1.关于肖申克救赎的论文,需要参考文献
[1]尚静. 《肖申克救赎》的教学影评[J]. 新西部,2010,(9). [2]吴晓燕. 退隐,企业家的“肖申克救赎”[J]. 经营者,2007,(9). [3]郄永忠. 民营企业家能否“肖申克救赎”?[N]. 中国房地产报,2006-11-27(013). [4]Е. И. БЕРЕжНОИ. О ДИФФЕРЕНцИРОВАНИИ ИНтЕгРАлОВ От ФУНкцИ И Иж сИММЕтРИЧНых пРОс тРАНстВ ДИФФЕРЕНцИАльНыМИ Б АжИсАМИ[J]. 1996,(4). [5]С. В. Буланов,В. А. Догель. Влияние зависимости козФФициента диФФузии от энергии на спектры электронной компоненты космических лучей и радиоФона галактики[J]. 1974,(2). [6]А. И. Степанец. ПриБлижение $$\bar \Psi $$ -интегралов периодических Функций суммами Фурье (неБольшая гладкость). IIпериодических Функций суммами Фурье (неБольшая гладкость). II[J]. 1998,(3). [7]Ladislav Zachoval. О НЕКОТОРЫХ ФОТОГРАФИЧЕСКИХ ЭФФЕКТАХ[J]. 1958,(2). [8]В. П. Бурский. О Граничных задачах для диФФэрэнциалъного уравнэния С Комплэксными КозФФипиэнтами Второго Порядка В плоской ОБласти[J]. 1996,(11). [9]В. С. Ільків. Задача з Формальними початковими умовами для диФеренціальних рівнянь зі сталими псевдодиФеренціальними коеФщієнтами[J]. 1998,(7). [10]Gerd Hentschel. РОЛЬ СХЕМ ФОРМАЛЬНОЙ ДИФФЕРЕНЦИАЦИИ В ИСТОРИЧЕСКОМ РАЗВИТИИ ФЛЕКТИВНОЙ СИСТЕМЫ РУССКОГО СУЩЕСТВИТЕЛЬНОГО[J]. 1991,(1). [11]Jirí Marvan. ФОНЕТИКА И ОРФОГРАФИЯ — ДВА ПОДХОДА К ПОСТРОЕНИЮ ГЛУБИННОЙ МОРФОЛОГИИ РУССКОГО ЯЗЫКА[J]. 1974,(2). [12]Svatopluk Krupička. К ВОПРОСУ ЭФФЕКТИВНО ГО ВНУТРЕННЕГО ПОЛЯ П РИ ФЕРРОМАГНИТНОМ РЕЗО НАНСЕ ПОЛИКРИСТАЛЛИ ЧЕСКИХ ФЕРРИТОВ[J]. 1956,(5). [13]Jan Tauc. ТЕОРИЯ ОБЪЕМНОГО ФОТ ОВОЛЬТАИЧЕСКОГО ЭФФ ЕКТА ПОЛУПРОВОДНИКОВ[J]. 1955,(2). [14]Karel Toman,Marie Simerská. ДЕФОКУСИРОВКА ДИФФР АКТОМЕТРА ШУЛЬЦА[J]. 1957,(3). [15]Ivan Soudek. ТЕМПЕРАТУРНАЯ ЗАВИС ИМОСТЬ ИНТЕНСИВНОСТ И ФОТОЛЮМИНЕСЦЕНЦИИ ZnSCdS-ФОСФОРА[J]. 1957,(1). [16]K. Závěta. ГАЛЬВАНОМАГНИТНЫИ Э ФФЕКТ В МАРГАНЕЦ-ЦИНК ОВЫХ ФЕРРИТАХ В ОКРЕСТНОС ТИ ТОЧКИ КЮРИ[J]. 1961,(6). [17]Zdeněk Dlouhý,Václav Petržílka,Miroslav Rozkoš. ФОТОЯДЕРНЫЙ ЭФФЕКТ Н А НИКЕЛЕ, МЕДИ И ЦИНКЕ[J]. 1955,(2). [18]Jan Tauc. ФОТОМАГНИТНЫЙ ЭФФЕК Т У ПОЛУПРОВОДНИКОВ В НЕОДНОРОДНОМ МАГНИ ТНОМ ПОЛЕ[J]. 1956,(5). [19]Jiří Drahokoupil,Marie Malkovská,Jan Tauc. КВАНТОВЫЙ ВЫХОД ВНУТ РЕННЕГО ФОТОЭФФЕКТА В ГЕРМАНИИ В ОБЛАСТИ Р ЕНТГЕНОВСКОГО ИЗЛУЧ ЕНИЯ[J]. 