众文网1.英语毕业论文
The Analysis of the Professional Leon（此文是这个杀手不太冷的影评） The Meaning of Life—Hope The Professional Leon which is directed by Luc Besson is an attractive and affecting movie. It is a story about a professional killer and a 14-year-old girl. In my opinion, this film reflects the influence of hope in people's lives. Life is a magic thing. It is like a thick forest and when we walk through it, we need hope to lead us. Hope can change one's mind. Hope can change one's life.The first reason is the change between the settings from the beginning to the end. The film began with the oppressive cityscapes: roads, streets, alleys and then the screen turned dark. They are the characteristics of Film Noir. Besides, the protagonist Leon appeared from a black shot which is a special close-up. In addition, the following shot are fighting in some rooms. The whole beginning leads to a mood of cold and oppression. However, at the end of the film is a scene of orphanage. The sunshine illuminated the trees and the grass. The scene is bright and warm. Then the shot got far and far. This showed that life was going on and the sunshine brought us hope to live. The world turned peace again, and the mood turned soft and cozy. Therefore, the change of the beginning and the end showed the dark had gone and everyone got their hope. In this film, there is a symbol of hope-Leon's evergreen. It ran through the whole film. The protagonist Leon, at fist, was a typical killer who was skillful and cold. The evergreen for him is the hope of life. It meant Leon's valuable memory-the girl he loved. Everyday he cleaned the leaves of the evergreen carefully. He thought the evergreen was quiet and happy, so he took care of it as his most valuable thing. Actually, he lived in his memory and what he must protect is the hope-evergreen. For Leon, there was no meaning of the reality until he met the girl –Mathilda. When the girl implored Leon to open the door, he hesitated. Yes, of course. It was because everything would change since he opened the door. Actually, Leon was a simple, kind and attentive man who was not good at express himself. We can know that from watching old movie and ironing clothes. After accepting the girl, Leon chose the responsibility in his heart. His life changed because his hope changed. His living purpose was to protect the girl and revenge on Stan. Furthermore, his good-side was stimulated by the girl's love. They were interdependent as a special relationship. I fact, Leon was not a killer any more since he met Mathilda. He was a real man. Another hope is reflected by Mathilda's attitude of life. Mathilda's family was inharmonious. She couldn't feel love in this family, so she became unyielding and mature at an early age. She hated her relatives except her little brother. If she didn't met Leon, her life would be out of imagination. When Leon opened the door, a light shone on Mathilda. This light of life is a symbol of change. Since she lived with Leon, she felt care from Leon, and she fell in love with him. She wanted to be with him forever. The hope of her life is Leon. She took care of their“home”and took care of him. When Leon ordered her go, she was in agony. She knew that she wouldn't see him again. She was afraid that the hope of life would disappear. At last, she planted the evergreen near the orphanage, and the evergreen became her hope. She got a new view of this world, and she would cherish the memory of Leon who saved her life and soul. This story is a fairy tale of killer. The killer managed to protect his hope as the expanse of his life, whereas he died in comfort. Maybe, there is another dark world concealed near us. However, it is because the shine of hope has not illuminated it. And the meaning of life is the process of seeking hope.。
2.急
