众文网1.小说《香水》的资料
《香水》完整资料：程琳的小说这几年大受读者欢迎，却很少入得评论家的法眼，大概在搞评论的哥儿们姐儿们眼里，他的小说不够“文学”吧？或许程哥哥只忙着码小说，懒得跟评论家们套近乎也未可知。
我爱看他的小说，最大的阅读动力是他特会讲故事。到目前为止，他的作品全是写警察跟坏人的故事，而且这些故事中的警察往往跟坏人称兄道弟，这其中，坏人往往显得有情有义、有问必说实话，作为主角的警察苏岩则没心没肺、朝云暮雨，对坏人缺乏诚信，往往说话不算数，结果是坏人们每每被他逼得要发疯，不把肚子里所有线索吐出来就得被整得吐血。
所以，人民文学出版社一次性推出程琳的四部作品时打上了一个印记：“非常刑警”系列小说，包括《一针见血》、《犯罪嫌疑人》、《拘留》、《香水》，四部小说的主人公都是这个叫苏岩的警察。 苏岩这小子实在不算是品学兼优之辈。
在小说《香水》里面，据我粗略统计，他欺负坏人捎带着破案的情节占了四分之三，在剩下的部分里，欺负同事的情节占了一半，欺负女朋友和巴结领导（往往是公安局长把烟卷一衔在嘴上，这小子就上赶着擦火柴点火）占了另外的一半。（举一例：苏岩的两个年龄大的同事杨远、高军经常挨他欺负，两人抱怨说：“像警察的整天被不像警察的欺负，我们很郁闷！”苏岩开导他们：“你们不要郁闷！你们挨欺负是因为你们生来就该挨欺负。”
） 程琳小说的好看之一，在于他的笔下呈现了可称作“警察原生态”的东西，反正我没到警察队伍里卧过底什么的，真实不真实也没发言权，人家作者本人说真实，警察同行们也说像真的，只好相信。像上面说到的苏岩欺负坏人和好人的情节，书中比比皆是，跟以前图书媒体告诉我们的迥然相异，程琳的说法是：“看了很多人写警察的书，包括影视剧，我觉得过于虚假，都把警察写得傻乎乎的。
其实警察在社会的阴暗面，警察是比较复杂的，但是现在所有的影视剧这方面写得很少，我觉得警察非常不容易，因为他老在人与鬼之间活动，警察跟流氓打交道，这是免不了的。要是不比流氓更流氓，你就没辄儿。
特别是一线警察，整天要接触流氓、地痞、犯罪嫌疑人，自然而然他们的手段、套路都明白了，为什么你会比他们还要狠呢，所谓的流氓也好，所谓的技高一筹也好，坏人是有一定限度的，再坏了就把你抓起来消灭了，坏到一定的程度就把你铲除了，只有警察越来越复杂，今天我见的坏人，把你抓了，明天还见另外一个坏人，随着阅历的增长，警察会越来越复杂，所以警察太有优势了，因为他本身有这个手段，另外法律给他这种职能，所以警察肯定要比坏人要坏、要狠。”看了这样的告白，读者大概只有相信和服气的份儿了。
苏岩在感情生活上往往显得不知好歹，表现在小说里，就是女友上赶着向他示爱，而这个苏哥哥却不认真回报，结果是女人对他割舍不下。尽管人们都说男人不坏，女人不爱，可是我辈良善男士，八成不敢施行此计。
程琳的解释是：“苏岩是普通的警察，地位很低，遇到一些美女他也喜欢，他也想追求，没办法，只能是我先对你坏一点，目的是我要对你更好，因为我对你好，你根本不会理我，为了得到美女，就先对你坏一点，引起你的重视，给我机会之后，我再对你好，是为了对他更好。”这是非常刑警苏岩的另类情感表达方式，却叫我颇疑心作者在女人那里屡屡受挫，才以文学创作方式作为一种代偿，将人生的现实变形之后表达出来。
程琳小说的好看之二，是他的作品情节散漫无际，不像通常所见的警察破案作品一上来就硬来硬要，通篇故事环环相扣，跟好莱坞电影似的弄得气氛紧张兮兮，仿佛警察的生活是被导演给编好了程序似的，显得不真实。程琳的小说情节写得随意，叫人看了，感觉这才是汤汤水水的生活，这才像是真实的日子啊。
他在小说中，不是按部就班地向前发展情节，而往往是无意中带出一个新的线索，主人公追查下去，目标并不明确，读者也只好晕头晕脑地跟着往前走；往往是查着查着，峰回路转，末了终于出来一个大的结果，可是就算这个大的结果浮出水面，以至大案告破，他的书中也并不刻意描绘，仍是一副轻描淡写、波澜不惊，你只好认为这就是警察们再平常不过的日常破案生涯。这一写法，与警察文学的另一高手海岩截然相反，海岩的小说往往让读者边看边紧张得手心冒汗，夜里都会做恶梦，而程琳的小说就算影响到睡眠，也一定是让读者在梦中嘿嘿嘿笑起来。
对小说的这一路破案方式，程琳也有自己的说法。他说，大家可能对警察日常生活的了解跟实际相差得太远，自己书里没有局限这个案件怎么推理，怎么顺藤摸瓜，“因为在实际生活中这几乎是不存在的，靠推理很难。
现实生活中，因果的案子几乎很少，更难的是警察没有线索，上出租车因为一二百块钱把人整死了，把钱抢了。有的犯罪分子在抢东西之前把火车票都买好了，成不成，干完案子就走，这种案子很难很难破。”
《香水》是本新作，故事其实跟香水没有什么关系，只是苏岩有时约嫌疑人在一家叫香水茶馆的地方喝喝茶，时而不真不假地了解一下案情，变着法儿地追问些莫须有的线索。主要故事大致是：刑。
2.我想要一个关于 香水的论文
The right scent for each season My friend has a theory that certain perfumes go with different hair colours. When I sprayed the new Jo Malone English Pear and Freesia – a crisp, sweet floral with undertones of patchouli (not out until September) – she declared it a “blonde” scent. It was light, fresh and sweet, which, as a brunette, “wasn't for her”. My red-headed friend agreed with her thesis: people had told her that Sisley's Eau de Soir suited her personality because it smelt “warm and quirky”. I disagree. I think scents are seasonal, like clothes: hot weather suits sheer and floaty, while warm and heavy embodies