1957,(1). [20]Milena Závětová. К ВОПРОСУ О ФОТОПРОВО ДИМОСТИ ФОТОГРАФИЧЕСКОЙ ЭМУ ЛьСИИ[J]. 1957,(3). [21]Stanislav Кос. КВАНТОВЫЙ ВЫХОД ФОТО ЭФФЕКТА В ГЕРМАНИИ В ВОЛНОВОМ ИНТЕРВАЛЕ 0,3–2 μ[J]. 1957,(1). [22]A. Kochanovská. ВЛИЯНИЕ СПЕКТРАЛЬНО ГО ПРОФИЛЯ ДУБЛЕТАKα 1 α 2 И ДИФРАКЦИОННОГО РАС ШИРЕНИЯ НА ИНТЕГРАЛЬ НУЮ ИНТЕНСИВНОСТЬ ДИФРА КЦИЙ ПРИ ВЫСОКИХ УГЛА Х БРЭГГА[J]. 1961,(1). [23]с. Б. кОжыРЕВ. ДИФФЕРЕНцИАльНыЕ сВ ОИстВА ИжВИВАУЩИхсь ФУНкцИИ[J]. 1985,(4). [24]J. Sawicki. ИССЛЕДОВАНИЕ НОРМАЛЬНЫХ ФЕРРИТОВ-ШПИНЕЛЕЙ С ПОМОЩЬЮ ЭФФЕКТА МQDССБАУЭРА[J]. 1967,(4). [25]Jan Tauc. ТЕРМИЧЕСКИЙ ФОТОЭФФ ЕКТ В ПОЛУПРОВОДНИКА Х[J]. 1955,(4). [26]Věra Blumová,Josef Hrdlička. КРИТИЧЕСКОЕ ОТНОСИТ ЕЛЬНОЕ ОТВЕРСТИЕ ФОТ ОГРАФИЧЕСКОГО ОБЪЕКТИВА, ИМЕЮЩЕГО С ФЕРИЧЕСКУЮ АБЕРРАЦИ Ю[J]. 1957,(1). [27]Н. Е. лУшпАИ. ОптИМАльНыЕ кВАДРАт УРНыЕ ФОРМУлы Дль клА ссОВ ФУНкцИИ с ИНтЕгРИРУЕ МОИ ВL p r-ОИ пРОИжВОДНОИ[J]. 1979,(1). [28]МОШÉ АЛЬТБАУЭР. РИФМОВАННЫЙ АКАФИСТ В ЧЕСТЬ НИЛА СТОЛОБЕНСКОГО[J]. 1975,(1-2). [29]Л. Борковский. Сведение ариФметики к типикальной логике Без аксиомы Бесконечности и типикальной многозначительности ариФметических постоянных[J]. 1958,(1). [30]Arnošt Bergstein,Antonín Bohun. ТЕРМОГРАФИЧЕСКОЕ ОП РЕДЕЛЕНИЕ РЕАКЦИИ МАРГАНЦЕВОГО ФЕРРИТ А С ПОМОЩЬЮ ЭКСОЭЛЕКТР ОННОЙ ЭМИССИИ[J]. 1957,(4). [31]Marie Malkovská. ДИФФУЗИОННЫЕ ДЛИНЫ Э ЛЕКТРОНОВ И ДЫРОК В ГЕ РМАНИЕ, ИЗМЕРЕННЫЕ РЕНТГЕНО ВСКИМИ ЛУЧАМИ[J]. 1955,(4). [32]Miroslav Trlifaj. ТЕОРИЯ ДИФФУЗИИ „ЛОК АЛИЗОВАННЫХ“ ЭКСИТО НОВ В ТВЕРДЫХ ТЕЛАХ[J]. 1956,(6). [33]Jaroslav Pačes. ГАЛЬВАНОМАГНИТНЫЙ Э ФФЕКТ В ОБЛАСТИ ТЕМПЕРАТУРЫ КЮРИ[J]. 1957,(6). [34]L. Uher. ВЛИЯНИЕ ПЕРЕХОДНЫХ Э ФФЕКТОВ НА ИЗМЕРЕНИЕ КРИВЫХ НАМАГНИЧЕННОСТИ КОМ МУТАЦИОННЫМ БАЛЛИСТИЧЕСКИМ МЕТО ДОМ[J]. 1963,(8). [35]Введение локальных кооядинат для счетной системы диФФерениальных уравнений в окрестности инвариантного многообяазия[J]. 1996,(4). [36]Jaroslav Pachner. ТЕОРИЯ ДИФФРАКЦИИ ЭЛ ЕКТРОМАГНИТНОЙ ВОЛН Ы НА ПЛОСКОМ ЭКРАНЕ[J]. 1956,(1). [37]Jiří Drahokoupil. ВЛИЯНИЕ ПОЛНОГО ОТРА ЖЕНИЯ НА ДИАФРАГМЕ СОЛЛЕРА НА РАЗРЕШАЮШ УЮ СИЛУ РЕНТГЕНОВСКО ГО СПЕКТРОГРАФА[J]. 1956,(1). [38]Karel Klíma,Ludvík Waniek. ИЗМЕРЕНИЕ BЫСОКЫХ КРА ТКОВРЕ。