>的影评 Tom Tykwer adapts Patrick Süskind's bestselling novel about an 18th century French psychopath with a superhuman sense of smell A German director, adapting a German novel set in France, with actors speaking English, plus extensive voice-over and a near-mute protagonist who spends a lot of his time sniffing. It doesn't exactly sound like a recipe for cinematic success. Remarkably, Tom Tykwer (Run Lola Run, Heaven) has pulled it off, creating a film that overcomes its more awkward elements to be a visually impressive, highly unusual period thriller. If you've read Patrick Süskind's 1985 novel, doubtless you'll recollect its opening pages, where the profound stink of eighteenth century Europe is described and the protagonist, Jean-Baptiste Grenouille is born to his fish vendor mother, amid the guts and heads of a Paris fish market, "the most putrid spot in all the kingdom". Tykwer doesn't immediately take us to this scenario, but after a short prologue showing the grown-up Grenouille in chains and on his way to the scaffold, he unleashes the full glory of a splendidly yucky cinematic realisation of said birth scene. In the light of the usual tone of period dramas, it's refreshingly foul. The first half of the film is defined by this grot as Jean-Baptiste is sent to an orphanage, where he grows up an odd child who unnerves the other children - as we're informed in the extensive narration provided by John Hurt. If you're of the school of thought that insists a good movie shouldn't use voice over, perhaps Perfume isn't for you, as much of the film relies on it, in part due to Grenouille not being much of a talker. Instead, he sniffs his way around the world, his sense of smell so acute he can identify pretty much any creature or substance within a large vicinity. After being sold to a tanner, he grows up into the appropriately wiry Ben Winshaw, who gives a gripping performance even if his delivery is a tad dubious. Grenouille discovers the full panoply of scents on his first trip into the centre of Paris. He's drawn to a perfumer's shop, but then lured away by the scent of a beautiful young girl (Herfurth) selling plums. She becomes his first kill, almost by accident, and his lifelong obsession - the scent of her body is the most intoxicating he's experienced. When happenstance brings him into contact with the once famous but faded perfumier Baldini (Hoffman, doing the film's only American accent), Grenouille so impresses him with his uncanny skills, he takes him on as an apprentice. This leads to him travelling to the perfume capital of Grasse in Provence, where he learns other techniques, which he then starts to exploit in his attempts to capture the elusive ideal scent of feminine youth and beauty. So begins his serial killing, and a new, ongoing mania for another beauty - Laura (Hurd-Wood), the daughter of a rich merchant, Richis (Rickman). In the process, we learn some fascinating details about the production of perfumes - which involve notes and chords, like music. We're also introduced to a fabulous bit of psychopathology - Grenouille is half super-canine, half-superhuman nutter, whose powers enable him to manipulate people, though he's entirely without moral constraint or purpose. As such, he's a force, a power. The film closes in 1766, and it would be nice to read the culmination of his ambitions as in some way having an influence on French society, then starting to ferment and build towards revolution. It's probably reaching, but either way, the prior scenes of him manipulating a mob in the most extreme ways are an example of his remarkable abilities. The film plays around nicely with conventions, so when Grenouille first follows the plum seller, the musical cues are pure romance. However, it's not love for the girl our weird antihero feels, it's love for her smell. The whole endeavour is like a grotesque romance, as his obsessions move him on to his infatuation with Laura. Tykwer slyly shoots it as if she's gazing at him, or moving towards him, but he's actually hidden, and while she's