众文网1.关于《洛丽塔》的英文论文
论《洛丽塔》中纳博科夫的现代意识 （文化冲突）The Dispiriting Incompatibility of European and American CulturesThroughout Lolita, the interactions between European and American cultures result in perpetual misunderstandings and conflict. Charlotte Haze, an American, is drawn to the sophistication and worldliness of Humbert, a European. She eagerly accepts Humbert not so much because of who he is, but because she is charmed by what she sees as the glamour and intellect of Humbert's background. Humbert has no such reverence for Charlotte. He openly mocks the superficiality and transience of American culture, and he views Charlotte as nothing but a simple-minded housewife. However, he adores every one of Lolita's vulgarities and chronicles every detail of his tour of America—he enjoys the possibilities for freedom along the open American road. He eventually admits that he has defiled the country rather than the other way around. Though Humbert and Lolita develop their own version of peace as they travel together, their union is clearly not based on understanding or acceptance. Lolita cannot comprehend the depth of Humbert's devotion, which he overtly links to art, history, and culture, and Humbert will never truly recognize Lolita's unwillingness to let him sophisticate her. Eventually, Lolita leaves Humbert for the American Quilty, who does not bore her with high culture or grand passions.偶然和无常纳博科夫的《洛丽塔》中的混沌 （心里和心理学方面的混乱）The Inadequacy of PsychiatryHumbert's passion for Lolita defies easy psychological analysis, and throughout Lolita Humbert mocks psychiatry's tendency toward simplistic, logical explanations. In the foreword to Lolita, John Ray, Jr., Ph.D., claims that Humbert's tale will be of great interest to psychiatry, but throughout his memoir Humbert does his best to discredit the entire field of study, heaping the most scorn on Freudian psychology. For example, he enjoys lying to the psychiatrists at the sanitarium. He reports mockingly that Pratt, the headmistress of Lolita's school, diagnoses Lolita as sexually immature, wholly unaware that she actually has an overly active sex life with her stepfather. By undermining the authority and logic of the psychiatric field, Nabokov demands that readers view Humbert as a unique and deeply flawed human being, but not an insane one. Humbert further thwarts efforts of scientific categorization by constantly describing his feelings for Lolita as an enchantment or spell, closer to magic than to science. He tries to prove that his love is not a mental disease but an enormous, strange, and uncontrollable emotion that resists easy classification. Nabokov himself was deeply critical of psychiatry, and Lolita is, in a way, an attack on the field.