2.想从文化方面写关于“肖申克的救赎”的英语论文 求论点 题目 或者一
Theme:The will to the resurrection
When we got trapped,when we got into tough situation,even when we lost freedom,what did life leave to us?what did we own after all?Imagine you are the one,who could redempt "Andy Duffrin"?What could hep to get you from Shawshank prison to the blue Pacific ocean? Dead or live?Up, to the will.
3.《肖申克的救赎》英文文献
我有下过英文版的文你要不要??
观后感:影片《肖申克的救赎》的观后感英文的
The story may sound simple, but the truth behind the words is remarkable. When I heard the name of the film first time, I considered the Shawshank to be a man' name, but in fact it is a jail's name——a hell in the world. Not only for the inhumanity of the jailors——they behaved brutally;
but also for the jail gnawed at people' heart by keeping them waiting and waiting as life passed. It seemed that only those utterly worthless people who gave up everything could survive. That's where the story happened.
The part impressed me most is when Andy got out of the jail. He extended his arms in front of him in the heavy rain as if he were welcoming the fresh air and the freedom. At that moment, I saw the confidence win the darkness, discharging light dazzling the eyes in the dark blue sky. Under the light, I could feel my recreant heart being shivering as his voice said: “Remember, Hope is a good thing, maybe the best of things and no good thing ever dies!”
That's why I like this film: it encourages people to fight to preserve the dignity of human beings, to appreciate the beauty of life, and the most importance is to keep hope forever. He once that is born, that is die. Everyone is the same. The only difference is whether busy living or busy dying.
The film tells us that even a man can live once, but if he keeps confidence, keeps hope and works his life right, then once is enough. The congfidence is the bird that feels the light when the dawn is still dark, the hope is the chief happiness that this world affords,
nd the life should be full of the singing of the bird and the happiness hope brings. " What's that do you think? It's the trembling of the heart, the singing of the mind, the flying of the soul and the hope to be free.”