oblivious, he's savouring her scent. The film does suffer from some pacing issues during its 140 minute running time. However, even when the story is dragging, the film is so visually rich, it retains a pull. The $50 million budget is certainly up there on the screen, with wonderful production design, and cinematography by Tykwer's regular collaborator Frank Griebe. The first hour is amazing for its visions of old bridges packed with decrepit buildings and streets paved with filth. Grasse, on the other hand, introduces a blaze of colour, with lavender fields and the town itself lit by the Provencal sun. It's a beautiful, bright backdrop for 。
3.影视论文摘要翻译英文,请高手帮忙摘要：本文从目前平民化新闻节目
This text turns a news program to set out to elaborate the civilian turns the request to the host, and turns the request of the creation process of news program to the civilian currently from the civilian。
Turn the existent problem of the news program to carry on analysis currently to the civilian。 civilian turns, the civilian turn the characteristics that host's style, civilian turns the creation, civilian of the news program to turn a news program。
4.英语电影欣赏论文（中文的）一千五百字以上的
每周两部电影的生活过去了，选修课结课了，老师还不错，交一篇英文看后感就行，总结这一门课，确实看了不少电影，其中我比较喜欢的有<<兵临城下>>（神奇狙击手战争与爱情的交织）<<诺丁山>>（Notting Hill）（一个普通市民与好莱坞女明星的爱情故事）<<当幸福来敲门>>（我的论文就写的关于他的）<<海上钢琴师》（一个没上过岸，不懂乐谱却拥有非凡音乐才华的人的故事）《军火之王》（通过描写军火商反战）。
最后我写了一篇《当幸福来敲门》的看后感，Will Smith主演，由真人真事改编。全文如下，第一次写如此长的English，写完又打印出来。
里面肯定还有一些错误，如果有人闲着无聊，可以溜几眼，或许对你日后学习英语的信心有帮助。 After seeing the film”The Pursuit Of Happiness”,I'm deeply involved in the thought of life.We live in a big world including the rich and the poor,the optimist and the pessimist.What about you? Do you feel fulfilled? Have you ever made a plan for the happy life? The film supplies us with a man answering them. Many years ago, a view occupied me that life must be spent in enjoy. But now, especially from seeing the film, my thoughts are changed. Life is not only to enjoy what you have, but also to run after what you haven't. At the beginning of the film, Chris Gardner can be regarded as a fail. He has no money to rent a place to live in, and his wife departs from him. He and his little son even choose a toilet as a shelter for the nights. But the man never loses the mind to struggle for a happy life; even if he loses his temper when he fights for a sleeping place the governors applies. It's the spirits to overcome the difficulties that shocks me. Life is like a box of chocolates and you never know what you are goanna got. But if you are working hard with a expectant heart, you will get a satisfactory consequence. So, I think, everyone must have a dream. A dream isn't the one that you make every night or like a daydream. It's the one that you can realize in many years. It may be that I'll possess a big fortune, or I want to be a famous writer and so on. In a word, you must have a goal, which lets you make progresses constantly. Actually, the most important work is not having a goal but how to stick to it. Most people haven't a determination to finish what they have promised. What for? I think there are two reasons for it. First, the goal is too big to complete it. You should make a appropriate goal, which it is more likely to realize. Second, you haven't a reasonable plan for your goals. You'd better make it carefully. For instance, as a college student, you want to get a good job after graduation. So your four years' plan should be made. In first year, your English should reach a certain level. In second year, you want to get a scholarship. In third year, you join in many associations to communicate with different people. In fourth year, you take a part-time job to realize the society. In fact, your plan should be more complicated. Because the college is a long time and you can achieve lots of things during this time. Besides what I say above, another point is that you know what you are interested in. You may think it over before