterwards whole ship at Pacific Ocean up the misery die a tragic death, on the boat of person all be buried the bottom of sea, have him one person however can the miracle sort ground live down, and arrive at an unmanned smoke island alone up. He gets the apocalypse of the life from the despairing blind side, the strong strand of lubinxun of personality is lousy to live for 28 years independently on the island.He is on the isolated island the 劳 makes to living the interest, expanding the wasteland, the turn keeps the animal, producing the paddy rice and wheats, year by year with solitude for companion, overcame various ordinary peoples hard difficulty for overcome.《 Holy Bible 》 become his spirit to pay the pillar, by dint of astonishing perseverance and stubborn not the labor of the interest, he covers to have the house, the results corn, raise and train the goat, use the skin the manufacture clothes.He once matches wits with wild beast, also once with cannibalism meat of savage country people 斗 is courageously.Afterwards he rescued an aborigines, calling him as" Friday", accept he makes the servant.He with not together and usually of perseverance and courage, overcame the difficult hardship of the hard imagination, the hands that use the diligence, created a home for exist for the oneself. Lousy help captain of strand of lubinxun fought down the sailor of the insurrection, didn't return England until a British ship of the 28 year arrives at that island neighborhood.At this time his parents both die, the strand of lubinxun is lousy to take back he is Brazil manorial of be subjected to the benefit all, and give those to a part help over him of people.。
7.傲慢与偏见的人物性格分析英语写
这是我以前写的论文，是关于简的。
文章结构绝对标准。Jane Bennet—A Beautiful, Kindhearted and Restrained Woman Pride and Prejudice is a novel written by British woman novelist--Jane Austen, which tells about love stories of the Bennets. In the novel, Austen brings readers many vivid images through her excellent skills of description. The character who impressed me most is Jane Bennet, which is a beautiful, kindhearted and restrained woman.It is no doubt that Jane is beautiful. Mrs. Bennet thinks Jane is the most beautiful one among her daughters. Mr. Bingley considers her as “the most beautiful creature I ever beheld “and “could not conceive an angel more beautiful”. Even the most fastidious person, Mr. Darcy, has to admit “she is the most handsome girl in the room”. Austen shows readers Jane's beauty through other's words, which is much persuasive.In the novel, readers can find out that Jane is kindhearted. “All the world are good and agreeable in your eyes. I never heard you speak ill of a human being in my life. “Elizabeth, who is the most smart and perspicacious person in the novel, tells reader Jane's disposition in an indirect way. When Elizabeth guesses that Mr. Bingley goes to London because of Miss Bingley's instigation, and considers Miss Bingley as an insincerity person who is not worth to making friends, Jane believes that Miss Bingley “is incapable of willfully deceiving any one”. That is not because Jane has adolescent mind. Jane is such a kindhearted person and she will never have sick opinion about others. Even if she thinks she will never had close relationship with Miss. Bingley after she knows the true reason of Mr. Bingley's leaving, she still shows her hope of getting along well with Miss Bingley. Jane is also a restrained person. Darcy thinks Jane do not fall in love with Bingley. Therefore, he persuades Bindley to leave her. It is Jane's attitude makes Darcy mistake her feeling of love to Bingley. That is why Mr. Bingley can accept Mr. Darcy and Miss Bingley's advice of going to London, and also the reason she makes herself heartbroken. Jane does not show her love easily because she is restrained. As an unmarried woman, her reserve really shows she is educated; but in front of her love, it almost makes her miss her true love. It is surely her shortcoming.In conclusion, Jane Bennet is a beautiful, kindhearted and restrained woman. Even she is not as smart as Elizabeth, she is still a welcome character in the novel. Readers can see the merits and the shortcomings, which they may have. Jane Bennet is the one of the most vivid images in Pride and Prejudice.。
8.《鲁滨逊漂流记》关于人物性格分析的英文论文 写大胆精神和冒险精神
读《鲁滨孙漂流记》有感 读完《鲁滨孙漂流记》这本精彩的小说一个高大的形象时时浮现在我的眼前，他就是勇敢的探险家，航海家鲁滨孙.他凭着顽强的毅力，永不放弃的精神，实现了自己航海的梦想. 我仿佛看到轮船甲板上站着这样的一个人：他放弃了富裕而又舒适的生活，厌恶那庸庸碌碌的人生，从而开始了一次与死神决斗的生存大挑战.种种的不幸与困难并没有压倒鲁滨孙，反而使他更加坚强.上苍给予鲁滨孙的困难，对于他也更具有挑战性！ 风暴海啸，全船除鲁滨孙无一幸免，真正的生存挑战才刚刚开始！ 流落孤岛，他为了找到合适的住所，在岸上跑了一整天，在一个山岩下找到了一个栖身之所.鲁滨孙在小山下搭了一个帐篷，而且尽量大些，里面再打上几根木桩来挂吊床.第二天，他把所有的箱子以及木板，做木排的材料，堆成一个临时性围墙，作防御工事.但只过了十几天，突然发生塌方.鲁滨孙不但把落下来的松土运出去，还装了天花板，下面用柱子支撑起来，免得再次出现塌方的灾难.永不放弃，鲁滨孙奠定了生活的基础. 一次，鲁滨孙无意中掉在墙角的谷壳，竟然长出绿色的茎干，不久，长出了几十个穗头，这真是老天的恩惠.从此，鲁滨孙一到雨季就撒下半数种子来试验，以得到更多的粮食.最糟糕的一次试验，大麦与稻穗的收成仅获了半斗而已.但是，经过这次试验，使鲁滨孙成为了种田高手.知道什么时候下种，现在他知道一年四季播种两次，收获两次.永不放弃，鲁滨孙有了生活的口粮. 造船回乡，鲁滨孙又花费了数年的时间，无数的心血.光砍树就是数月.但由于事先没有考虑周全，船离海边太远，他怎么也无法让船下水.这下，数年的心血白花了，一切希望都破灭了.直到星期五的出现，这个希望才重新油然升起！ 鲁滨孙是个伟大的人，坚毅的人，孤身一人在这个荒无人烟的孤岛上生活了27年.他敢于同恶劣的环境作斗争，勤奋劳动，把小岛经营得有条不紊.他在逆境中锻炼了自己，成就了一番不平凡的事业. 这本书教会我们只有坚持才能胜利，只有实干才能让我们摆脱困境，实干比信念更重要…… 我的人生也会随着这本书而起航，在人生的航海中，勇敢前进，永不放弃。
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