以《洛丽塔》为例分析文学内在价值与社会道德规范的冲突解析《洛丽塔》中主人公的悲剧命运论《洛丽塔》的悲剧意义（这段3个主题都有相关，但是不详细）Humbert and Lolita are both exiles, and, alienated from the societies with which they are familiar, they find themselves in ambiguous moral territory where the old rules seem not to apply. Humbert chooses exile and comes willingly from Europe to America, while Lolita is forced into exile when Charlotte dies. She becomes detached from her familiar community of Ramsdale and goes on the road with Humbert. Together, they move constantly and belong to no single fixed place. The tourists Humbert and Lolita meet on the road are similarly transient, belonging to a generic America rather than to a specific place. In open, unfamiliar territory, Humbert and Lolita form their own set of rules, where normal sexual and familial relationships become twisted and corrupt. Both Humbert and Lolita have become so disconnected from ordinary society that neither can fully recognize how morally depraved their actions are. Humbert cannot see his own monstrosity, and Lolita shows only occasional awareness of herself of a victim.Though Humbert sweeps Lolita away so that they can find a measure of freedom, their exile ultimately traps them. Lolita is bound to Humbert because she has nowhere else to go, and though Humbert dreams of leaving America with Lolita, he eventually accepts that he will stay in America until he dies. Though each of them undergoes one final exile, Lolita to Dick Schiller and Humbert to prison, it is clear that they are first and foremost exiled from their own selves, an exile so total that they could never return to their original places in the worlds they once left. Exile in Lolita is tragic and permanent.来源sparksnotes， 有角色分析和分篇的summary。
2.戏仿在《洛丽塔》中的运用有哪些
电影有两版，一版是黑白的，一版是彩色的，彩色那一版非常之能摸到名著的主题，而且真的能表达出那种爱情。
道一个成年男人对一个没有发育好的十来岁的孩子，七到十二岁，能有什么爱情可言。
但那确实是爱情啊！他为了这个孩子放弃了一切，有良好的教育，有好的出身，有好的一切都不要了，为了她，哪怕她是一个背叛他，利用他，怀了别人的孩子，还一脸的任性自私的妇人，他都可以为她去杀人。
这个女人并不美，可是，她叫洛丽塔。
因为看过了电影，明明折折的知道这个事情的发展，所以，我看这本书的时候是片断片断的欣赏，先看我喜欢的几个片断，与电影表现的非常一样，证明这个电影是真正的成功，可以让我在看书的时候，脑子里浮现着那两个人的影子。
书是极美的，我相信这是作者的自已的爱恋，哪怕故事是虚构的，可是，作者也一定是一个恋童癖，这本书给我最大的感觉就是，细节的描写身临其境，尤其是对洛丽塔的穿着举止的描写真是太生动了，作者一定是不舍自己心目中的女神的那些回忆吧！
而且心里独白也非常的精彩，采用了一种倒叙的笔法来写这个故事，免去了很多人物的对话，留下大片的独白，那种男人爱情的痛苦表现的非常的好。
一本书能留传百年到了现在都一定是有自己非常好的闪光点，而且一定是一本功力深厚的书，但有的是因为太过难懂，有的是因为历史背景，有的是因为翻译问题，但这本书与《蝴蝶梦》《飘》一要，易懂，而且好读，我甚至认为这本书比起前两本更像是一个非常纯粹的爱情故事。
虽然不理解这种爱情，但还是承认这本书非常好看，一个男人死缠着一个未成年的少女，用一切的方法把她留在身边，而她却拼命的逃离，从没有被感动，不知道他的深情，而且最后也没有爱上他，却是爱上了一个阳萎的变态男，这真是一个非常讽剌的结局。
倒是这个爱上洛丽塔的男人，在道德与欲望中挣扎的那样的哭痛，死，也许是解决一切的最好方法。
痴情，他是那样的痴情，可是，当他痴情的对象是一个不懂得爱的孩子时，他的痴情终成罪过。
文章中的人物和场面描写绝对是非常经典的，值得反复去精读。
3.关于如今美国文学的英文论文3000字,需要内容摘要及关键词
论《洛丽塔》中纳博科夫的现代意识 （文化冲突）The Dispiriting Incompatibility of European and American CulturesThroughout Lolita, the interactions between European and American cultures result in perpetual misunderstandings and conflict. Charlotte Haze, an American, is drawn to the sophistication and worldliness of Humbert, a European. She eagerly accepts Humbert not so much because of who he is, but because she is charmed by what she sees as the glamour and intellect of Humbert's background. Humbert has no such reverence for Charlotte. He openly mocks the superficiality and