4.求一篇 肖申克的救赎 英文版影评1500字以上最好 质量高哦
Can Hollywood, usually creating things for entertainment purposes only, create art? To create something of this nature, a director must approach it in a most meticulous manner, due to the delicacy of the process. Such a daunting task requires an extremely capable artist with an undeniable managerial capacity and an acutely developed awareness of each element of art in their films, the most prominent; music, visuals, script, and acting. These elements, each equally important, must succeed independently, yet still form a harmonious union, because this mixture determines the fate of the artist's opus. Though already well known amongst his colleagues for his notable skills at writing and directing, Frank Darabont emerges with his feature film directorial debut, The Shawshank Redemption. Proving himself already a master of the craft, Darabont managed to create one of the most recognizable independent releases in the history of Hollywood. The Shawshank Redemption defines a genre, defies the odds, compels the emotions, and brings an era of artistically influential films back to Hollywood.The story begins with the trial of a young banker, Andy Dufrense, victimized by circumstantial evidence, resulting in a conviction for the murder of his wife and her lover. After a quick conviction, Andy finds himself serving a life sentence at Shawshank prison, with no hope of parole. He exists in this prison only in appearance, keeping his mind free from the drab walls around him. His ability to do this results in the gaining of respect from his fellow inmates, but most of all from Ellis Redding. Ellis, commonly referred to as Red, finds gainful use of his entrepreneurial spirit within the drab walls of Shawshank by dealing in contraband and commodities rare to the confines of prison. Andy's demeanor and undeniable sense of hope causes Red to take a deeper look at himself, and the world around him. Andy proves to Red and the other inmates that in the conventional walls of Shawshank prison convention will find no home in his lifestyle.By creating the film's firm foundation, the meticulously chiseled screenplay paved the way for this film's success. Frank Darabont outdoes himself with the phenomenal adaptation of Stephen King's equally noteworthy novella, Rita Hayworth and Shawshank Redemption. In this novella, King demonstrates that he can break free from the genre he dominates and still create a marvelous piece of modern literature. Though the film mirrors the novella in many ways, Darabont illustrates a focused objective of improving upon the areas where the novella came up short, resulting in one of the best book to film transitions ever.While maintaining some of the poetic and moving dialogue of the novella, Darabont also proves that a film's score can generate a great deal of emotional response from its audience, as dialogue does. He employs the cunning Thomas Newman, son of the legendary Hollywood composer, Alfred Newman. Darabont shows recognition for the film's needs by employing Newman, who makes the gentle piano chords whisper softly to the viewer, as if a part of the scripted dialogue. Newman lends himself to individualism and tends to drive more towards the unique in the realm of score composition. His effort in Shawshank did not go unnoticed, as his score received an Oscar nomination in 1995. While unique and independent, Newman's score never once intrudes on your concentration or distracts from the film.With work from vast array of talented scene designers, costume designers, composers, cinematographers, and various other Hollywood artists, the cast of The Shawshank Redemption had a strong foundation to work with. The marvelous cast of this film will dazzle you with some of the most convincing performances you will witness in a film. While both Tim Robbins and Morgan Freeman shine as Andy and Red, respectively, the true spectacle of acting lies within the plethora of amazing supporting actors who easily disappear into their roles. Most noticeable of these, the veteran film star James Whitmore, who portrays the elderly Brooks Hatlen. Brooks, a man incarcerated for an unmentioned crime for so long that he finds himself attached to the Shawshank and the daily life he has lead. Each of these actors show a true dedication to their art, and a focused purpose in their motivations, creating a convincing setting that never once caters to anything unbelievable.With all of the aesthetic touches and attention to cinematic detail, the most beautiful part of the film lies within its thematic material, such as its focus on the human desires for the most abstract 。
5.肖申克的救赎 英语影评2000字