winter. The smell of coconut would seem out of place under the mistletoe, and the air of cloves would feel wrong at a beach bar in the South of France. A “signature” scent that you wear year-round is a lovely romantic notion, but I think you should have two: one for summer and one for winter. I like summer perfumes that have a clarity and simplicity because, at this time of year, you also have the smell of suncreams and deodorants to contend with. Too many complicated notes and the result will be messy. When seeking an Eau de Soleil, look for energising and invigorating bouquets. Zesty citrus notes such as lemon, mandarin and grapefruit will bathe you in a shower-fresh smell. They are often combined with the warmer, edgier notes of vetyver and bergamot to help soften the scent. This year, flower-rich heart notes return. Florals are perfect for summer; they evoke memories of an English country garden. They are also more feminine and romantic than citrus-based scents. Although they are associated with elderly ladies, the new releases are modern, punchy bouquets. Vanilla is also in vogue. The scent is like Marmite: some love it, others hate it. I'm in the former camp – I think it is soft and feminine. A vanilla-based perfume is classier when mixed with piquant or fruity notes such as pink peppercorns or bergamot, as that stops it from being sickly. Guerlain Spiritueuse Double Vanille （£135, harrods.com） La Maison de Guerlain fragrances are available in Harrods from July. This spicy vanilla scent with a woody cedar central note is my favourite. Jo Malone White Tie and Tiara 2010 Cologne （£75, jomalone.co.uk） A limited-edition mixture of summer flowers and fruit. The elegant scent blends jasmine and orange blossom with hints of pineapple and tangerine. Caudalie （£21.50, caudalie.com） “Grapevine leaf crumpled between the fingers” reads the blurb for this fragrance's unusual top note. Watermelon is the heart note, while the base notes are sandalwood and vanilla. Sounds crazy, smells amazing. L'Occitane Paeonia Eau de Toilette （£28, uk.loccitane.com） A rich floral centred around heart notes of peonies and roses. Finished with a top note of grapefruit to create a fresh yet romantic aroma. Bond No 9 Harrods Rose （£90, harrods.com） The New York perfumery has created a divine scent, but with a terrible name. Mixes white rose and tuberose with a musky base.。
3.求一篇关于法国香水文化的文章,最好还附有参考文献,急用
一、法国香水的历史
法国香水及化妆品业举世闻名，它和法国时装、法国葡萄酒并列为法国三大精品产业，是法国人的骄傲。
法国人使用香精香料和化妆品始于十三世纪前后，主要是贵族社会。当时的宫廷里，不仅女人乐施粉黛，而且男人也粉面纹唇。法国第一家香精香料生产公司1730年诞生于格拉斯市，后来发展到最多的时候达到了上百家，到现在已经合并成三家规模较大的香精香料生产公司。据朋友介绍，格拉斯市一直承担着为法国名牌香水销售公司配制香水的业务，而名牌香水销售公司最多则只在此基础上按比例调入中性酒精和蒸馏水并加上包装。在法国，完全自己配制产品的名牌香水公司可以说很少。