transience of American culture, and he views Charlotte as nothing but a simple-minded housewife. However, he adores every one of Lolita's vulgarities and chronicles every detail of his tour of America—he enjoys the possibilities for freedom along the open American road. He eventually admits that he has defiled the country rather than the other way around. Though Humbert and Lolita develop their own version of peace as they travel together, their union is clearly not based on understanding or acceptance. Lolita cannot comprehend the depth of Humbert's devotion, which he overtly links to art, history, and culture, and Humbert will never truly recognize Lolita's unwillingness to let him sophisticate her. Eventually, Lolita leaves Humbert for the American Quilty, who does not bore her with high culture or grand passions.偶然和无常纳博科夫的《洛丽塔》中的混沌 （心里和心理学方面的混乱）The Inadequacy of PsychiatryHumbert's passion for Lolita defies easy psychological analysis, and throughout Lolita Humbert mocks psychiatry's tendency toward simplistic, logical explanations. In the foreword to Lolita, John Ray, Jr., Ph.D., claims that Humbert's tale will be of great interest to psychiatry, but throughout his memoir Humbert does his best to discredit the entire field of study, heaping the most scorn on Freudian psychology. For example, he enjoys lying to the psychiatrists at the sanitarium. He reports mockingly that Pratt, the headmistress of Lolita's school, diagnoses Lolita as sexually immature, wholly unaware that she actually has an overly active sex life with her stepfather. By undermining the authority and logic of the psychiatric field, Nabokov demands that readers view Humbert as a unique and deeply flawed human being, but not an insane one. Humbert further thwarts efforts of scientific categorization by constantly describing his feelings for Lolita as an enchantment or spell, closer to magic than to science. He tries to prove that his love is not a mental disease but an enormous, strange, and uncontrollable emotion that resists easy classification. Nabokov himself was deeply critical of psychiatry, and Lolita is, in a way, an attack on the field.以《洛丽塔》为例分析文学内在价值与社会道德规范的冲突解析《洛丽塔》中主人公的悲剧命运论《洛丽塔》的悲剧意义（这段3个主题都有相关，但是不详细）Humbert and Lolita are both exiles, and, alienated from the societies with which they are familiar, they find themselves in ambiguous moral territory where the old rules seem not to apply. Humbert chooses exile and comes willingly from Europe to America, while Lolita is forced into exile when Charlotte dies. She becomes detached from her familiar community of Ramsdale and goes on the road with Humbert. Together, they move constantly and belong to no single fixed place. The tourists Humbert and Lolita meet on the road are similarly transient, belonging to a generic America rather than to a specific place. In open, unfamiliar territory, Humbert and Lolita form their own set of rules, where normal sexual and familial relationships