《肖申克的救赎》的影评The story may sound simple, but the truth behind the words is remarkable. When I heard the name of the film first time, I considered the Shawshank to be a man' name, but in face it is a jail——a hell in the world. Not only for the inhumanity of the jailors——they behaved brutally; but also for the jail gnawed at people' heart by keeping them waiting and waiting as life passed. It seemed that only those utterly worthless people who gave up everything could survive. That's where the story happened. The part impressed me most is when Andy got out of the jai. He extended his arms in front of him in the heavy rain as if he were welcoming the fresh air and the freedom. At that moment, I saw the faith win the darkness, discharging light dazzling the eyes in the dark blue sky. Under the light, I could feel my recreant innermost being shivering as his voice said: “Remember, Hope is a good thing, maybe the best of things and no good thing ever dies!” That's why I like this film: it encourages people to fight to preserve the dignity of human beings, to appreciate the beauty of life, and the most important is to keep hope forever. He once that is born, that is die. Everyone is the same. The only difference is whether busy living or busy dying. The film tells me even a man can live once, but if he keeps faith, keeps hope and works his life right, then once is enough. The faith is the bird that feels the light when the dawn is still dark, the hope is the chief happiness that this world affords, and the life should be full of the singing of the bird and the happiness hope brings. " What's that do you think? It's the trembling of the heart, the singing of the mind, the flying of the soul and the hope to be free.” 这个故事也许看似简单,但是其中的道理却是发人深思的。
我第一次听到这电影的名字时,曾以为“肖申克”是个人名,但事实上它是一所监狱的名字--鲨堡。说它是人间地狱,不仅那里狱卒残暴,狱霸横行,而且它还侵蚀着人的心灵。
生命在漫漫无期的等待中消逝,似乎只有那些行尸走肉般放弃了所有的人才能够活下去。 这就是故事的开始。
最让我感动的是安迪逃出牢狱时候的情景。大雨滂沱之中他伸出手臂似乎在迎接新鲜空气和自由。
此刻,我看见自信战胜了黑暗,其光芒照亮了深蓝天空中的眼睛。在此光辉下,我可以感觉到自己那颗怯懦的心在颤抖,似乎在说:记住,希望是好东西,也许是人间至善,而美好的东西永远不会消逝。
它激励人们为人类的尊严而斗争,为生命的美丽而感恩,最重要的是它让我们永怀希望。这就是我喜欢这部电影的原因。
有出生,就会有死亡,人人均是如此。唯一不同的是--忙着活,还是劳碌死。
电影告诉我们,虽然人只能活一次,但是如果带着信心和希望好好地活,一次也就足够了。信心就像在黎明前看到曙光的鸟,而希望则是这个世界给我们的最重要的礼物,生命应该充满鸟儿的歌声和希望带来的快乐。
你认为如何你呢?我想这是心房的跳舞,思想的歌唱,灵魂的翱翔,以及对自由的渴望。
6.《肖申克的救赎》,用英语写300字的影评
Perhaps, as Red said, hope is a terrible thing; especially for them. They are not death, so they must abandon any hope alive. One or more times in the life imprisonment so that they can never live in those walls within the. On the wall from the beginning to gradually adapt to the fear, and the final form of the dependence of the wall, such a process is actually a process of gradually abandon hope. No hope, they can sit back and relax in here alive until dead. So Thomas will be leaving the prison, 50 years in prison after his first parole that gave him limited freedom to feel a sense of unease and panic, and then committed suicide. He said he could not adapt to the free society, he was a child I only saw a car, and now full of cars. Freedom to his hope, and this is no doubt, but it is exactly the kind of hope it gave him just the lives of fear and trepidation. Every wake up in the middle of the night doing the nightmare still must be understood before it can think of where I was. Su。
and because Red is such that. No hope, there was always something to find something to kill time. He had thought to use a more honest way to get out of his free frank walls Shawshank walls, he fled; sentence Road clear Andy desire for survival and those who had never extinguished hope and pray the enthusiasm of hope. Every wake up in the middle of the night doing the nightmare still must be understood before it can think of where I was. The so-called hope;. In contrast. No end in prison is too boring, 50 years in prison after his first parole that gave him limited freedom to feel a sense of unease and panic. Reid thought that the use of 600 years to dig through the road of hope, and when this desire is Norton completely shot. I was actually in the early Thomas has forgotten the feeling of freedom; Instead, Andy took only 20 years less than the time to dig through, hope is a terrible thing, such a process is actually a process of gradually abandon hopePerhaps. So Thomas will be leaving the prison, he was a child I only saw a car, so we to follow so that the, as Red said. Miscarriage of justice of the miscarriage of justice gives the name of justice, at least let us see that he never had a strong desire to go out. Thomas and Reid. Freedom to his hope, and Andy chose hope and freedom. Such a life may actually not as good as he was in prison more freedom and peace of mind, and then committed suicide, so they must abandon any hope alive. " or get busy dying", has long been completely dead. He said he could not adapt to the free society, but also because such a promise mad restlessness; especially for them, and now full of cars, but it is exactly the kind of hope it gave him just the lives of fear and trepidation, but I do not know why he was, for him, his hopes should not escape blame for their escape. They are not death, he is just to fight for his freedom and dreams. Expression of the film in a deliberately obscure that Andy will be our hope and committed suicide after losing hope that this expression is very cleverly used the Red'Get busy living, who chose the laissez-faire attitude of despair, he The only choice seems to be the only way this extreme. One or more times in the life imprisonment so that they can never live in those walls within the;s point of view, Andy shows another kind of mentality, and this is no doubt, and the final form of the dependence of the wall. Committed to give him a false hope of freedom, they can sit back and relax in here alive until dead. On the wall from the beginning to gradually adapt to the fear。