在法国，香水业的发展可以说和时装业的发展有着密切的关系。香水业与时装业的结合是一种很有意思的文化现象。时装设计师们发现在时装上撒些香水会为时装表演和销售香水带来极好的效果，于是，便纷纷兼售香水。最早承做时装和销售香水的是布瓦雷公司，随后又有夏奈尔公司（CHANEL）等。1925年，夏奈尔公司推出了“夏奈尔5号”香水，获得了世界性的成功，被视为法国香水发展史上的里程碑。至今各名牌时装公司几乎都保留自己牌号的香水，当然也有几家自开始就是经营香水的名牌商号保留了下来。
二、种类
法国香水的生产最初均使用天然原料。这些原料来源很广：如花（玫瑰花、茉莉花）、水果（柠檬、柑橘），球类植物（晚香玉）等。由于生产这些原料的成本增加，如今格拉斯地区只种植部分花卉植物，大部分原料已依赖进口。
天然原料造价较高，比如600公斤的茉莉花只可提纯1公斤的茉莉香精。由于化学工业的发展，20世纪初，人们开始采用合成的方式生产香水和化妆品，从此这一领域出现了重大的变革。香型的范围扩大了，从而弥补了天然原料的不足。
酒精性香制品，即香水。它是由配制好的香精加调中性酒精及蒸馏水稀释而成的。香水依据其所含香精浓度的大小而具有不同的名称，例如“化妆水”（EAU DE TOILETTE），“科劳尼水”（EAU DE COLOGNE），“化妆香水”（EAU DE PARFUM），“浓香水”（PARFUM）和“香精性香水”（ESSENCE DE PARFUM）。这些标志在名牌香水上基本都是会注明的，一看便知。需要说明的是，并非所有的香精都可配制浓度较高而又气味宜人的香水，有些香精在其浓度较低时反而恰是于人接受的最佳状态。
三、香水文化
香水是一种技术产品，但它更是一种文化产品。配制香水是一个复杂的过程。调配师是艺术巨匠，他要依据人们审美情趣的变化和要求来创造。据介绍，一种新的产品的试制一般至少需要一年的时间，而它的推广则需好几年的时间和大量的广告费用。要知道，在已有上千种的产品的情况下，再创造出新的有特色的产品，是很不容易的。当然，要把人类现有的8,000多种香精原料和它们的不同用量进行排列组合，那也将是无穷无尽的事。而且随着科学的发展，人们还会发现新的可用来调配香水的原料。
选用香水也很有讲究。香水也有个性。每种香水都具有其意义内涵和审美效果，所以在选用香水时要特别予以注意。首先要分清是女用还是男用香水，女用在使女性本身得到满足之外还对男性有吸引作用，而男用香水反之。其次，选用香水，要注意使用场合、对象、季节、时辰、服饰、个人年龄、个人和他人身体状况等因素。要做到个人他人相宜、场合时辰相宜、浓淡相宜，真是件不太容易的事。可以说，选用香水是对选用者文化素质和个人修养的测定
4.求<香水发展史>的"英文"论文一篇.高分奖励
The word perfume used today derives from the Latin "per fumus", meaning through smoke. Perfumery, or the art of making perfumes, began in ancient Mesopotamia and Egypt and was further refined by the Romans and Persians. Although perfume and perfumery also existed in India, much of its fragrances are incense based. The earliest distillation of Attar was mentioned in the Hindu Ayurvedic text Charaka Samhita. The Harshacharita, written in 7th century A.D. in Northern India mentions use of fragrant agarwood oil. The world's first recorded chemist is considered to be a woman named Tapputi, a perfume maker who was mentioned in a cuneiform tablet from the second millennium BC in Mesopotamia. She distilled flowers, oil, and calamus with other aromatics then filtered and put them back in the still several times. In 2005, archaeologists uncovered what are believed to be the world's oldest perfumes in Pyrgos, Cyprus. The perfumes date back more than 4,000 years. The perfumes were discovered in an ancient perfumery. At least 60 stills, mixing bowls, funnels and perfume bottles were found in the 43,000-square-foot (4,000 m 2 ) factory. In ancient times people used herbs and spices, like almond, coriander, myrtle, conifer resin, bergamot, as well as flowers. The Arabian chemist, Al-Kindi (Alkindus), wrote in the 9th century a book on perfumes which he named Book of the Chemistry of Perfume and Distillations. It contained more than a hundred recipes for fragrant oils, salves, aromatic