become twisted and corrupt. Both Humbert and Lolita have become so disconnected from ordinary society that neither can fully recognize how morally depraved their actions are. Humbert cannot see his own monstrosity, and Lolita shows only occasional awareness of herself of a victim.Though Humbert sweeps Lolita away so that they can find a measure of freedom, their exile ultimately traps them. Lolita is bound to Humbert because she has nowhere else to go, and though Humbert dreams of leaving America with Lolita, he eventually accepts that he will stay in America until he dies. Though each of them undergoes one final exile, Lolita to Dick Schiller and Humbert to prison, it is clear that they are first and foremost exiled from their own selves, an exile so total that they could never return to their original places in the worlds they once left. Exile in Lolita.。
4.谁知道怎么写关于日食的论文
日食是怎样形成的？ 所谓"食"就是指一个天体被另一个天体或其黑影全部或部分掩遮的天文景象。
日食主要有日全食、日偏食及日环食三种。日食发生的原理是地球上的局部地区被月影所遮盖而造成的。
日食必发生在朔日，即农历的初一（朔）。这是因为只有在那一天，月亮才会出现在太阳与地球之间的连线上，这样才有可能使月球挡住太阳而形成日食。
同样地，月食一定出现在望日，即农历十五。 大家可能会问，为什么不是每个月的初一都会有日食，还有，为什么不是每个月的十五都会有月食呢？这是因为除了上面的条件外，影响日食和月食出现的还有其他一些因素。
我们把地球围绕太阳公转的轨道称为黄道，把月球围绕地球公转的轨道称为白道。 黄道平面与白道平面不是相同的，它们之间平均有5°09′的夹角，并且随时发生变化。
只有当月球运行到黄道和白道的升交点和降交点附近时，才会发生日食。 日食的种类 日食共有三种，即：日偏食、日环食和日全食。
月球遮住太阳的一部分叫日偏食。月球只遮住太阳的中心部分，在太阳周围还露出一圈日面，好象一个光环似的叫日环食。
太阳被完全遮住的叫日全食。这三种不同的日食的发生跟太阳、月球和地球三者的相互变化着的位置有关，并且也决定于月球与地球之间的距离变化。
月球比太阳小得多，它的直径大约是太阳直径的四百分之一，而月球与地球间距离也差不多是太阳与地球间距离的四百分之一，所以从地球上看，月亮与太阳的圆面大小差不多相等，因而能把遮住而发生日食。 地球公转和月球公转轨道都是椭圆，不论是太阳与地球间距离，还是月球与地球间距离，并不是固定不变的，而有时比较远，有时又比较近，因此月球本影的长短也不一样，月球本影最长时有379660公里，最短时为367000 公里，而地球与月球之间的距离最近时为356700公里，最远时达406700公里。
如果某个时刻月球本影比地球与月球之间的距离大，地球上被月球本影扫过的地带就可以看到日全食。如果月球本影比地球与月球之间的距离小，月球本影的尖端到不了地球的表面，那么在影尖延长出来的小影锥（叫伪本影）扫过的地带可以看到日环食。
被月球半影扫过的地带均可以看到日偏食，在偏食区内离全食区越近，偏食的程度就越大。 月球本影和半影没有扫过的地方，根本看不见日食。
以下是本世纪（1901-1999）发生全世界范围内日食的次数： 种类 次数 日偏食 78 日环食 73 日全食 71 混合食 6 总计228 日食的过程 日食的过程可分为五个阶段，而只有日全食才拥有全部过程，日偏食和日环食则没有食既和生光。 初亏：太阳与月球第一次外切，太阳光球西面刚切入月球东面的时刻。
食既：太阳与月球第一次内切，太阳光球刚完全被月球掩蔽的时刻。食甚：月球中心与太阳中心距离最小的时刻。
生光：太阳与月球第二次内切，太阳光球刚从月球西面露出来的时刻。复圆：太阳与月球第二次外切，太阳光球刚完全离开月球背后的时刻。
初亏、食既、生光和复圆又分别称为第一、第二、第三、第四接触。 日食的规律与周期 由于地球绕太阳和月亮绕地球的公转运动和黄白交点的移动都是有规律的，所以相隔一定的时间就会发生一次大致类似的日、月食。
早在古代，巴比伦人就根据对日食和月食的长期统计，发现了日、月食的循环周期为233个朔望月，也就是18年11又1/3日，即沙罗周期。 如何观测日食？ 观测日食，不要用眼睛直接正对着太阳观看。
几十年前，就因为直接用眼睛看日食，德国有几十人双目失明！直接用眼睛看早日食为什么会伤害眼睛甚至使人双目失明？原来太阳光以及其中看不见的红外线中包含大量的热能，被物体吸收后会产生大量的热。 大家都有这样的体会，用眼睛直接看太阳，即使只看短短的一刹那，眼睛就会受到很大的刺激，好久好久眼前一片昏暗，很难恢复过来，这是因为眼睛里有一个水晶体，它能起聚光镜的作用。
对准太阳看，太阳的热能被它聚集在眼底的视网膜上，就会觉得刺眼；如果经过一些时间后，视网膜就会被烧伤而失去视力。 在发生日食时，大部分时间都是偏食，月亮只挡住了一部分太阳，剩下的部分仍然和平常一样，所以直接用眼睛看的时间长了，同样会烧伤眼晴的。
通常可用一块涂了黑的玻璃放在眼睛前面看（或者把玻璃放在烟火上面熏黑）。墨层的厚度要均匀，能使眼睛透过它而看到太阳成为古铜色，看上去既不刺眼，又能看清楚。
有时也把加了墨汁的水倒人盆中，观看映在水中的太阳。也有的拿完全曝光的相片底片，几个叠在一起观看。
用望远镜观看的人，必须在镜片前加上滤光片，原理也同样是为了减弱太阳光， 使它不致烧伤眼睛。但无论如何绝对不能把眼睛凑近望远镜直接去看太阳，否则就会把你的眼晴烧伤。
在不观测时，不要将望远镜或相机指向太阳，并须盖上镜头盖，以免镜头过分吸热，导致爆裂。 月食的原理。
在农历十五、十六，月亮运行到和太阳相对的方向。这时如果地球和月亮的中心大致在同一条直线上，月亮就会进入地球的本影，而产生月全食。
如果只有部分月亮进入地球的本影，就产生月偏食。 当月球进入地球的半影时，应该是半影食，但由于。