7.《肖申克的救赎》的英文简介及评论
THE SHAWSHANK REDEMPTION
A film review by Jeff Pidgeon
Copyright 1994 Jeff Pidgeon
THE SHAWSHANK REDEMPTION is a strong debut for director Frank Darabont, a screenwriter who sold the script on the provision that he could direct it. This isn't a Film For The Ages, but it is involving and engaging for the majority of its 150-minute running time. Tim Robbins and Morgan Freeman are both fine as convicts who meet in Shawshank Prison in the late 40's and get to know each other as they do time together. The suspense mainly revolves around 1) whether Robbins will continue to survive prison life; and 2) whether he should be there at all. The script does a decent job of sustaining these elements and keeping the viewer in doubt. On the other hand, there are few moments in the story that, once they are revealed, are different than you might expect. For the most part, the satisfying option is usually chosen, the one that will make the audience happy. While this makes for an enjoyable immediate experience , the side effect is that the lack of genuine surprise makes it less enduring than you'd like. On the whole though, aside from script weaknesses and implausibilities (more than a couple), the performances are uniformly strong, if a bit two-dimensional in spots, the period feel of the art direction is thorough yet understated, Thomas Newman's score nicely supports things and is emotional without being too overpowering or treacly. For a prison drama, the violence isn't played up particlarly, but this ain't FREE WILLY, either. For the curious, SHAWSHANK makes for a good night out, as the saying goes. If the concept doesn't grab you from the start, I don't know that it would win you over. Marginally Recommended.
8.肖申克的救赎英文观后感800字
I saw the film "the Shawshank Redemption” last time in my class, it completely blew me away and for days I couldn't stop talking about it. The Shawshank Redemption is one of the most popular movies of all time. The story was about the caring and smart banker Andy Dufresne, who is falsely accused and convicted of the murder of his wife. He is sent to Shawshank prison in the 1940's, he meets many fellow prisoners, including Red, who becomes his important friend. During his time at Shawshank Andy's way of life is changed, but he never looses his hope.
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9.我要一篇《肖申克的救赎》的观后感,要求是英文的,比较流畅,字
The Shawshank Redemption
I saw the film "the Shawshank Redemption” last time in my class, it completely blew me away and for days I couldn't stop talking about it. The Shawshank Redemption is one of the most popular movies of all time. The story was about the caring and smart banker Andy Dufresne, who is falsely accused and convicted of the murder of his wife. He is sent to Shawshank prison in the 1940's, he meets many fellow prisoners, including Red, who becomes his important friend. During his time at Shawshank Andy's way of life is changed, but he never looses his hope. It's a powerful story of hope, friendship and freedom, made remarkable by the interaction between the two lead characters. Hope is the major force behind the lead character Andy, and Andy uses hope to change the other lead character Red. “Hope is a good thing, maybe the best of things, and no good thing ever die." ---Red (Morgan Freeman).
In my opinion, it's one of the best movies ever made. If I could recommend to you one movie you must see before you die it is this one. Let me show you why? Firstly, the characters in the film were all deep and showed a lot of human character and emotion, and the acting was also really good making every character seem real, both Tim Robbins and Morgan Freeman do a fine job in terms of making their roles genuine and appealing, and also in the way they work so well together. Secondly, the songs are all entertaining and range from excitement to drama to great sadness, they are really beautiful! Thirdly, the film is also very well photographed.
In sum, the Shawshank Redemption is really a wonderful film! I've been shown by Andy's example that I have to keep true to myself, not lose hope, bide your time, set a quiet example and look for your chance. "I guess it comes down to a simple choice, really," he tells Red. "Get busy living' or get busy dying'."
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