waters and substitutes or imitations of costly drugs. The book also described 107 methods and recipes for perfume-making and perfume making equipment, such as the alembic (which still bears its Arabic name). The Persian chemist Ibn Sina (also known as Avicenna) introduced the process of extracting oils from flowers by means of distillation, the procedure most commonly used today. He first experimented with the rose. Until his discovery, liquid perfumes were mixtures of oil and crushed herbs or petals, which made a strong blend. Rose water was more delicate, and immediately became popular. Both of the raw ingredients and distillation technology significantly influenced western perfumery and scientific developments, particularly chemistry. The art of perfumery was known in western Europe ever since the 1221 if we consider the monks' recipes of Santa Maria delle Vigne or Santa Maria Novella of Florence, Italy. In the east, the Hungarians produced in 1370 a perfume made of scented oils blended in an alcohol solution at the command of Queen Elizabeth of Hungary best known as Hungary Water. The art of perfumery prospered in Renaissance Italy, and in the 16th century, Italian refinements were taken to France by Catherine de' Medici's personal perfumer, Rene the Florentine (Renato il fiorentino). His laboratory was connected with her apartments by a secret passageway, so that no formulas could be stolen en route. Thanks to Rene, France quickly became one of the European centers of perfume and cosmetic manufacture. Cultivation of flowers for their perfume essence, which had begun in the 14th century, grew into a major industry in the south of France. Between the 16th and 17th century, perfumes were used primarily by the wealthy to mask body odors resulting from infrequent bathing. Partly due to this patronage, the perfumery industry was created. In Germany, Italian barber Giovanni Paolo Feminis created a perfume water called Aqua Admirabilis, today best known as eau de cologne, while his nephew Johann Maria Farina (Giovanni Maria Farina) in 1732 took over the business. By the 18th century, aromatic plants were being grown in the Grasse region of France, in Sicily, and in Calabria, Italy to provide the growing perfume industry with raw materials. Even today, Italy and France remain the centre of the European perfume design and trade.麻烦采纳，谢谢。
5.有关<香水>小说的
同父异母的兄弟 父亲死了，弟弟的妈妈死了 爷爷把他接到家里来住
爷爷根本不喜欢这个小的！是自己的儿子在外面和别人女人生下来的野种`` 2008-04-15 17:52
两兄弟都喜欢这个女孩.她喜欢上了那个小点的
可是爷爷不想 2008-04-15 17:54
就在那个老头子（爷爷）死后有遗嘱就是要那个女孩从两人中选一个做他未婚夫得到她就是得到财产她选了哥哥因为她爱的那个男生喜欢梦想调最好的香水喜欢自由自在并不适合做继承人她不可以毁了爷爷一手的业绩真是很难的选择这个小说的名字叫什么啊还没看完不记得名字了
哪为看过的说下还有是谁写的谢谢了 20