you have a try. Someone says that, the interest is the best teacher. The only thing to confine you in the work is the interest. Nothing is impossible. You never know what you will become in the future. The man in the film finally becomes a very rich man. This is so pleasant and admiring, but we should take it for granted. Chris Gardner has done much for it. No pain, no gain. He has suffered from many pains. His wife leaves him and his son alone. He is anxious about the sleeping place every night and sells a expensive machine to support his life. In order to get through the exam, he learns all over the night and still work in the day. He is so busy that he has no time to call for damages when he was crashed by a car. Fortunately, he finally succeeds. As a student, we should seize on the expensive time. Let's begin from now on. In the old time, the man that was full of encouragement in the war was respectful, and they were called hero. However, you can't become that kind of man in this peace world. But if you have a remarkable skill, which nobody can match, you also can be a hero. It's another kind of hero. Maybe the later one is more difficult to become. What you need isn't the only thing---encouragement. In a word, you will make what you are, and you control yourself in the future.。
5.一篇关于英语原版电影的论文
英文电影《阿甘正传》是一部以轻松形式来表现严肃主题的电影，它不仅对美国观众而且对中国观众产生了深刻的影响。
作为一部“反智电影”，它呼唤美国传统文化价值观的回归，表现出美国“爱、纯真和持之以恒”等主流5~4t，价值观.透过影片中的历史事件不仅可以看出美国社会文化的变迁.而且能够认识到美国文化流动性和扩张性的一面。[关键词]英文电影；阿甘正传；美国文化；解读 在人类的发展史上，艺术和人类的生存现实之间一直存在着本质的联系。
艺术是人们在社会实践基础上生产的意识性的产品。在人的意识领域中.人们总是千方百计地将理想化的现实价值融入意识性的产品之中.使艺术体现出人类现实社会的积极成果和真理性的力量。
因此，优秀的艺术作品。包括经典电影，都是能够反映人类社会普遍承认和接受的价值取向的，都是能够反映意识领域中永恒追求的理想的。
而电影《阿甘正传》就是一部这样的经典的影片。电影《阿甘正传》1995年获l3项奥斯卡奖提名，最终获最佳影片、最佳导演、最佳男主角、最佳改编剧本、最佳剪辑、最佳特技效果6项奥斯卡大奖，1998年被评为美国最伟大的百部电影之一，而且时至今日它也没有像其他影片一样或被打人冷宫销声匿迹，仍然是观众和影评界津津乐道的话题，足以说明它的魅力所在。
电影《阿甘正传》是一部包容广博、意味隽永的影片，有人把它当作爱情片欣赏，有人把它理解为政治片，有人把它视为励志片，也有人说它只是一部轻如鸿毛的娱乐片，总之它就像一盒什锦巧克力，只要用心品尝，每个人都会有不同的感受以及来自不同的诠释角度的心灵震撼。《阿甘正传》是一部“反智电影”，是对美国历史的调侃式的反思，更是对美国本土文化的全面展示。
借助对这部影片进行的文化解读.有助于读者领悟美国本土文化。一、一部传统文化价值观回归的“反智电影”作为一部时代感相当浓厚的影片《阿甘正传》几乎涉及美国从战后到80年代的所有大事，而其中尤其以60年代为主线，片中重点渲染的黑人运动、越战、登月都是美国6O年代的大事，也是当时世界的焦点所在。
回顾60年代，人们常说那是一个充斥着“暴力…..I生”“毒品”的时代，“青春与代沟”“垮掉的一代”。是这一时代的简明概括。
对这样一个冲撞激烈的年代西蒙·福里斯在《摇滚与记忆中的政治》一文言道：“公众放任不顾，个人则自我放纵，极端自由主义者陶醉于不要为任何后果负责的快感之中。弗里德里克·詹姆逊也言道：“60年代有一段时间几乎没有什么事是不可能的，换句话说，这个阶段是一个普遍解放，全球能量释放的阶段。”
电影把头脑愚笨、身体残疾的阿甘放到这样一个动荡不停与他显得格格不入的时代，含义究竟何在？20世纪9O年代，美国社会的反智情绪高涨，好莱坞于是推出了一批贬低现代文明、崇尚低智商和回归原始的影片，美国媒体称之为“反智电影”。《阿甘正传》就是这一时期反智电影的代表作。
一个智商只有75的智障者能够活得比他的高智商的同龄人更成功，活得更精彩.这的确说明它从某种意义上讲是一部“反智电影”，从一定程度上反映了冷战后美国国内一股崇尚自然回归的思潮。但影片所传递的信息远不止这些。
事实上，那个时代的年轻人，在经历和见证了动荡不安的60年代和自我的70年代后，对社会有了更为理性的思索。80年代的美国人似乎在重拾曾一度丢失的传统价值观和传统美德。
l所以《阿甘正传》可以说是20世纪80、90年代美国社会的保守主义思潮泛起的产物，它所宣扬的不是“反传统、反主流”，而恰恰是美国传统文化价值观的呼唤与回归。
6.一篇关于英语原版电影的论文
L:Are you hiding from me?
T:No.I just。 I。No. No. I was just, um。I didn't want to scare you.
L:If you don't mind my asking。what are you?
T:Well, I'm a。 [sighs]Well, I'm a faun. And what about you? You must be some kind of beardless dwarf?
L:I'm not a dwarf! I'm a girl! And, actually, I'm tallest in my class.
T:You mean to say that you're a Daughter of Eve?
L:Well, my mum's name is Helen.
T:Yes, but you are in fact human.
L:Yes, of course.
T:What are you doing here?
L:Well, I was hiding in the wardrobe in the spare room, and。
T:Spare room? Is that in Narnia?
L:Narnia? What's that?
T:[chuckling] Well, dear girl, you're in it. every stick and stone you see. Please allow me to introduce myself.My name is Tumnus.
L:Pleased to meet you, Mr. Tumnus. I'm Lucy Pevensie.
T:- Oh, you shake it.- Uh。 Why?
L:I。 I don't know. People do it when they meet each other.
T:Well, then, Lucy Pevensie from the shining city of War Drobe. How would it be if you came and had tea with me?
L:Well, thank you very much, but I probably should be getting back.
T:It's only just around the corner.And there'll be a glorious fire
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